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Sam Shepard was born Samuel Shepard Rogers in Fort Sheridan, IL, to Jane Elaine (Schook), a teacher, and Samuel Shepard Rogers, a teacher and farmer who was also in the army. As the eldest son of a US Army officer (and WWII bomber pilot), Shepard spent his early childhood moving from base to base around the US until finally settling in Duarte, CA. While at high school he began acting and writing and worked as a ranch hand in Chino. He graduated high school in 1961 and then spent a year studying agriculture at Mount San Antonio Junior College, intending to become a vet.

In 1962, though, a touring theater company, the Bishop's Company Repertory Players, visited the town and he joined up and left home to tour with them. He spent nearly two years with the company and eventually settled in New York where he began writing plays, first performing with an obscure off-off-Broadway group but eventually gaining recognition for his writing and winning prestigious OBIE awards (Off-Broadway) three years running. He flirted with the world of rock, playing drums for the Holy Modal Rounders, then moved to London in 1971, where he continued writing.

Back in the US by 1974, he became playwright in residence at San Francisco's Magic Theater and continued to work as an increasingly well respected playwright throughout the 1970s and into the '80s. Throughout this time he had been dabbling with Hollywood, having most notably in the early days worked as one of the writers on Zabriskie Point (1970), but it was his role as Chuck Yeager in 1983's The Right Stuff (1983) (co-starring Fred Ward and Dennis Quaid) that brought him to the attention of the wider, non-theater audience. Since then he has continued to write, act and direct, both on screen and in the theater.

He died of amyotrophic lateral sclerosis--commonly known as Lou Gehrig's Disease--in Kentucky on July 27, 2017.

Born Rolf Åke Mikael Nyqvist in Stockholm, Sweden, it wasn't until he was over a year old when he was finally adopted from the orphanage he had been given to. His father was a lawyer and his mother a writer. It wasn't until he had his first child that he decided to seek out his biological parents. After a long journey, he met his biological mother who is Swedish and is now close to his biological father who is Italian and a pharmacist.

Acting wasn't always originally on the agenda for Nyqvist. A career in hockey was desired until an injury lead to an early retirement. At the age of 17, Nyqvist went to Omaha, Nebraska in America as an exchange student for a year. This is where his passion for acting first sparked. He took his first acting classes and played in addition to other roles, a part in a school version of the drama Death of a Salesman by Arthur Miller.

However, upon returning to Sweden he got accepted into Ballet school but after one year gave it up insisting he was too "stiff" and twirls and twists were not for him. An ex-girlfriend suggested to try theatre instead and at 19 years old, he was accepted into the Swedish Academic School of Drama in Malmö. He then went onto work mainly in theatre but also had several parts in film productions.

He became well known for his role as police officer Banck in the first series of Beck (1997) films made in 1997. His big breakthrough in European cinema came three years later, as he starred as Rolf, an alcoholic and abusive husband, in a film by Lukas Moodysson called Together (2000). This role landed him his first Guldbagge nomination (Best Supporting Actor) and won him the Best Actor award at the Gijón International Film Festival.

The accolades, awards and nominations flowed on from there. In 2002, Nyqvist played the leading man in the Swedish romantic comedy-drama, Grabben i graven bredvid (2002) directed by Kjell Sundvall and based on the novel of the same name written by Katarina Mazetti. He won a Best Actor Guldbagge award for his performance. The following year, Nyqvist starred as the leading role in As It Is in Heaven (2004) which was Academy Award nominated for Best Foreign Film and his performance as an internationally renowned, struggling conductor earned Nyqvist his second nomination for a Best Actor Guldbagge award. In 2006, he was nominated for a Best Supporting Actor Guldbagge award for his role in the film Mother of Mine (2005).

Over the next few years he went on to star in several other films and plays as part of the Royal Dramatic Theatre. A notable role that Nyqvist portrayed was that of Swedish ambassador Harald Edelstam in the film The Black Pimpernel (2007). Edelstam was a hero that saved several lives from execution in Chile during and after the military coupe in September 1973.

In 2008, it was announced that Nyqvist was chosen to star as Mikael Blomkvist of the literary phenomenon, the Millennium Trilogy written by Stieg Larsson. It was long speculated by Scandinavian tabloids that fellow Swedish actor, Mikael Persbrandt could be chosen for the role of Blomkvist until Niels Arden Oplev claimed that 'he would not have been right for the role.' Oplev needed 'a humanist with his heart in the right place, a Swedish teddy bear whom women would feel safe in his arms...a man who respects women, regardless of what type they are.' Nyqvist's capabilities as an actor and his public persona scored him the role.

The Girl with the Dragon Tattoo (2009) and its sequels, The Girl Who Played with Fire (2009) and The Girl Who Kicked the Hornet's Nest (2009) were released in 2009 throughout Europe and in the following year, throughout the rest of the world. The Girl with the Dragon Tattoo has garnered international critical acclaim. Oplev, Noomi Rapace (who starred as Lisbeth Salander, female protagonist of the trilogy) and Nyqvist all gained international recognition. Nyqvist said that his role as Blomkvist 'put me on the map internationally.' As a result he starred in two major Hollywood action movies as the leading villain: Mission: Impossible - Ghost Protocol (2011) as Hendricks, and John Wick (2014) as Tarasov. He made other movies in English, and continued to work in Swedish language projects.

He appeared in two films based on novels by well-known Swedish crime writer Henning Mankell, Kennedy's Brain (2010) and The Man from Beijing (2011). There was speculation and talk from Mankell that Nyqvist would be his first choice to play Swedish Prime Minister Olof Palme, who was assassinated in 1986, but that project never materialized. Instead, one of his final appearances was as a man who was politically the opposite of Palme: in Madiba (2017) he played Hendrik Verwoed, the architect of apartheid in South Africa.

Michael Nyqvist was diagnosed with lung cancer, and he passed away of the disease in Stockholm in June 2017, aged 56.

He was married to set designer, Catharina Ehrnrooth and had two children Ellen (born in 1991) and Arthur (born in 1996).

Roger Moore will perhaps always be remembered as the man who replaced Sean Connery in the James Bond series, arguably something he never lived down.

Roger George Moore was born on October 14, 1927 in Stockwell, London, England, the son of Lillian (Pope) and George Alfred Moore, a policeman. His mother was born in Calcutta, India, to a British family. Roger first wanted to be an artist, but got into films full time after becoming an extra in the late 1940s. He came to the United States in 1953. Suave, extremely handsome, and an excellent actor, he received a contract with Metro-Goldwyn-Mayer. His initial foray met with mixed success, with movies like Diane (1956) and Interrupted Melody (1955), as well as The Last Time I Saw Paris (1954).

Moore went into television in the 1950s on series such as Ivanhoe (1958) and The Alaskans (1959), but probably received the most recognition from Maverick (1957), as cousin Beau. He received his big breakthrough, at least internationally, as The Saint (1962). The series made him a superstar and he became very successful thereafter. Moore ended his run as the Saint, and was one of the premier stars of the world, but he was not catching on in America. In an attempt to change this, he agreed to star with Tony Curtis on ITC's The Persuaders! (1971), but although hugely popular in Europe, it did not catch on in the United States and was canceled. Just prior to making the series, he starred in The Man Who Haunted Himself (1970), which proved there was far more to Moore than the light-hearted roles he had previously accepted.

He was next offered and accepted the role of James Bond, and once audiences got used to the change of style from Connery's portrayal, they also accepted him. Live and Let Die (1973), his first Bond movie, grossed more outside of America than Diamonds Are Forever (1971); Connery's last outing as James Bond. He went on to star in another six Bond films, before bowing out after A View to a Kill (1985). He was age 57 at the time the film was made and was looking a little too old for Bond - it was possibly one film too many. In between times, there had been more success with appearances in films such as That Lucky Touch (1975), Shout at the Devil (1976), The Wild Geese (1978), Escape to Athena (1979) and North Sea Hijack (1980).

