Lauded Writer/Director, Jose Giovanni's classic 70s policier 'Dernier Domicile Connu' is, perhaps, one of the more charismatic French thrillers and arguably remains one of the most influentially hard-nosed policiers of the period. 'Dernier Domicile Connu' excitingly initiates many of the signature street-tough dynamics playfully exaggerated in later landmark thrillers like 'Dirty Harry'. A gritty Gallic precursor to the infinitely more lurid poliziotteschi, that violent mainstay of Italian exploitation so popular during the especially turbulent political unrest of the early 1970s.
Enigmatic, brutally efficient cop Inspector Lionetti (Lino Ventura) suddenly has his stellar, albeit controversial career irreversibly tarnished by some shady internecine political machinations, finding himself humiliatingly demoted to arresting sleazy, cinema-stalking perverts. Lionetti's new female partner, the young, naive, Jeanne Dumas (Marlene Jobert) makes an appealingly sensitive counterpoint to Lionetti's brutalist approach to police procedure. There can be little doubt that a more resplendent union of amiably mismatched cops would be hard to imagine! Unfortunately, this once novel trope is zealously appropriated with infinitely less guile today. Lionetti & Dumas become embroiled in their increasingly fraught, apparently hopeless quest of locating a key witness in a tabloid-splashed murder trial who eluded discovery for 5 years.
'Dernier Domicile Connu' remains a vital, meticulously plotted example of an especially compelling, beautifully performed, emotionally rewarding 70s crime thriller. Not only expressing a clear mastery of the form but rewarding in its many delightful narrative subtleties, amusing quirks and myriad idiosyncrasies. The sublime cinematic chemistry of charismatic screen icon, Lino Ventura and angelic, Joubert provides additional lustre to their richly detailed characters that you care deeply for. Jose Giovanni's gripping crime classic also features one of maestro, Francois de Roubaix's finest, ear-wormingly brilliant scores that funkily completes a stunning ensemble of creative filmmaking excellence.
Enigmatic, brutally efficient cop Inspector Lionetti (Lino Ventura) suddenly has his stellar, albeit controversial career irreversibly tarnished by some shady internecine political machinations, finding himself humiliatingly demoted to arresting sleazy, cinema-stalking perverts. Lionetti's new female partner, the young, naive, Jeanne Dumas (Marlene Jobert) makes an appealingly sensitive counterpoint to Lionetti's brutalist approach to police procedure. There can be little doubt that a more resplendent union of amiably mismatched cops would be hard to imagine! Unfortunately, this once novel trope is zealously appropriated with infinitely less guile today. Lionetti & Dumas become embroiled in their increasingly fraught, apparently hopeless quest of locating a key witness in a tabloid-splashed murder trial who eluded discovery for 5 years.
'Dernier Domicile Connu' remains a vital, meticulously plotted example of an especially compelling, beautifully performed, emotionally rewarding 70s crime thriller. Not only expressing a clear mastery of the form but rewarding in its many delightful narrative subtleties, amusing quirks and myriad idiosyncrasies. The sublime cinematic chemistry of charismatic screen icon, Lino Ventura and angelic, Joubert provides additional lustre to their richly detailed characters that you care deeply for. Jose Giovanni's gripping crime classic also features one of maestro, Francois de Roubaix's finest, ear-wormingly brilliant scores that funkily completes a stunning ensemble of creative filmmaking excellence.