Exclusive: Chervine Naamani has joined ColorCreative, the management and production company co-founded by Issa Rae, Deniese Davis, and Talitha Watkins, as a manager and producer.
Naamani joins from the management company Rain, where he spent four and a half years building a diverse, multicultural list of next generation filmmakers and writers. In his new role, he will continue to help spearhead the development of diverse emerging talent in the entertainment industry, reporting to ColorCreative President Talitha Watkins.
Notable clients Naamani is bringing with him include filmmakers Bishal Dutta (It Lives Inside), Razelle Benally (Murder in Big Horn), Nardeep Khurmi (Land of Gold), Linh Tran (Waiting for the Light to Change), Jonathan Cuartas (My Heart Can’t Beat Unless You Tell It To) and Bo Mirhosseni (History of Evil), as well as writers Kira Kalush (Ghosts), Erica Meredith (La Brea), Nicole Saad (Lioness), Savannah Ward (Cruel Summer), Brandon Schultz (Star Trek: Discovery...
Naamani joins from the management company Rain, where he spent four and a half years building a diverse, multicultural list of next generation filmmakers and writers. In his new role, he will continue to help spearhead the development of diverse emerging talent in the entertainment industry, reporting to ColorCreative President Talitha Watkins.
Notable clients Naamani is bringing with him include filmmakers Bishal Dutta (It Lives Inside), Razelle Benally (Murder in Big Horn), Nardeep Khurmi (Land of Gold), Linh Tran (Waiting for the Light to Change), Jonathan Cuartas (My Heart Can’t Beat Unless You Tell It To) and Bo Mirhosseni (History of Evil), as well as writers Kira Kalush (Ghosts), Erica Meredith (La Brea), Nicole Saad (Lioness), Savannah Ward (Cruel Summer), Brandon Schultz (Star Trek: Discovery...
- 4/23/2024
- by Matt Grobar
- Deadline Film + TV
One of the all-time foundational fixtures in horror is the vampire. That means over a century’s worth of bloodsuckers in film, in various styles and mythology, from across the globe.
As prominent as this movie monster is, with dozens of adaptations of Bram Stoker’s Dracula alone, there’s an overwhelming selection of vampire fare that makes it easy for many worthwhile gems to fall through the cracks. This week’s streaming picks are dedicated to underseen vampire horror movies worth seeking out.
As always, here’s where you can stream them this week.
For more Stay Home, Watch Horror picks, click here.
Mr. Vampire – The Criterion Channel – Plex, the Roku Channel
This supernatural genre-bender from director Ricky Lau stands far apart from standard vampire fare thanks to its comedy, martial arts, and jiangshi. Taoist priest Master Kau (Lam Ching-ying) guards the realm of the living by maintaining control...
As prominent as this movie monster is, with dozens of adaptations of Bram Stoker’s Dracula alone, there’s an overwhelming selection of vampire fare that makes it easy for many worthwhile gems to fall through the cracks. This week’s streaming picks are dedicated to underseen vampire horror movies worth seeking out.
As always, here’s where you can stream them this week.
For more Stay Home, Watch Horror picks, click here.
Mr. Vampire – The Criterion Channel – Plex, the Roku Channel
This supernatural genre-bender from director Ricky Lau stands far apart from standard vampire fare thanks to its comedy, martial arts, and jiangshi. Taoist priest Master Kau (Lam Ching-ying) guards the realm of the living by maintaining control...
- 4/23/2024
- by Meagan Navarro
- bloody-disgusting.com
Four new Dark Sky Films titles have been added to our massive Screambox library, which already includes Willow Creek, Minor Premise, and The Deeper You Dig (details); Ghost Killers vs. Bloody Mary, Landlocked, and Possum (details); Henry: Portrait of a Serial Killer 1 & 2, and Emelie (details); Stake Land, Summer of Blood, & Bitter Feast (details); and Wake Wood, Eaten Alive and Sleep Tight (details). Holy shit, right?!