Despite his fame from the Bond films and many others, the United States never completely took to him until he starred in The Cannonball Run (1981) alongside Burt Reynolds, a success there. After relinquishing his role as Bond, his work load tended to diminish a little, though he did star in the American box office flop Feuer, Eis & Dynamit (1990), as well as the comedy Bullseye! (1990), with Michael Caine. He did the overlooked comedy Bed & Breakfast (1991), as well as the television movie The Man Who Wouldn't Die (1994), and then the major Jean-Claude Van Damme flop The Quest (1996). Moore then took second rate roles such as Spice World (1997), and the American television series The Dream Team (1999). Although his film work slowed down, he was still in the public eye, be it appearing on television chat shows or hosting documentaries.

Roger Moore was appointed Commander of the Order of the British Empire on December 31, 1998 in the New Years Honours for services to UNICEF, and was promoted to Knight Commander of the same order on June 14, 2003 in the Queen's Birthday Honours for services to the charities UNICEF and Kiwanis International.

Roger Moore died of cancer on 23 May, 2017, in Switzerland. He was 89.

Bill Paxton was born on May 17, 1955 in Fort Worth, Texas. He was the son of Mary Lou (Gray) and John Lane Paxton, a businessman and actor (as John Paxton). Bill moved to Los Angeles, California at age eighteen, where he found work in the film industry as a set dresser for Roger Corman's New World Pictures. He made his film debut in the Corman film Crazy Mama (1975), directed by Jonathan Demme. Moving to New York, Paxton studied acting under Stella Adler at New York University. After landing a small role in Stripes (1981), he found steady work in low-budget films and television. He also directed, wrote and produced award-winning short films including Barnes & Barnes: Fish Heads (1980), which aired on Saturday Night Live (1975). His first appearance in a James Cameron film was a small role in The Terminator (1984), followed by his very memorable performance as Private Hudson in Aliens (1986) and as the nomadic vampire Severen in Kathryn Bigelow's Near Dark (1987). Bill also appeared in John Hughes' Weird Science (1985), as Wyatt Donnelly's sadistic older brother Chet. Although he continued to work steadily in film and television, his big break did not come until his lead role in the critically acclaimed film-noir One False Move (1991). This quickly led to strong supporting roles as Wyatt Earp's naive younger brother Morgan in Tombstone (1993) and as Fred Haise, one of the three astronauts, in Apollo 13 (1995), as well as in James Cameron's offering True Lies (1994).

Bill died on February 25, 2017, in Los Angeles, from complications following heart surgery. He was 61.

One of stage, screen and TV's finest transatlantic talents, slight, gravel-voiced John Vincent Hurt was born on January 22, 1940, in Shirebrook, a coal mining village, in Derbyshire, England. The youngest child of Phyllis (Massey), an engineer and one-time actress, and Reverend Arnould Herbert Hurt, an Anglican clergyman and mathematician, his quiet shyness betrayed an early passion for acting. First enrolled at the Grimsby Art School and St. Martin's School of Art, his focus invariably turned from painting to acting.

Accepted into the Royal Academy of Dramatic Art in 1960, John made his stage debut in "Infanticide in the House of Fred Ginger" followed by "The Dwarfs." Elsewhere, he continued to build upon his 60's theatrical career with theatre roles in "Chips with Everything" at the Vaudeville, the title role in "Hamp" at the Edinburgh Festival, "Inadmissible Evidence" at Wyndham's and "Little Malcolm and His Struggle Against the Eunuchs" at the Garrick. His movie debut occurred that same year with a supporting role in the "angry young man" British drama Young and Willing (1962), followed by small roles in Appuntamento in Riviera (1962), A Man for All Seasons (1966) and [link

Hurt found his more compelling early work in offbeat theatrical characterizations with notable roles such as Malcolm in "Macbeth" (1967), Octavius in "Man and Superman" (1969), Peter in "Ride a Cock Horse" (1972), Mike in '"The Caretaker" (1972) and Ben in "The Dumb Waiter" (1973). At the same time he gained more prominence in a spray of film and support roles such as a junior officer in Before Winter Comes (1968), the title highwayman in Sinful Davey (1969), a morose little brother in In Search of Gregory (1969), a dim, murderous truck driver in 10 Rillington Place (1971), a skirt-chasing, penguin-studying biologist in Cry of the Penguins (1971), the unappetizing son of a baron in The Pied Piper (1972) and a repeat of his title stage role as Little Malcolm and His Struggle Against the Eunuchs (1974).

Hurt shot to international stardom, however, on TV where he was allowed to display his true, fearless range. He reaped widespread acclaim for his embodiment of the tormented gay writer and raconteur Quentin Crisp in the landmark television play The Naked Civil Servant (1975), adapted from Crisp's autobiography. Hurt's bold, unabashed approach on the flamboyant and controversial gent who dared to be different was rewarded with the BAFTA (British TV Award). This triumph led to the equally fascinating success as the cruel and crazed Roman emperor Caligula in the epic television masterpiece I, Claudius (1976), followed by another compelling interpretation as murderous student Raskolnikov in Crime and Punishment (1979).

A resurgence occurred on film as a result. Among other unsurpassed portraits on his unique pallet, the chameleon in him displayed a polar side as the gentle, pathetically disfigured title role in The Elephant Man (1980), and as a tortured Turkish prison inmate who befriends Brad Davis in the intense drama Midnight Express (1978) earning Oscar nominations for both. Mainstream box-office films were offered as well as art films. He made the most of his role as a crew member whose body becomes host to an unearthly predator in Alien (1979). With this new rush of fame came a few misguided ventures as well that were generally unworthy of his talent. Such brilliant work as his steeple chase jockey in Champions (1984) or kidnapper in The Hit (1984) was occasionally offset by such drivel as the comedy misfire Partners (1982) with Ryan O'Neal in which Hurt looked enervated and embarrassed. For the most part, the craggy-faced actor continued to draw extraordinary notices. Tops on the list includes his prurient governmental gadfly who triggers the Christine Keeler political sex scandal in the aptly-titled Scandal (1989); the cultivated gay writer aroused and obsessed with struggling "pretty-boy" actor Jason Priestley in Love and Death on Long Island (1997); and the Catholic priest embroiled in the Rwanda atrocities in Shooting Dogs (2005).

Latter parts of memorable interpretations included Dr. Iannis in Captain Corelli's Mandolin (2001), the recurring role of the benign wand-maker Mr. Ollivander in Harry Potter and the Sorcerer's Stone (2001) and Harry Potter and the Deathly Hallows: Part 1 (2010), the tyrannical dictator Adam Sutler in V for Vendetta (2005) and the voice of The Dragon in Merlin (2008). Among Hurt's final film appearances were as a terminally ill screenwriter in That Good Night (2017) and a lesser role in the mystery thriller Damascus Cover (2017). Hurt's voice was also tapped into animated features and documentaries, often serving as narrator. He also returned to the theatre performing in such shows as "The Seagull", "A Month in the Country" (1994), "Afterplay" (2002) and "Krapp's Last Tape", the latter for which he received the Los Angeles Drama Critics Circle Award.

A recovered alcoholic who married four times, Hurt was appointed Commander of the Order of the British Empire (CBE) by the Queen in 2004, and Knight Bachelor of the Order of the British Empire in 2015. That same year (2015) he was diagnosed with pancreatic cancer. In July of 2016, he was forced to bow out of the father role of Billy Rice in a then-upcoming London stage production of "The Entertainer" opposite Kenneth Branagh due to ill health that he described as an "intestinal ailment". Hurt died several months later at his home in Cromer, Norfolk, England on January 15, 2017, three days after his 77th birthday.

For fourteen years, she said that family was the most important thing to her and she set most of her time aside to be a "present" mother to her son. Movies, plays and television were chosen, for the most part, when they occurred in town or on a school break. She took one year to homeschool her son for his seventh grade. But it wasn't always this way. She was raised in New York City and wanted to be an actress from the time she was a child, graduating with acting honors from the High School of Performing Arts. She chose to opt out of studying acting in college and attended a small college in Europe, majoring in art history and literature, knowing that acting would take up a great deal of her life and that her college years would be her only real time to learn about something else. Upon graduation, she returned to New York City but a chance trip to Chicago inspired her to move there and become a part of its budding theatre community. It was in a production of "Curse of The Starving Class", directed by Robert Falls and co-starring John Malkovich, that she was first seen by the Steppenwolf Theatre Company and, subsequently, asked to join their troupe. She did and learned what it really was to be an actress on her feet, performing in all kinds of roles in both comedy and drama. During this time, she won four Joseph Jefferson awards for best supporting actress.

