8/10
Opening A Door to Backstage Melodrama - Winning Entertainment!
15 June 2005
Warning: Spoilers
"Stage Door" (1937) treads the familiar backstage yarn of heartache and dismissal with unfamiliar panache and a killer cast. Wealthy socialite, Terry Randall (Katharine Hepburn) wants desperately to break into Broadway theater only she wants to do it on her own. So Terry decides to go slumming, secretly checking into a theatrical boarding house populated by sharp shooter, Judy Canfield (Lucille Ball), wise girl, Jean Maitland (Ginger Rogers), and Eve (Eve Arden) and Annie (Ann Miller), a couple of stage struck kids...almost. What Terry discovers is that life upon the wicked stage might be the nearest thing to heaven, if only she could manage to get closer to the stage itself. Very quickly, however, Terry learns that her fate, and that of the other hopefuls is plagued by ever-present disappointments. A big break of sorts comes by way of Jean's new affiliation with a powerful producer, Anthony Powell (Adolphe Menjou), only he wants Jean for more than just a role. Enter Terry's father, set to help his daughter's career but in a production in which she is almost surely to fail.

Director Gregory La Cava's astute perceptions about stage folk and their ragged existence beyond the footlights provides deeper insight and juicier vignettes than one might expect. There's an intense immediacy to the drama and a biting edge to the comedy that is generally uncharacteristic of comedies from this vintage. Hence, "Stage Door" comes across as a unique Hollywood classic - frought with exciting performances, wonderful cameos and the opportunity to see budding new talent at the very beginning of their careers. Great good fun and hearty entertainment besides.

Warner's DVD treatment is just a tad above middle of the road. The black and white image has been mastered from reasonably clean film elements. Contrast levels are adequate, though at times weak. There's a hint of edge enhancement and some fine detail shimmering, but nothing that will distract. Fine details are sometimes nicely realized. Film grain is kept to a bare minimum. Age related artifacts are present throughout. An audio only radio broadcast is the only extra included.
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