The final batch of films is now streaming on Screambox and begins with Pollyanna McIntosh‘s Darlin’ (review), which she wrote, directed and stars in(!).
“In this sequel to Bloody Disgusting’s The Woman, a feral teenage girl is taken into strict Catholic care and prepared for her First Holy Communion.”
“Found at a Catholic hospital filthy and ferocious, feral teenager Darlin’ (Lauryn Canny) is whisked off to a care home run by The Bishop and his obedient nuns where she is to be tamed into a “good girl.
The final batch of films is now streaming on Screambox and begins with Pollyanna McIntosh‘s Darlin’ (review), which she wrote, directed and stars in(!).
“In this sequel to Bloody Disgusting’s The Woman, a feral teenage girl is taken into strict Catholic care and prepared for her First Holy Communion.”
“Found at a Catholic hospital filthy and ferocious, feral teenager Darlin’ (Lauryn Canny) is whisked off to a care home run by The Bishop and his obedient nuns where she is to be tamed into a “good girl.
- 1/2/2024
- by Brad Miska
- bloody-disgusting.com
The feature film “Freda” and short film “You Can Always Come Home,” both family dramas, earned top prizes at the 39th edition of Miami Dade College’s Miami Film Festival. Presented in a hybrid format this year, with both in-theater and virtual presentations, the 2022 Festival ran from March 4-13.
Making its U.S. premiere at this year’s Festival, “Freda,” directed by Géssica Généus, earned the top award for her first feature set in Haiti, the $25,000 Knight Marimbas Award. The winning film was selected by jury members Damon D’Oliveria, April Dobbins and Rubén Peralta Rigaud. Of the film, the jury noted, “this film resonated with all of us for its strong, female-centered narrative, and its exceptional performances from emerging actors. We couldn’t stop thinking about this world and these characters, and we appreciated being immersed in a place that we don’t often see onscreen – portrayed in such a realistic,...
Making its U.S. premiere at this year’s Festival, “Freda,” directed by Géssica Généus, earned the top award for her first feature set in Haiti, the $25,000 Knight Marimbas Award. The winning film was selected by jury members Damon D’Oliveria, April Dobbins and Rubén Peralta Rigaud. Of the film, the jury noted, “this film resonated with all of us for its strong, female-centered narrative, and its exceptional performances from emerging actors. We couldn’t stop thinking about this world and these characters, and we appreciated being immersed in a place that we don’t often see onscreen – portrayed in such a realistic,...
- 3/13/2022
- by Malina Saval
- Variety Film + TV
Two family dramas, the feature film Freda and short film You Can Always Come Home, have earned the top prizes at the 39th edition of Miami Dade College’s Miami Film Festival. Presented in a hybrid format with in-theater and virtual presentations, the 2022 Festival ran from March 4 through tomorrow.
Making its US premiere at this year’s Festival, Freda, directed by Géssica Généus, earned the top award for her first feature. Set in Haiti, the $25,000 Knight Marimbas Award, supported by the John S. and James L. Knight Foundation, is an international competition for new narrative feature films that best exemplify richness and resonance for cinema’s future.
The winning film was selected by jury members Damon D’Oliveria, April Dobbins, and Rubén Peralta Rigaud. The jury said, “This film resonated with all of us for its strong, female-centered narrative, and its exceptional performances from emerging actors. We couldn’t stop...
Making its US premiere at this year’s Festival, Freda, directed by Géssica Généus, earned the top award for her first feature. Set in Haiti, the $25,000 Knight Marimbas Award, supported by the John S. and James L. Knight Foundation, is an international competition for new narrative feature films that best exemplify richness and resonance for cinema’s future.
The winning film was selected by jury members Damon D’Oliveria, April Dobbins, and Rubén Peralta Rigaud. The jury said, “This film resonated with all of us for its strong, female-centered narrative, and its exceptional performances from emerging actors. We couldn’t stop...