With a return move to New York, she received a Theatre World Award for "best newcomer" for her role in "the Philanthropist" at the Manhattan Theatre Club and appeared in "Extremities" with Susan Sarandon. This was followed by her appearance in the very successful Steppenwolf production in New York of "Balm in Gilead". She then starred on Broadway opposite Kevin Kline and Raul Julia in "Arms & the Man", directed by John Malkovich, her husband at the time. She was cast in several smaller films including Nadine (1987), Making Mr. Right (1987) and Paperhouse (1988) as well as Lonesome Dove (1989) for television for which she received her first of two Emmy nominations for best supporting actress. But her breakout film performance was in Dirty Rotten Scoundrels (1988), in which she played the cunning "victim", who gets the best of con artists Michael Caine and Steve Martin. This led to her being cast in the blockbuster comic strip parody, Dick Tracy (1990), in which she portrayed the girlfriend, "Tess Trueheart", to Warren Beatty's lead.

She went on to appear in the films Mr. Holland's Opus (1995) opposite Richard Dreyfuss, Mortal Thoughts (1991) opposite Demi Moore, 2 Days in the Valley (1996), What's the Worst That Could Happen? (2001), Breakfast of Champions (1999), Around the Bend (2004) and Confessions of a Teenage Drama Queen (2004).

On television, she had a recurring part on ER (1994) and Monk (2002) and was in the short-lived sit-com Encore! Encore! (1998) with Nathan Lane and Joan Plowright. She was in the live theatrical presentation of "On Golden Pond" as the troubled daughter of Christopher Plummer and Julie Andrews and also appeared in the telefilms Women vs. Men (2002), My Own Country (1998) and Pronto (1997), among others. She received her second Emmy nomination for best supporting actress for Bastard Out of Carolina (1996), directed by Anjelica Huston.

Some of her later appearances were in the films The Amateurs (2005) (aka "The Amateurs"), The Namesake (2006), Comeback Season (2006), Kit Kittredge: An American Girl (2008) and The Joneses (2009).

Stanton was born in West Irvine, Kentucky, to Ersel (Moberly), a cook, and Sheridan Harry Stanton, a barber and tobacco farmer. He lived in Lexington, Kentucky and graduated from Lafayette Senior High School with the class of 1944. Drafted into the Navy, he served as a cook in the U.S. Navy during World War II, and was on board an LST during the Battle of Okinawa. He then returned to the University of Kentucky to appear in a production of "Pygmalion", before heading out to California and honing his craft at the prestigious Pasadena Playhouse. Stanton then toured around the United States with a male choir, worked in children's theater, and then headed back to California.

His first role on screen was in the tepid movie Tomahawk Trail (1957), but he was quickly noticed and appeared regularly in minor roles as cowboys and soldiers through the late 1950s and early 1960s. His star continued to rise and he received better roles in which he could showcase his laid-back style, such as in Cool Hand Luke (1967), Kelly's Heroes (1970), Dillinger (1973), The Godfather Part II (1974), and in Alien (1979). It was around this time that Stanton came to the attention of director Wim Wenders, who cast him in his finest role yet as Travis in the moving Paris, Texas (1984). Next indie director Alex Cox gave Stanton a role that brought him to the forefront, in the quirky cult film Repo Man (1984).

Stanton was now heavily in demand, and his unique look got him cast as everything from a suburban father in the mainstream Pretty in Pink (1986) to a soft-hearted, but ill-fated, private investigator in Wild at Heart (1990) and a crazy yet cunning scientist in Escape from New York (1981). Apart from his film performances, he was also an accomplished musician, and "The Harry Dean Stanton Band" and their unique spin on mariachi music played together for well over a decade. They toured internationally. He became a cult figure of cinema and music and when Debbie Harry sang the lyric, "I want to dance with Harry Dean..." in her 1990s hit "I Want That Man", she was talking about him. Stanton remained consistently active on screen, lastly appearing in films including Fear and Loathing in Las Vegas (1998), The Green Mile (1999) and The Man Who Cried (2000).

John Heard was a very talented actor who established himself as a respected thespian in the late 1970s and early '80s, though he is perhaps better known for his turn as Peter McCallister, Kevin McCallister's (Macaulay Culkin) father in the Home Alone (1990) movies.

John was born in Washington, D.C., to Helen (Sperling), who acted in community theatre, and John Heard, who worked for the U.S. government. John established himself with roles in the movies Between the Lines (1977), Chilly Scenes of Winter (1979) (a.k.a. "Head Over Heels"), and Heart Beat (1981) (in which he played Jack Kerouac to Nick Nolte's Neal Cassady and Sissy Spacek's Carolyn Cassady), before giving a tour de force performance as a hideously wounded (both physically and psychologically) Vietnam veteran in Cutter's Way (1981) (a.k.a. "Cutter and Bone") opposite Jeff Bridges. He also shined as Reverend Dimmesdale (one of America's first religious hypocrites) in the 1979 PBS version of Nathaniel Hawthorne's The Scarlet Letter (1979).

Both "Chilly Scenes of Winter" and "Cutter's Way" (originally released as "Head Over Heels" and "Cutter and Bone", respectively) had been re-released under new titles after failing in their first go-rounds, such was the quality of the films. The two re-releases helped redefine the practice by which major studios handled smaller, art house quality pictures by releasing them carefully to select theaters with bespoke marketing campaigns so they reached the proper audience. (Studios would later develop their own art film-independent film subsidiaries to handle such pictures, so they didn't "fall through the cracks" like the first releases of the two Heard films.)

By the early 1980s, Heard seemed on his way to establishing himself as a major American actor, if not on the path to movie stardom. At the time, there was a joke that involved confusing Heard with John Hurt and William Hurt because of the similarity of their last names. At the time these contemporaries were considered equal in terms of their star power.

In the early '80s, it would not have been unreasonable to predict that Heard would become an Oscar winner or a multiple nominee. He continued to work on A-List projects, playing the not-so-sympathetic son to Geraldine Page in The Trip to Bountiful (1985) (for which Page won her own Oscar) and Tom Hanks's adult rival in Big (1988), but by the latter part of the decade he had failed to establish himself as a leading man and was playing supporting roles. Also appearing on television, he was nominated for an Emmy for his turn as a corrupt police detective on The Sopranos (1999).

John Heard died on July 21, 2017, in Palo Alto, California.

Miguel Ferrer was an American actor known for playing Morton from RoboCop, Shan Yu from Mulan, Martian Manhunter from Justice League: The New Frontier, Slade Wilson from Teen Titans: The Judas Contract, Death from Adventure Time, Sesa Refumee from Halo 2 and Vice President Rodriguez from Iron Man 3. He passed away in January 2017 due to throat cancer. He is survived by his wife and three children.

Mary Tyler Moore was born in Flatbush, Brooklyn, on December 29, 1936. Moore's family relocated to California when she was eight. Her childhood was troubled, due in part to her mother's alcoholism. The eldest of three siblings, she attended a Catholic high school and married upon her graduation, in 1955. Her only child, Richard Meeker Jr., was born soon after.

A dancer at first, Moore's first break in show business was in 1955, as a dancing kitchen appliance - Happy Hotpoint, the Hotpoint Appliance elf, in commercials generally broadcast during the popular sitcom The Adventures of Ozzie and Harriet (1952). She then shifted from dancing to acting and work soon came, at first a number of guest roles on television series, but eventually a recurring role as Sam, Richard Diamond's sultry answering service girl, on Richard Diamond, Private Detective (1956), her performance being particularly notorious because her legs (usually dangling a pump on her toe) were shown instead of her face.