- 3/13/2022
- by Bruce Haring
- Deadline Film + TV
While time has seemingly ceased to exist in year two of the global pandemic, we’ve had no shortage of entertainment options. More films have had simultaneous theatrical releases and digital releases and most film festivals have been hybrid this year, offering both in-person and virtual access to journalists as well as audiences. We’re hoping this trend continues in 2022 to allow accessibility to all.
With that said, 2021 has been a great year for horror. I’ve been very fortunate to be able to view and cover some truly amazing horror films this year. As the world still feels like it’s in a state of chaos, I’ve continued to turn to horror as a form of therapy. I’ve seen some fantastic horror movies and shows this year that not only provided an escape from reality, but also showcased some wildly talented filmmaking. In no particular order, the...
With that said, 2021 has been a great year for horror. I’ve been very fortunate to be able to view and cover some truly amazing horror films this year. As the world still feels like it’s in a state of chaos, I’ve continued to turn to horror as a form of therapy. I’ve seen some fantastic horror movies and shows this year that not only provided an escape from reality, but also showcased some wildly talented filmmaking. In no particular order, the...
- 1/7/2022
- by Michelle Swope
- DailyDead
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Days (Tsai Ming-liang)
Not a huge amount takes place at the beginning of Days. The opening exchanges are elemental: wind blows; rain patters; grass shivers; a boy in pink shorts plays with fire. But then not a huge amount happens after. The movie is the latest from director Tsai Ming-liang, a Malaysia-born filmmaker and master of slow burns; and a key figure in the second wave of Taiwanese New Cinema. What Tsai does do–and better than most–is long takes; beautiful compositions; urban bustle; gorgeous color; neon light–as well as capture touch, sexuality and the human body. – Rory O. (full review)
Where to Stream: Mubi (free for 30 days) (note: Tsai’s Afternoon is also streaming)
Fourteen (Dan Sallitt)
There is an uncomfortable,...
Days (Tsai Ming-liang)
Not a huge amount takes place at the beginning of Days. The opening exchanges are elemental: wind blows; rain patters; grass shivers; a boy in pink shorts plays with fire. But then not a huge amount happens after. The movie is the latest from director Tsai Ming-liang, a Malaysia-born filmmaker and master of slow burns; and a key figure in the second wave of Taiwanese New Cinema. What Tsai does do–and better than most–is long takes; beautiful compositions; urban bustle; gorgeous color; neon light–as well as capture touch, sexuality and the human body. – Rory O. (full review)
Where to Stream: Mubi (free for 30 days) (note: Tsai’s Afternoon is also streaming)
Fourteen (Dan Sallitt)
There is an uncomfortable,...
- 12/17/2021
- by Jordan Raup
- The Film Stage
To celebrate the release of My Heart Can’t Beat Unless You Tell It To, which is streaming and on digital download from next week, we sat down with the star of the film Patrick Fugit to find out more about this hugely surprising film.
Set in the modern-day, the film concerns a family of siblings – Dwight (Patrick Fugit), Jessie (Ingrid Sophie Schram), and younger brother Thomas (Owen Campbell) – who are facing an impossible dilemma that eats at them every day. Thomas is fighting for his life but no medicine will help him, for he can only survive on human blood. Immediately, you may be thinking that the film is a standard vampire film, but Jonathan Cuartas assured debut is so much more than that – in fact, it’s almost an after-thought.
Fugit told us about receiving the script with no prior knowledge of what it was about and within the first ten pages,...
Set in the modern-day, the film concerns a family of siblings – Dwight (Patrick Fugit), Jessie (Ingrid Sophie Schram), and younger brother Thomas (Owen Campbell) – who are facing an impossible dilemma that eats at them every day. Thomas is fighting for his life but no medicine will help him, for he can only survive on human blood. Immediately, you may be thinking that the film is a standard vampire film, but Jonathan Cuartas assured debut is so much more than that – in fact, it’s almost an after-thought.
Fugit told us about receiving the script with no prior knowledge of what it was about and within the first ten pages,...
- 6/30/2021
- by Scott Davis
- HeyUGuys.co.uk
Stars: Patrick Fugit, Ingrid Sophie Schram, Owen Campbell, Moises L. Tovar, Judah Bateman, Katie Preston | Written and Directed by Jonathan Cuartas
It will be of no surprise to many that what drew me to this movie is the rather long but very awesome title. I guess many people would see it as a bit self indulgent but for me it conjures up so many thoughts and ideas to what kind of movie it might be and it simply made me want to watch the film. My Heart Can’t Beat Unless You Tell It To has much more going for it than just a great title though.
It’s a story that I don’t want to go into too much for fear of spoilers but it’s a pretty simple idea in which two siblings are looking after their younger, frail and ill brother. But the things they have...
It will be of no surprise to many that what drew me to this movie is the rather long but very awesome title. I guess many people would see it as a bit self indulgent but for me it conjures up so many thoughts and ideas to what kind of movie it might be and it simply made me want to watch the film. My Heart Can’t Beat Unless You Tell It To has much more going for it than just a great title though.
It’s a story that I don’t want to go into too much for fear of spoilers but it’s a pretty simple idea in which two siblings are looking after their younger, frail and ill brother. But the things they have...
- 6/28/2021
- by Alain Elliott
- Nerdly
Following its screening at the Tribeca Film Festival, My Heart Can't Beat Unless You Tell It To is now available in theaters and on digital services thanks to Dark Sky Films. Here's a look at an exclusive clip from the film:
"Dwight (Patrick Fugit) prowls the streets after dark. He searches each night for the lonely and forlorn, looking for people who won't be missed. Dwight takes no joy in this, but he needs their blood. Without fresh human blood, his fragile young brother Thomas cannot survive. Each death takes a larger toll, the burden of his crimes weighing heavier each time, threatening to crack his spirit. But Thomas (Owen Campbell) and his sister Jessie (Ingrid Sophie Schram) are all the family Dwight has left, and as a fiercely private and close-knit family unit, they depend on him and the rituals they've learned in order to keep their secret. But...
"Dwight (Patrick Fugit) prowls the streets after dark. He searches each night for the lonely and forlorn, looking for people who won't be missed. Dwight takes no joy in this, but he needs their blood. Without fresh human blood, his fragile young brother Thomas cannot survive. Each death takes a larger toll, the burden of his crimes weighing heavier each time, threatening to crack his spirit. But Thomas (Owen Campbell) and his sister Jessie (Ingrid Sophie Schram) are all the family Dwight has left, and as a fiercely private and close-knit family unit, they depend on him and the rituals they've learned in order to keep their secret. But...
- 6/25/2021
- by Jonathan James
- DailyDead
Only the Lonely: Cuartas Finds No Forgiveness of Blood in Striking Debut
With a film which could have easily borrowed the title of the similarly dysfunctional Utah-set The Killing of Two Lovers (2020), Colombian-American director Jonathan Cuartas makes a bid for a contemporary pillar of indie cinema with a family saga cum vampire narrative My Heart Can’t Beat Unless You Tell It To. Bloodlust and loyalty are the twin diseases tearing a trio of siblings apart in this lowkey tale of Midwestern woe which juxtaposes the passionate zest of its poetic title and characters literally drained of meaning and sustenance.…...
With a film which could have easily borrowed the title of the similarly dysfunctional Utah-set The Killing of Two Lovers (2020), Colombian-American director Jonathan Cuartas makes a bid for a contemporary pillar of indie cinema with a family saga cum vampire narrative My Heart Can’t Beat Unless You Tell It To. Bloodlust and loyalty are the twin diseases tearing a trio of siblings apart in this lowkey tale of Midwestern woe which juxtaposes the passionate zest of its poetic title and characters literally drained of meaning and sustenance.…...