Although these early roles often took advantage of her willowy charms (in particular, her famously-beautiful dancer's legs), Moore's career soon took a more substantive turn as she was cast in two of the most highly regarded comedies in television history, which would air first-run for most of the '60s and '70s. In the first of these, The Dick Van Dyke Show (1961), Moore played Laura Petrie, the charmingly loopy wife of star Dick Van Dyke. The show became famous for its very clever writing and terrific comic ensemble - Moore and her fellow performers received multiple Emmy Awards for their work. Meanwhile, she had divorced her first husband, and married advertising man (and, later, network executive) Grant Tinker.

After the end of The Dick Van Dyke Show (1961), Moore focused on movie-making, co-starring in five between the end of the sitcom and the start of The Mary Tyler Moore Show (1970), including Thoroughly Modern Millie (1967), in which she plays a ditsy aspiring actress, and an inane Elvis Presley vehicle, Change of Habit (1969), in which she plays a nun-to-be and love interest for Presley. Also included in this mixed bag of films was a first-rate television movie, Run a Crooked Mile (1969), which was an early showcase for Moore's considerable talent at dramatic acting.

After trying her hand at movies for a few years, Moore decided, rather reluctantly, to return to television, but on her terms. The result was The Mary Tyler Moore Show (1970), which was produced by MTM Enterprises, a company she had formed with Tinker, and which later went on to produce scores of other television series. Moore starred as Mary Richards, who moves to Minneapolis on the heels of a failed relationship. Mary finds work at the newsroom of WJM-TV, whose news program is the lowest-rated in the city, and establishes fast friendships with her colleagues and her neighbors. The sitcom was a commercial and critical success and for years was a fixture of CBS television's unbeatable Saturday night line-up. Moore and Tinker were determined from the start to make the sitcom a cut above the average, and it certainly was - instead of going for a barrage of gags, the humor took longer to develop and arose out of the interaction between the characters in more realistic situations. This was also one of the earliest television portrayals of a woman who was happy and successful on her own rather than simply being a man's wife. The Mary Tyler Moore Show (1970) is generally included amongst the finest television series ever produced in America.

Moore ended the sitcom in 1977, while it was still on a high point, but found it difficult to flee the beloved Mary Richards persona - her subsequent attempts at television series, variety programs, and specials (such as the mortifying disco-era Mary's Incredible Dream (1976)) usually failed, but even her dramatic work, which is generally excellent, fell under the shadow of Mary Richards. With time, however, her body of dramatic acting came to be recognized on its own, with such memorable work as in Ordinary People (1980), as an aloof WASP mother who not-so-secretly resents her younger son's survival; in Finnegan Begin Again (1985), as a middle-aged widow who finds love with a man whose wife is slowly slipping away, in Lincoln (1988), as the troubled Mary Todd Lincoln, and in Stolen Babies (1993), as an infamous baby smuggler (for which she won her sixth Emmy Award). She also inspired a new appreciation for her famed comic talents in Flirting with Disaster (1996), in which she is hilarious as the resentful adoptive mother of a son who is seeking his birth parents. Moore also acted on Broadway, and she won a Tony Award for her performance in "Whose Life Is It Anyway?"

Widely acknowledged as being much tougher and more high-strung than her iconic image would suggest, Moore had a life with more than the normal share of ups and downs. Both of her siblings predeceased her, her sister Elizabeth of a drug overdose in 1978 and her brother John of cancer in 1991 after a failed attempt at assisted suicide, Moore having been the assistant. Moore's troubled son Richie shot and killed himself in what was officially ruled an accident in 1980. Moore was diagnosed an insulin-dependent diabetic in 1969, and had a bout with alcoholism in the early 1980s. Divorced from Tinker in 1981 after repeated separations and reconciliations, she married physician Robert Levine in 1983. The union with Levine proved to be Moore's longest run in matrimony and her only marriage not to end in divorce. Despite the opening credits of The Mary Tyler Moore Show (1970), in which she throws a package of meat into her shopping cart, Moore was a vegetarian and a proponent of animal rights. She was an active spokesperson for both diabetes issues and animal rights.

On January 25, 2017, Mary Tyler Moore died at age 80 at Greenwich Hospital in Greenwich, Connecticut, from cardiopulmonary arrest complicated by pneumonia after having been placed on a respirator the previous week. She was laid to rest during a private ceremony at Oak Lawn Cemetery in Fairfield, Connecticut.

Oscar-winning character actor Martin Landau was born on June 20, 1928, in Brooklyn, New York. At age 17, he was hired by the New York Daily News to work in the promotions department before he became a staff cartoonist and illustrator. In his five years on the paper, he served as the illustrator for Billy Rose's "Pitching Horseshoes" column. He also worked for cartoonist Gus Edson on "The Gumps" comic strip. Landau's major ambition was to act and, in 1951, he made his stage debut in "Detective Story" at the Peaks Island Playhouse in Peaks Island, Maine. He made his off-Broadway debut that year in "First Love".

Landau was one of 2,000 applicants who auditioned for Lee Strasberg's Actors Studio in 1955; only he and Steve McQueen were accepted. Landau was a friend of James Dean and McQueen, in a conversation with Landau, mentioned that he knew Dean and had met Landau. When Landau asked where they had met, McQueen informed him he had seen Landau riding on the back of Dean's motorcycle into the New York City garage where he worked as a mechanic.

Landau acted during the mid-1950s in the television anthologies Playhouse 90 (1956), Studio One (1948), The Philco Television Playhouse (1948), Kraft Theatre (1947), Goodyear Playhouse (1951), and Omnibus (1952). He began making a name for himself after replacing star Franchot Tone in the 1956 off-Broadway revival of Anton Chekhov's "Uncle Vanya," a famous production that helped put off-Broadway on the New York theatrical map.

In 1957, he made a well-received Broadway debut in the play "Middle of the Night." As part of the touring company with star Edward G. Robinson, he made it to the West Coast. He made his movie debut in Pork Chop Hill (1959), but scored on film as the heavy in Alfred Hitchcock's classic thriller North by Northwest (1959), in which he was shot on top of Mount Rushmore while sadistically stepping on the fingers of Cary Grant, who was holding on for dear life to the cliff face. He also appeared in the blockbuster Cleopatra (1963), the most expensive film ever made up to that time, which nearly scuttled 20th Century-Fox and engendered one of the great public scandals, the Elizabeth Taylor-Richard Burton love affair that overshadowed the film itself. Despite the difficulties with the film, Landau's memorable portrayal in the key role of Rufio was highly favored by the audience and instantly catapulted his popularity.

In 1963, Landau played memorable roles in two episodes of the science-fiction anthology series The Outer Limits (1963), The Bellero Shield (1964), and The Man Who Was Never Born (1963). He was Gene Roddenberry's first choice to play Mr. Spock on Star Trek (1966), but the role went to Leonard Nimoy, who later replaced Landau on Mission: Impossible (1966), the show that really made Landau famous. Landau originally was not meant to be a regular on the series, which co-starred his wife Barbara Bain, whom he had married in 1957. His character, Rollin Hand, was supposed to make occasional, recurring appearances, on Mission: Impossible (1966), but when the producers had problems with star Steven Hill, Landau was used to take up the slack. Landau's characterization was so well-received and so popular with the audience, he was made a regular. Landau received Emmy nominations as Outstanding Lead Actor in a Drama Series for each of the three seasons he appeared. In 1968, he won the Golden Globe award as Best Male TV Star.

Eventually, he quit the series in 1969 after a salary dispute when the new star, Peter Graves, was given a contract that paid him more than Landau, whose own contract stated he would have parity with any other actor on the show who made more than he did. The producers refused to budge and he and Bain, who had become the first actress in the history of television to be awarded three consecutive Emmy Awards (1967-69) while on the show, left the series, ostensibly to pursue careers in the movies. The move actually held back their careers, and Mission: Impossible (1966) went on for another four years with other actors.

Landau appeared in support of Sidney Poitier in They Call Me Mister Tibbs! (1970), the less-successful sequel to the Oscar-winning In the Heat of the Night (1967), but it did not generate more work of a similar caliber. He starred in the television movie Welcome Home, Johnny Bristol (1972) on CBS, playing a prisoner of war returning to the United States from Vietnam. The following year, he shot a pilot for NBC for a proposed show, "Savage." Though it was directed by emerging wunderkind Steven Spielberg, NBC did not pick up the show. Needing work, Landau and Bain moved to England to play the leading roles in the syndicated science-fiction series Space: 1999 (1975).

Landau's and Bain's careers stalled after Space: 1999 (1975) went out of production, and they were reduced to taking parts in the television movie The Harlem Globetrotters on Gilligan's Island (1981). It was the nadir of both their careers, and Bain's acting days and their marriage were soon over. Landau, one of the most talented character actors in Hollywood, and one not without recognition, had bottomed out career-wise. In 1983, he was stuck in low-budget sci-fi and horror movies such as The Being (1981), a role far beneath his talent.

His career renaissance got off to a slow start with a recurring role in the NBC sitcom Buffalo Bill (1983), starring Dabney Coleman. On Broadway, he took over the title role in the revival of "Dracula" and went on the road with the national touring company. Finally, his career renaissance began to gather momentum when Francis Ford Coppola cast him in a critical supporting role in his Tucker: The Man and His Dream (1988), for which Landau was nominated for an Academy Award as Best Supporting Actor. He won his second Golden Globe for the role. The next year, he received his second consecutive Best Supporting Actor Oscar nomination for his superb turn as the adulterous husband in Woody Allen's Crimes and Misdemeanors (1989). He followed this up by playing famed Nazi hunter Simon Wiesenthal in the TNT movie Max and Helen (1990). However, the summit of his post-Mission: Impossible (1966) career was about to be scaled. He portrayed Bela Lugosi in Tim Burton's biopic Ed Wood (1994) and won glowing reviews. For his performance, he won the Best Supporting Actor Oscar. Martin Landau, the superb character actor, finally had been recognized with his profession's ultimate award. His performance, which also won him his third Golden Globe, garnered numerous awards in addition to the Oscar and Golden Globe, including top honors from the New York Film Critics Circle and the National Society of Film Critics. Landau continued to play a wide variety of roles in motion pictures and on television, turning in a superb performance in a supporting role in The Majestic (2001). He received his fourth Emmy nomination in 2004 as Outstanding Guest Actor in a Drama Series for Without a Trace (2002).

Martin Landau was honored with his own star on the Hollywood Walk of Fame, located at 6801 Hollywood Boulevard.

Martin Landau died in Los Angeles, California on July 15, 2017.

George A. Romero never set out to become a Hollywood figure; by all indications, though, he was very successful. The director of the groundbreaking "Living Dead" films was born February 4, 1940 ,in New York City to Ann (Dvorsky) and Jorge Romero. His father was born in Spain and raised in Cuba, and his mother was Lithuanian. He grew up in New York until attending the renowned Carnegie-Mellon University in Pittsburgh, PA.

After graduation he began shooting mostly short films and commercials. He and his friends formed Image Ten Productions in the late 1960s and they all chipped in roughly $10,000 apiece to produce what became one of the most celebrated American horror films of all time: Night of the Living Dead (1968). Shot in black-and-white on a budget of just over $100,000, Romero's vision, combined with a solid script written by him and his "Image" co-founder John A. Russo (along with what was then considered an excess of gore), enabled the film to earn back far more than what it cost; it became a cult classic by the early 1970s and was inducted into the National Film Registry of the Library of Congress of the United States in 1999. Romero's next films were a little more low-key but less successful, including The Affair (1971), The Crazies (1973), Season of the Witch (1972) (where he met future wife Christine Forrest) and Martin (1977). Though not as acclaimed as "Night of the Living Dead" or some of his later work, these films had his signature social commentary while dealing with issues--usually horror-related--at the microscopic level. Like almost all of his films, they were shot in, or around, Romero's favorite city of Pittsburgh.

In 1978 he returned to the zombie genre with the one film of his that would top the success of "Night of the Living Dead"--Dawn of the Dead (1978). He managed to divorce the franchise from Image Ten, which screwed up the copyright on the original and allowed the film to enter into public domain, with the result that Romero and his original investors were not entitled to any profits from the film's video releases. Shot in the Monroeville (PA) Mall during late-night hours, the film told the tale of four people who escape a zombie outbreak and lock themselves up inside what they think is paradise before the solitude makes them victims of their own, and a biker gang's, greed. Made on a budget of just $1.5 million, the film earned over $40 million worldwide and was named one of the top cult films by Entertainment Weekly magazine in 2003. It also marked Romero's first work with brilliant make-up and effects artist Tom Savini. After 1978, Romero and Savini teamed up many times. The success of "Dawn of the Dead" led to bigger budgets and better casts for the filmmaker. First was Knightriders (1981), where he first worked with an up-and-coming Ed Harris. Then came perhaps his most Hollywood-like film, Creepshow (1982), which marked the first--but not the last--time Romero adapted a work by famed horror novelist Stephen King. With many major stars and big-studio distribution, it was a moderate success and spawned a sequel, which was also written by Romero.

The decline of Romero's career came in the late 1980s. His last widely-released film was the next "Dead" film, Day of the Dead (1985). Derided by critics, it did not take in much at the box office, either. His latest two efforts were The Dark Half (1993) (another Stephen King adaptation) and Bruiser (2000). Even the Romero-penned/Tom Savini-directed remake of Romero's first film, Night of the Living Dead (1990), was a box-office failure. Pigeon-holed solely as a horror director and with his latest films no longer achieving the success of his earlier "Dead" films, Romero has not worked much since, much to the chagrin of his following. In 2005, 19 years after "Day of the Dead", with major-studio distribution he returned to his most famous series and horror sub-genre it created with Land of the Dead (2005), a further exploration of the destruction of modern society by the undead, that received generally positive reviews. He directed two more "Dead" films, Diary of the Dead (2007) and Survival of the Dead (2009).

George died on July 16, 2017, in Toronto, Ontario, Canada. He was 77.

Incisive, gravelly-voiced screen tough guy Powers Boothe was born on June 1, 1948 in Snyder, Texas, a sharecropper's son. Used to hard physical work "chopping cotton" as a youngster, he went on to become the first member of his family to attend university. He then proceeded to study acting via a fellowship with Southern Methodist University and graduated with a degree in Fine Arts. His performing career began in repertory with the Oregon Shakespeare Festival.

In 1974, Boothe arrived in New York after theatrical stints in Connecticut and Philadelphia. It took another five years before he made his breakthrough on Broadway as a swaggering Texas cowboy in James McLure's comedy play "Lone Star". His Emmy-winning performance as Reverend Jim Jones in the miniseries Guyana Tragedy: The Story of Jim Jones (1980) led to a permanent move to Los Angeles. Lucrative screen offers followed and Boothe became firmly established as a leading actor after being well cast as Raymond Chandler's hard-boiled Philip Marlowe, Private Eye (1983), HBO's first drama series, set in 1930s Los Angeles.

Though his portfolio of characters would eventually comprise assorted sheriffs, military brass and FBI agents, Boothe appreciated the indisputable fact that bad guys were often the "last in people's minds" and playing them could be "more fun". Arguably, his most convincing (and oddly likeable) villain was snarling gunslinger Curly Bill Brocius, confronting the Earps in Tombstone (1993). He went on to tackle such complex characters as White House Chief of Staff Alexander Haig in Oliver Stone's Nixon (1995), hawkish Vice President Noah Daniels on 24 (2001) and industrialist power broker Lamar Wyatt in Nashville (2012).

One of his best remembered roles remains that of Cy Tolliver, the (fictional) owner of the (historical) Bella Union saloon and brothel, chief nemesis of Al Swearingen on HBO's Deadwood (2004). Boothe particularly enjoyed his lengthy soliloquies which reminded him of his time on the Shakespearean stage. The tall Texan with the penetrating eyes was rather gleefully (and enjoyably) over-the-top fiendish as Senator Roark in the post film noir Sin City: A Dame to Kill For (2014) and managed (at least near the end) to inject some humanity into the role of Gideon Malick, the sinister head of HYDRA, in Marvel's Agents of S.H.I.E.L.D. (2013).