- 6/24/2021
- by Nicholas Bell
- IONCINEMA.com
Blood’s thicker than the mud in the family affair that is My Heart Can’t Beat Unless You Tell It To, a contemporary vampire tale utterly stripped of the genre’s romance. In place of mythic hoohah, writer-director Jonathan Cuartas focuses on the grim, quotidian details of day-to-day caregiving for an extremely pale invalid named Thomas (Owen Campbell), a frail wisp of a young man who is wholly dependent on older siblings Dwight (Patrick Fugit) and Jessie (Ingrid Sophie Schram) for survival, sheltered inside a drab house on the forgotten edge of an anonymous city, its every window blanketed from fatal sunlight. […]
The post Tribeca Critic’s Notebook: My Heart Can’t Beat Unless You Tell It To, Roaring ’20s, Italian Studies first appeared on Filmmaker Magazine.
The post Tribeca Critic’s Notebook: My Heart Can’t Beat Unless You Tell It To, Roaring ’20s, Italian Studies first appeared on Filmmaker Magazine.
- 6/23/2021
- by Steve Dollar
- Filmmaker Magazine - Blog
Blood’s thicker than the mud in the family affair that is My Heart Can’t Beat Unless You Tell It To, a contemporary vampire tale utterly stripped of the genre’s romance. In place of mythic hoohah, writer-director Jonathan Cuartas focuses on the grim, quotidian details of day-to-day caregiving for an extremely pale invalid named Thomas (Owen Campbell), a frail wisp of a young man who is wholly dependent on older siblings Dwight (Patrick Fugit) and Jessie (Ingrid Sophie Schram) for survival, sheltered inside a drab house on the forgotten edge of an anonymous city, its every window blanketed from fatal sunlight. […]
The post Tribeca Critic’s Notebook: My Heart Can’t Beat Unless You Tell It To, Roaring ’20s, Italian Studies first appeared on Filmmaker Magazine.
The post Tribeca Critic’s Notebook: My Heart Can’t Beat Unless You Tell It To, Roaring ’20s, Italian Studies first appeared on Filmmaker Magazine.
- 6/23/2021
- by Steve Dollar
- Filmmaker Magazine-Director Interviews
Recently, the indie vampire drama My Heart Can’t Beat Unless You Tell It To screened as part of the 2021 Tribeca Film Festival lineup, and it’s headed to select theaters and VOD this Friday, June 25th, courtesy of Dark Sky Films. Written and directed by first-time feature filmmaker Jonathan Cuartas, My Heart stars Patrick Fugit, Ingrid Sophie Schram, and Owen Campbell as siblings who must go to great lengths in order to take care of each other, including finding potential victims to keep the youngest sibling’s appetite for blood satiated.
Last week, Daily Dead had the opportunity to speak with Fugit about his involvement in My Heart Can’t Beat Unless You Tell It To, and he discussed the initial appeal of taking on the role of big brother Dwight in the project, his experiences collaborating with Cuartas and his fellow co-stars, and more.
Thanks so much for taking time to speak with me today,...
Last week, Daily Dead had the opportunity to speak with Fugit about his involvement in My Heart Can’t Beat Unless You Tell It To, and he discussed the initial appeal of taking on the role of big brother Dwight in the project, his experiences collaborating with Cuartas and his fellow co-stars, and more.
Thanks so much for taking time to speak with me today,...
- 6/21/2021
- by Heather Wixson
- DailyDead
Untitled Horror Movie: "A comedy about making a horror movie from the director who brought you, Truth or Dare (2017). With their hit TV show on the brink of cancellation, six actors decide to film their own horror movie, unintentionally summoning a spirit with an affinity for violence."