As is so often the case with actors of the 'hard-boiled school', Boothe has often been described as the very antithesis of the characters he essayed on screen. Sin City director Robert Rodriguez fittingly eulogised him as "a towering Texas gentleman and world class artist". Powers Boothe died in his sleep, in Los Angeles, at age 68 on the morning of May 14, 2017 of a heart attack after battling pancreatic cancer for six months.

Barbara Hale was born on April 18, 1922 in DeKalb, Illinois, to Wilma (née Colvin) and Luther Ezra Hale, a landscape gardener. She had one sister, Juanita. As a young girl, she intended to major in art and drawing but to work her way through The Chicago Academy of Fine Arts, she began her professional career as a model for a comic strip called "Ramblin' Bill."

Hale is best remembered as Della Street, long-time secretary to attorney Perry Mason on the TV series Perry Mason (1957) from 1957 to 1966 and again in over 25 Perry Mason TV movies from 1985 to 1995. She married actor Bill Williams in 1946. He was best remembered for his portrayal of Kit Carson in The Adventures of Kit Carson (1951) from 1951 to 1955. The couple had three children - two daughters: Jody (born in 1947), Juanita (born in 1953), and, in 1951, a son, William Katt (the spitting image of his father), and actor in his own right, probably best known as the titular character's ill-fated prom date in the film Carrie (1976) and, later, as Ralph Hinkley, the klutzy superhero on the quirky 1980s adventure series The Greatest American Hero (1981) (from 1981 to 1986).

An actor with a powerful physique, booming voice and who has played several "Native American" characters, Sonny Landham first broke into mainstream film with a bit part as a police officer in the subway. He ends up getting tripped when Michael Beck throws the baseball bat at his legs, in Walter Hill's gang film The Warriors (1979), then other minor roles in Southern Comfort (1981) & Poltergeist (1982), before Walter Hill cast him in his first decent role as James Remar's gun happy, criminal partner in the high voltage hit 48 Hrs. (1982). Landham continued to turn up in high testosterone films of the mid 1980s including the action sci-fi film Predator (1987), alongside Arnold Schwarzenegger in Lock Up (1989), and being hurled out a window by Carl Weathers in Action Jackson (1988). His career on screen wound down during the 1990s, but he still managed to crop up in several roles taking advantage of his strong physical presence.

Adam West was born William West Anderson on September 19, 1928 in Walla Walla, Washington, to parents Otto West Anderson, a farmer, and his wife Audrey V. (Speer), an opera singer. At age 10, in 1938, West had a cache of comic books; and starting in 1939, Batman, who appeared in Detective Comics, made a big impression on him--the comic hero was part bat-man (a la Count Dracula) and part world's greatest detective (a la Charlie Chan and Sherlock Holmes). When his mother remarried to a Dr. Paul Flothow, she took West and his younger brother, John, to Seattle. At age 14, West attended Lakeside School, then went to Whitman College, where he got a degree in literature and psychology. During his last year of college, he married 17-year-old Billie Lou Yeager.

West got a job as a disc jockey at a local radio station, then enrolled at Stanford for post-grad courses. Drafted into the army, he spent the next two years starting military television stations, first at San Luis Obispo, California, then at Fort Monmouth, New Jersey. Afterwards, West and his wife toured Europe, visiting Germany, Switzerland and Italy's Isle of Capri. When the money ran out, he joined a childhood and college buddy, Carl Hebenstreit, who was starring in the kiddie program "The Kini Popo Show" in Hawaii. West would eventually replace Carl but not the other star, Peaches the Chimp. In 1956, he got a divorce and married a beautiful girl, originally from Tahiti, named Ngatokoruaimatauaia Frisbie Dawson (he called her "Nga" for short). They had a daughter, Jonelle (born 1957), and a son, Hunter (born 1958). In 1959, West came to Hollywood. He adopted the stage name "Adam West", which fit his roles, as he was in some westerns.

After seven years in Tinseltown, he achieved fame in his signature role as Bruce Wayne / Batman, on the wildly popular ABC-TV series Batman (1966) (though he has over 60 movie and over 80 television guest appearance credits, "Batman" is what the fans remember him for). The series, which lasted three seasons, made him not just nationally but internationally famous. The movie version, Batman: The Movie (1966), earned West the "Most Promising New Star" award in 1967. The downside was that the "Batman" fame was partly responsible for ruining his marriage, and he was typecast and almost unemployable for a while after the series ended (he did nothing but personal appearances for two years).

In 1970, he met and then married Marcelle Tagand Lear, and picked up two stepchildren, Moya and Jill. In addition, they had two children of their own: Nina West in 1976 and Perrin in 1979. You can't keep a good actor down--West's career took off again, and he appeared in 50 projects after that: movies, television movies and sometimes doing voices on television series. West wrote his autobiography, "Back to the Batcave" (1994). One of his most prized possessions was a drawing of Batman by Bob Kane with the inscription "To my buddy, Adam, who breathed life into my pen and ink creation". Beginning in 2000, West made guest appearances on the animated series Family Guy (1999), on which he played Mayor Adam West, the lunatic mayor of Quahog, Rhode Island.

On June 9, 2017, Adam West died at age 88 after a brief battle with leukemia in Los Angeles, California. On June 15, 2017, Los Angeles shone the bat-signal on City Hall, and Walla Walla shone the bat-signal on the Whitman Tower, both as a tribute to West.

Nelsan Ellis was an award-winning American film and television actor and playwright, perhaps best known as Lafayette Reynolds on HBO's True Blood (2008).

Nelsan was born on November 30, 1977, in Harvey, Illinois, the son of Jackie Ellis and Tommie Lee Thompson. Following his parents' divorce, Ellis and his mother moved to Alabama. He moved back to Illinois as a teenager, and graduated from Thornridge High School in Dolton, Illinois, in 1997. Ellis attended Juilliard and, while there, wrote a semi-autobiographical play titled Ugly that was performed at the school and later won the Lincoln Center's Martin E. Segal Award. Ellis won a 2008 Satellite Award from the International Press Academy for best supporting actor in a television series for his role as Lafayette Reynolds in HBO's True Blood. Ellis won the "Brink of Fame: Actor" award at the 2009 NewNowNext Awards.

Tragically, Ellis died at the age of 39 on July 8, 2017, in Los Angeles, California, after complications from heart failure. His family released a statement on July 10, saying that Nelsan had been trying to quit alcohol in the days before his death, and suggesting that he suffered from alcohol withdrawal syndrome, leading to his heart failure.

Michael Parks is known as an actor's actor by his peers with a breadth of astonishing range that has allowed him to portray stunning contrasts--sometimes in the same film, like in Tusk (2014), starring in dual roles as an erudite serial killer opposite Justin Long, and as a feeble rube opposite Johnny Depp. In Kill Bill: Vol. 1 (2003) and Kill Bill: Vol. 2 (2004). Parks portrayed spot-on contrasting roles as Texas Ranger Earl McGraw and the heavily accented Esteban Vihaio opposite Uma Thurman. Writers/directors, including Kevin Smith and Quentin Tarantino, wrote roles specifically for Parks, claiming all they need to do is "turn on the camera" to elicit a masterful performance.

Parks has played in more than 100 films and TV shows over a 50-year career. He started as a contract player in 1961 with the portrayal of the nephew of the character George MacMichael on the ABC sitcom The Real McCoys (1957). He played Adam in John Huston's 1966 movie The Bible in the Beginning... (1966). His other early roles includes appearances in two NBC series: Too Many Strangers (1962) as "Larry Wilcox" and as "Dr. Mark Reynolds" in Pressure Breakdown (1963). He also starred in The China Lake Murders (1990) and Stranger by Night (1994), playing a police officer in both.