Starring
Luke Baines (Shadowhunters) - @lukebaines Darren Barnet (Never Have I Ever) - @darrenbarnet Tim Granaderos (13 Reasons Why) - @timothygranaderos Claire Holt (Vampire Diaries) - @claireholt Katherine McNamara (Shadowhunters) - @kat.mcnamara Emmy Raver-Lampman (The Umbrella Academy) - @emmyraver Kal Penn (Harold and Kumar go to White Castle) - @kalpenn Aisha Tyler (Friends) - @aishatyler Kevin Daniels (Council of Dads) - @kevindaniels27 Lesly Kahn (Quantum Leap) - @leslykahn Sohm Kapila (Jane The Virgin) - @sohmkapila
Credits:
Directed by Nick Simon Written by Luke Baines & Nick Simon Produced by Bronwyn Cornelius, p.g.a., Marina Stabile, p.g.a. Producers Luke Baines, p.
Starring
Luke Baines (Shadowhunters) - @lukebaines Darren Barnet (Never Have I Ever) - @darrenbarnet Tim Granaderos (13 Reasons Why) - @timothygranaderos Claire Holt (Vampire Diaries) - @claireholt Katherine McNamara (Shadowhunters) - @kat.mcnamara Emmy Raver-Lampman (The Umbrella Academy) - @emmyraver Kal Penn (Harold and Kumar go to White Castle) - @kalpenn Aisha Tyler (Friends) - @aishatyler Kevin Daniels (Council of Dads) - @kevindaniels27 Lesly Kahn (Quantum Leap) - @leslykahn Sohm Kapila (Jane The Virgin) - @sohmkapila
Credits:
Directed by Nick Simon Written by Luke Baines & Nick Simon Produced by Bronwyn Cornelius, p.g.a., Marina Stabile, p.g.a. Producers Luke Baines, p.
- 6/16/2021
- by Jonathan James
- DailyDead
In many ways, writer/director Jonathan Cuartas‘s feature debut feels like a spiritual sibling to We Are What We Are. Both offer meditative, brooding depictions of isolated families so removed from the rest of the world. Both films see their characters committing unspeakable acts in the name of family bonds. Even the lengthy titles feel similar. But, while they […]...
- 6/13/2021
- by Meagan Navarro
- bloody-disgusting.com
Dark Sky Films Will Release ‘My Heart Can’T Beat Unless You Tell It To’ In Select Theaters And VOD On June 25Th Written and Directed by Jonathan Cuartas Starring Patrick Fugit, Ingrid Sophie Schram, Owen Campbell Special 2021 Tribeca Festival Screening Saturday, June 12th at 10:30Pm @ Clinton Hall at Empire Outlets Dwight (Patrick Fugit) prowls …
The post My Heart Can’T Beat Unless You Tell It To – Trailer and Poster appeared first on Horror News | Hnn.
The post My Heart Can’T Beat Unless You Tell It To – Trailer and Poster appeared first on Horror News | Hnn.
- 6/11/2021
- by Adrian Halen
- Horror News
"Do you have any idea what we do to get that blood?" Dark Sky Films has debuted an official trailer for an indie horror drama titled My Heart Can't Beat Unless You Tell It To, marking the feature directorial debut of filmmaker Jonathan Cuartas. This originally premiered at the Nightstream Film Festival last year, and played at tons of genre fests worldwide including: Sitges, MOTELx, Celluloid Screams, and Strasbourg Fantastic Film Festival. Two mysterious siblings find themselves at odds over care for their frail and sickly younger brother. Who might actually be a vampire? Reviews describe the film as "an unflinching look at the lengths people will go to for family ties... but it's also a story about loneliness, a story which you know is going to collapse in on itself at some point." My Heart Can't Beat Unless You Tell It To stars Patrick Fugit, Ingrid Sophie Schram, Owen Campbell,...
- 5/3/2021
- by Alex Billington
- firstshowing.net
The dark, tense, combustible mood and atmosphere conveyed in the trailer for My Heart Can't Beat Unless You Tell It To, as well as its story of a family member in search of blood in behalf of another family member, reminds me favorably of Jorge Michel Grau's Somos lo que hay (2010), which was memorably refashioned by Jim Mickle into We Are What We Are (2013). All this alerts me: pay attention, this might be really good. The premise for the new film, written and directed by shorts filmmaker Jonathan Cuartas as his feature debut, is as follows: "Dwight (Patrick Fugit) prowls the streets after dark. He searches each night for the lonely and forlorn, looking for people who won't be missed. Dwight takes no...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 4/27/2021
- Screen Anarchy
Exclusive: Lightbulb Film Distribution has picked up UK rights to three films out of the EFM, including BFI-backed dystopian thriller Undergods.
Kate Dickie (The Witch), Ned Dennehy (Peaky Blinders) and Geza Rohrig (Son Of Saul) star in the collection of post-apocalyptic fantasy tales about ill-fated characters and doomed fortune. Release is scheduled for summer.
“Following its European premiere at Glasgow Film Festival, we are delighted to be bringing Undergods to UK audiences later this year. Director and writer Chino Moya has created an incredible world and his debut feature doesn’t just require repeat viewings – it demands it”, commented Lightbulb’s Sales & Acquisitions Director, Peter Thompson.
The deal was negotiated with Scott Bedno of Myriad Pictures.
Lightbulb has also picked up Canadian thriller The Oak Room, starring Rj Mitte (Breaking Bad).
Set during a raging snowstorm, the film follows a drifter who returns home to the blue-collar bar located in...
Kate Dickie (The Witch), Ned Dennehy (Peaky Blinders) and Geza Rohrig (Son Of Saul) star in the collection of post-apocalyptic fantasy tales about ill-fated characters and doomed fortune. Release is scheduled for summer.
“Following its European premiere at Glasgow Film Festival, we are delighted to be bringing Undergods to UK audiences later this year. Director and writer Chino Moya has created an incredible world and his debut feature doesn’t just require repeat viewings – it demands it”, commented Lightbulb’s Sales & Acquisitions Director, Peter Thompson.
The deal was negotiated with Scott Bedno of Myriad Pictures.
Lightbulb has also picked up Canadian thriller The Oak Room, starring Rj Mitte (Breaking Bad).
Set during a raging snowstorm, the film follows a drifter who returns home to the blue-collar bar located in...
- 3/10/2021
- by Andreas Wiseman
- Deadline Film + TV
Roster includes mountaineering documentary The Sanctity Of Space.
Ryan Kampe’s Visit Films has added acclaimed Sundance titles I Was a Simple Man, El Planeta and First Date to the sales roster for this week’s virtual EFM.
The slate includes previously announced Sundance thriller Superior, as well as mountaineering documentary The Sanctity Of Space, Tribeca 2020 selections Lorelei and My Heart Can’t Beat Unless You Tell It To, 2020 SXSW selection The Surrogate, and survival thriller Wildcat.
Visit holds international rights to Christopher Makoto Yogi’s I Was A Simple Man, which takes place in the countryside of the north shore of O‘ahu,...
Ryan Kampe’s Visit Films has added acclaimed Sundance titles I Was a Simple Man, El Planeta and First Date to the sales roster for this week’s virtual EFM.
The slate includes previously announced Sundance thriller Superior, as well as mountaineering documentary The Sanctity Of Space, Tribeca 2020 selections Lorelei and My Heart Can’t Beat Unless You Tell It To, 2020 SXSW selection The Surrogate, and survival thriller Wildcat.
Visit holds international rights to Christopher Makoto Yogi’s I Was A Simple Man, which takes place in the countryside of the north shore of O‘ahu,...
- 3/1/2021
- by Jeremy Kay
- ScreenDaily
Brandon Cronenberg has proven to be an heir to his father, David, with his grisly sophomore feature, “Possessor Uncut,” which took home best film and director at Spain’s 53rd Sitges Film Festival on Saturday.
Running Oct.8-18, the fantastic film fest, Europe’s biggest, wrapped yesterday in Sitges, a picturesque seaside resort just south of Barcelona.