From 1969-70 he starred in the series Then Came Bronson (1969), in which he was the only recurring character. He sang the theme song for the show, "Long Lonesome Highway", which became a #20 Billboard Hot 100 and #41 Hot Country Songs hit. Albums he recorded under MGM Records (the label of the studio which produced the series) include "Closing The Gap" (1969)," Long Lonesome Highway" (1970) and "Blue". He also had various records of songs included on these albums. He played Philip Colby during the second season (1986-87) of ABC's Dynasty (1981) spin-off series The Colbys (1985). He played the antagonist Irish mob boss Tommy O'Shea in Death Wish: The Face of Death (1994) (1994), French-Canadian drug runner Jean Renault in the ABC television series Twin Peaks (1990), Dr. Banyard in Deceiver (1997), Texas Ranger Earl McGraw in From Dusk Till Dawn (1996) and Ambrose Bierce in From Dusk Till Dawn 3: The Hangman's Daughter (1999). After playing Earl McGraw in the "Kill Bill" film series he reprised the role in both segments of the film Grindhouse (2007). In Red State (2011) as villain Abin Cooper, quoting the Bible and issuing homicidal directives in the same gently insinuating voice, Parks plays a disturbingly soft-spoken psycho making the talk all the more convincing and scary with his brilliant delivery affecting a folksy "down-home" accent , knowing just how to modulate his remarks for maximum effect; most reviewers agreed with "Hollywood Reporter" writer Todd McCarthy that he is mesmerizing as he spews Cooper's hate in a way that brooks no argument . In "Tusk" as Howard Howe, a real-life ancient mariner (a role Kevin Smith tailor-made for him), "Parks has such light in his eyes, fire in his belly and a mellifluous purr in his voice" that "Variety" wrote, "it would probably be a pleasure to watch him recite the Manitoba phone book".

Donald Jay Rickles was born May 8, 1926 in New York. Following the Golden Era of Hollywood, he remained active until early 2017. He got his start in night clubs, toiling for over 20 years, until 1958, when he made his film debut in Run Silent Run Deep (1958). The movie was a big hit. Afterward, Rickles continued acting, starring in films like X: The Man with the X-Ray Eyes (1963), Bikini Beach (1964), Enter Laughing (1967), and Kelly's Heroes (1970). In 1973, Don became a regular on Dean Martin's Celebrity Roasts.

From 1973-84, he appeared frequently on Dean's show, paying tribute to some of his friends, like Bob Hope, Frank Sinatra, Lucille Ball, and was even the roast master on the roast for Dean Martin himself. In 1976, he had his own TV series CPO Sharkey (1976), which enjoyed a two year run. After 1984, he slowed down, appearing in a few minor film roles. In 1995, he made a comeback, appearing with Tom Hanks and Tim Allen in Toy Story (1995) in the role of the grouchy Mr. Potato Head. In 1999, he returned as Mr. Potato Head in Toy Story 2 (1999). He died on April 6, 2017, in Los Angeles, California, aged 90. He is interred at Mount Sinai Memorial Park in Los Angeles, California, in the Courts of Tanach.

Born in Burbank, California, USA on October 18, 1960, Erin Moran was the youngest daughter of Sharon and Edward Moran, who have five other children. She attended Walter Reed Junior High School for one year and North Hollywood High School for another year. Her first professional acting job was in a TV commercial. She played Richie Cunningham's baby sister, Joanie Cunningham, on ABC's Happy Days (1974); however, this was not Erin's first major TV series. She was a regular on the series, Daktari (1966). She has also made guest appearances on TV series such as The Waltons (1972), Family Affair (1966), My Three Sons (1960), The Courtship of Eddie's Father (1969), Gunsmoke (1955), The Smith Family (1971), and The F.B.I. (1965).

Erin Moran has worked on feature films with Debbie Reynolds in How Sweet It Is! (1968), with Godfrey Cambridge in Watermelon Man (1970), and with Wayne Newton in 80 Steps to Jonah (1969).

Like many other child actors, Erin had difficulty finding roles as an adult. Following the cancellation of Happy Days (1974) in 1984, she made occasional guest appearances on scripted and reality shows. She eventually moved away from Hollywood after her home was foreclosed on.

On April 22, 2017, she died in Corydon, Indiana, where she had been living with her husband of 23 years; she was 56 years old.

Jerry Lewis (born March 16, 1926 - August 20, 2017) was an American comedian, actor, singer, film producer, screenwriter and film director. He is known for his slapstick humor in film, television, stage and radio. He was originally paired up with Dean Martin in 1946, forming the famed comedy team of Martin and Lewis. In addition to the duo's popular nightclub work, they starred in a successful series of comedy films for Paramount Pictures. Lewis was also known for his charity fund-raising telethons and position as national chairman for the Muscular Dystrophy Association (MDA). Lewis won several awards for lifetime achievements from The American Comedy Awards, Los Angeles Film Critics Association, and Venice Film Festival, and he had two stars on the Hollywood Walk of Fame. In 2005, he received the Governors Award of the Academy of Television Arts & Sciences Board of Governors, which is the highest Emmy Award presented. On February 22, 2009, the Academy of Motion Picture Arts and Sciences awarded Lewis the Jean Hersholt Humanitarian Award.

Jerry died on August 20, 2017, in Las Vegas.

Francine York was born in the small mining town of Aurora, Minnesota to her parents, Frank and Sophie Yerich. When Francine was five, her family (including her younger sister, Deanne) moved to Cleveland, where she began to write short stories and take an interest in acting. At age nine, Francine made her theatrical debut in the Hodge Grammar School production of Cinderella, playing Griselda. Initially quite upset that she did not get the starring role, Francine ended up stealing the show with her performance as the evil stepsister. Right after the show, Francine ran into the audience and told her mother that she wanted to be an actress.

When Francine was age 12, the family moved back to Aurora, where she continued to perform in class plays, as well as writing, producing, directing and starring in a three-act play called "Keen Teens or Campus Quarantine". Francine, displaying an entrepreneurial spirit at a young age, charged five cents admission to the show, and the whole town turned out for the production.

While studying journalism and drama at Aurora High School, Francine worked as the feature editor of the school newspaper, Aurora Borealis, and she won all of the school's declamation contests with her dramatic readings. Additionally, she was the baton-twirling majorette for the school band, and active in the 4-H club, where she won several blue ribbons for cooking in both county and state fairs. This proved to be valuable experience for Francine later on, when she would not only host, but do all of the gourmet cooking for dinner parties for some of Hollywood's biggest names.

At age 17, Francine won the Miss Eveleth contest (Eveleth being a nearby town), and became a runner-up in the Miss Minnesota contest, which was hosted by former Miss America BeBe Shopp. For the talent portion of the Miss Minnesota pageant, Francine, who was not afraid to be less than glamorous during a performance, donned some old clothes, removed her makeup, grayed her hair, and performed a reading of a monologue called "The Day That Was That Day" by Amy Lowell, in which she played a dual role of two elderly Southern women. BeBe Shopp encouraged Francine in her theatrical ambitions, and predicted that she would end up in Hollywood very soon. At this point, however, Hollywood was still a dream for Francine, who wanted desperately to leave Minnesota and make her mark in show business.

Moving to Minneapolis, she got a job modeling sweaters for New York-based Jane Richards Sportswear and began traveling throughout the United States, ending up in San Francisco. After leaving Jane Richards, Francine began a modeling course at the House of Charm agency, which started her off on a very successful modeling career for all of the major department stores, including Macy's. Her modeling work got the attention of the producers of the Miss San Francisco beauty pageant, which she subsequently entered and was voted runner-up, but ended up taking over the title after the winner became too sick to participate. Soon after, Francine got a job as a showgirl at Bimbo's, a well-known San Francisco nightclub, which was highly disapproved of by Francine's modeling agency, but this turned out to be the right choice for Francine when she met Bimbo's headliner, singer Mary Meade French, who brought Francine to Hollywood and, later, got her signed with her first agent.

Arriving in Los Angeles, Francine once again found herself working as a showgirl at Frank Sennes' Moulin Rouge, a popular nightclub on Sunset Boulevard in Hollywood, where she performed in three shows a night, seven nights a week for six months. Tired of sharing a stage with elephants, pigeons and horses, she moved on to pursue her acting career and began study with famed actor/teacher Jeff Corey. While performing in Corey's class, Francine was spotted by a theatrical producer, who cast her in a play called "Whisper in God's Ear" at the Circle Theatre. During this time, the same producer gave Francine her very first movie role, starring in Secret File: Hollywood (1962), a film about the day-to-day operations of a sleazy Hollywood tabloid. The movie premiered in Francine's hometown of Aurora, which gave her the biggest thrill of her life as the whole town, the press, her family, friends, and even the high school band turned out at the airport to greet her with banners proclaiming, "Welcome Home, Francine!"