With these new honors, Brandon Cronenberg also suggests that his best new director award at 2012’s Sitges for debut feature, “Antiviral,” was no fluke.
A sci fi-horror hybrid, “Possessor Uncut” tracks an elite corporate assassin who uses brain-implant technology to take possession of other people’s bodies and slay prominent targets. The film first premiered at Sundance where Variety’s Peter Debruge described it as a “brilliant sci-fi puzzle” that was “more than just another bracingly extreme psychological thriller.”
Just Philippot’s “The Swarm” also snagged two awards: the Special Jury Prize and...
Running Oct.8-18, the fantastic film fest, Europe’s biggest, wrapped yesterday in Sitges, a picturesque seaside resort just south of Barcelona.
With these new honors, Brandon Cronenberg also suggests that his best new director award at 2012’s Sitges for debut feature, “Antiviral,” was no fluke.
A sci fi-horror hybrid, “Possessor Uncut” tracks an elite corporate assassin who uses brain-implant technology to take possession of other people’s bodies and slay prominent targets. The film first premiered at Sundance where Variety’s Peter Debruge described it as a “brilliant sci-fi puzzle” that was “more than just another bracingly extreme psychological thriller.”
Just Philippot’s “The Swarm” also snagged two awards: the Special Jury Prize and...
- 10/18/2020
- by Anna Marie de la Fuente
- Variety Film + TV
Exclusive: Dark Sky Film has picked up U.S. distribution rights to Tribeca drama-horror My Heart Can’t Beat Unless You Tell It To. The deal was negotiated by Ryan Kampe on behalf of Visit Films and Greg Newman on behalf of Dark Sky Films. The film follows two mysterious siblings who find themselves at odds over care for their frail and sickly younger brother. Starring are Patrick Fugit, Ingrid Sophie Schram, and Owen Campbell. Pic is written and directed by Jonathan Cuartas. Producers are Patrick Fugit, Kenny Riches, Ian Peterson, Anthony Pedone, and Jesse Brown. Visit Films is continuing international sales during the virtual Toronto market. Newman said, “My Heart Can’t Beat Unless You Tell It To features standout performances and as a talented first time filmmaker, Cuartas is one to watch. We’re thrilled to be bringing this film to U.S. audiences.”
Jason Isaacs has joined the cast...
Jason Isaacs has joined the cast...
- 9/17/2020
- by Andreas Wiseman
- Deadline Film + TV
Entering its 19th edition this year, Tribeca Film Festival has announced its feature film lineup, including a number of anticipated titles as well as festival favorites. World premiering at the festival is Chad Hartigan’s sci-fi romance Little Fish, Gerardo Naranjo’s Kokoloko, Eleanor Coppola’s Love is Love is Love, Michael Winterbottom’s sequel The Trip to Greece, Rodney Ascher’s A Glitch in the Matrix, Talya Lavie’s Honeymood, BenDavid Grabinski’s Happily, Bryan Bertino’s The Dark & The Wicked, plus documentaries on Stanley Kubrick, Dmx, Harry Belafonte, John Belushi, Brian Wilson, and more.
In terms of festival favorites, there’s Josephine Decker’s Shirley (our review), Jayro Bustamante’s La Llorona Heidi Ewing’s I Carry You With Me, Gaspar Noé’s medium-length work Lux Aeterna, the St. Vincent-Carrie Brownstein collaboration The Nowhere Inn, and more. Plus, Judd Apatow’s The King of Staten Island will...
In terms of festival favorites, there’s Josephine Decker’s Shirley (our review), Jayro Bustamante’s La Llorona Heidi Ewing’s I Carry You With Me, Gaspar Noé’s medium-length work Lux Aeterna, the St. Vincent-Carrie Brownstein collaboration The Nowhere Inn, and more. Plus, Judd Apatow’s The King of Staten Island will...
- 3/4/2020
- by Jordan Raup
- The Film Stage
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