Francine's first big break came when Jerry Lewis cast her in his film It's Only Money (1962), in which she played a tantalizing sexpot, a role which brought her a tremendous amount of publicity. This led to Lewis hiring her for five more of his films, including The Nutty Professor (1963), The Patsy (1964), The Disorderly Orderly (1964), The Family Jewels (1965) and Cracking Up (1983), in which she played a fifteenth century marquise. Other notable film appearances include Bedtime Story (1964) (with Marlon Brando and David Niven), Tickle Me (1965) (with Elvis Presley), Cannon for Cordoba (1970) (with George Peppard), and science fiction cult films Curse of the Swamp Creature (1968), Mutiny in Outer Space (1964) and Space Probe Taurus (1965). Francine's most popular film was the cult classic The Doll Squad (1973), where she played Sabrina Kincaid, leader of an elite team of gorgeous female assassins who attempt to stop a diabolical madman from destroying the world with a deadly plague virus. Francine also delivered a stunning performance as Marilyn Monroe in an otherwise lackluster film, Marilyn Alive and Behind Bars (1992). (Film critic Tom Weaver has been quoted as saying that Francine's performances often rise above the low-budget films she has been cast in.) More recently, Francine played Nicolas Cage's mother-in-law in The Family Man (2000).

Francine has also had tremendous success in television, with appearances on Route 66 (1960), Hawaiian Eye (1959), 77 Sunset Strip (1958), My Favorite Martian (1963), Burke's Law (1963), Perry Mason (1957), Batman (1966), Gomer Pyle: USMC (1964), Lost in Space (1965), It Takes a Thief (1968), Green Acres (1965), The Wild Wild West (1965), Ironside (1967), I Dream of Jeannie (1965), Love, American Style (1969), Mannix (1967), Bewitched (1964), Adam-12 (1968), Mission: Impossible (1966), Kojak (1973), Columbo (1971), Matlock (1986), The King of Queens (1998) and Las Vegas (2003), among many others. Francine's personal favorites among her television roles include her portrayal of nineteenth century British actress Lily Langtry in the Death Valley Days (1952) episode "Picture of a Lady", and her role as the princess opposite Shirley Temple (one of Francine's childhood idols) in NBC's presentation of Hans Christian Andersen's "The Little Mermaid". One of Francine's other favorite roles was that of high-class prostitute and blackmailer Lorraine Temple on Days of Our Lives (1965).

While Francine was enjoying great success as a film and television actress, she was also making a name for herself as a fitness/nutrition expert and gourmet cook. She made many appearances on television demonstrating her culinary skills, and many of her recipes, as well as her exercise programs, were published in national health magazines. Francine also became known as one of Hollywood's leading hostesses, cooking for such celebrities as Clint Eastwood, Rex Harrison, Vincent Price, Regis Philbin, Jean Stapleton, Neil Sedaka, James Arness, Glenn Ford and Peter Ustinov.

Francine continued to act in films and on television. Two recent television appearances include Hot in Cleveland (2010) (as British matriarch Lady Natalie), and Bucket and Skinner's Epic Adventures (2011) (as Aunt Bitsy). She was also quite busy working on her autobiography, something her fans are looking forward to with great interest. In 1996, she met director Vincent Sherman (Mr. Skeffington, The Adventures of Don Juan, The Young Philadelphians), and was his companion until his death in 2006. Francine never married - she once said, "Like Cinderella, I always wanted to marry the handsome prince...but they don't make glass slippers in size ten!" On January 6, 2017, Francine York died of cancer at age 80 in Van Nuys, California.

Rance Howard was born on 17 November 1928 in Duncan, Oklahoma, USA. He was an actor and writer, known for Nebraska (2013), Walk Hard: The Dewey Cox Story (2007) and Universal Soldier (1992). He was married to Judy Howard and Jean Speegle Howard. He died on 25 November 2017 in Los Angeles, California, USA.

Honored with many awards for his films and achievement in the horror genre, Tobe Hooper is truly one of the Masters of Horror (2005).

Tobe Hooper was born in Austin, Texas, to Lois Belle (Crosby) and Norman William Ray Hooper, who owned a theater in San Angelo. He spent the 1960s as a college professor and documentary cameraman. In 1974, he organized a small cast that was made up of college teachers and students, and then he and Kim Henkel made The Texas Chain Saw Massacre (1974), featuring the maniacal chainsaw-wielder Leatherface (Gunnar Hansen). This film changed the horror film industry and became an instant classic, remaining on many lists of top horror films of all time. Hooper based it upon the real-life killings of Ed Gein, a cannibalistic killer responsible for the grisly murders of several people in 1950s Wisconsin. Rex Reed said, "It's the scariest film I have ever seen." Leonard Maltin wrote, "While not nearly as gory as its title suggests, 'Massacre' is a genuinely terrifying film made even more unsettling by its twisted but undeniably hilarious black comedy." It is in the Permanent Collection of the Museum of Modern Art, and was officially selected at the Cannes Film Festival of 1975 for Directors Fortnight.

Hooper's success with "Chainsaw" landed him in Hollywood. Hooper rejoined the cast of "Texas" and with Kim Henkle again for Eaten Alive (1976), a gory horror film with Mel Ferrer, Carolyn Jones, William Finley, and Marilyn Burns (who played the lead in "Chainsaw"). The film centered around a caretaker of a motel who feeds his guests to his pet alligator. Also in the film was Robert Englund, whom Hooper helped advance his career and worked with him again in the future. "Eaten Alive" also won many awards at Horror Film Festivals, receiving the first Saturn Award. Also in the film, making his debut, was Robert Englund.

Hooper was assigned to the Film Ventures International production of The Dark (1979), a science-fiction thriller. After only three day, he was fired from the film and replaced with John 'Bud' Cardos. Instead, Hooper had greater success with Stephen King's 1979 mini series Salem's Lot (1979). In 1981, Hooper directed the teen slasher film The Funhouse (1981) for Universal Pictures. Despite its success, "The Funhouse" was a minor disappointment. In 1982, Hooper found greater success when Steven Spielberg hired him to direct his production, haunted house shocker Poltergeist (1982), for MGM. It quickly became a top-ranking major motion picture, but Hooper's reputation was waylaid by uncorroborated and spurious rumors spread throughout the film's press coverage that Spielberg had largely directed the film.

"Poltergeist" was perhaps a greater success than "Texas Chainsaw Massacre," but it was three years until Hooper found work again. He signed a three-year contract with Menahem Golan and Yoram Globus's Cannon Group, and directed more films, including Lifeforce (1985), with Patrick Stewart for TriStar; the minor remake Invaders from Mars (1986); and the disappointing sequel The Texas Chainsaw Massacre 2 (1986), with Dennis Hopper. During the mid-1980s, Hooper also directed several television projects, including episodes of Amazing Stories (1985), The Equalizer (1985), Freddy's Nightmares (1988) and Tales from the Crypt (1989) with Whoopi Goldberg.

In the 1990s, Hooper continued working in both film and television: I'm Dangerous Tonight (1990), Nowhere Man (1995), Dark Skies (1996), Perversions of Science (1997) with Jamie Kennedy and Jason Lee, The Apartment Complex (1999) with Amanda Plummer for Showtime, Night Terrors (1993) and The Mangler (1995) for New Line, the latter two with Robert Englund. In the new century Hooper's career grew stronger, with Night Visions (2001), Shadow Realm (2002) and the pilot episode for Steven Spielberg's award-winning miniseries Taken (2002).

In 2003, Hooper co-produced the successful remake of The Texas Chainsaw Massacre (2003) for New Line. His final three films as director were Toolbox Murders (2004), with Angela Bettis, released through Lions Gate; Mortuary (2005), a zombie film with Dan Byrd; and evil genie tale Djinn (2013).

Tobe Hooper died on August 26, 2017, in Sherman Oaks, Los Angeles.

Leatherface (2017), technically the eighth film in Hooper's Chainsaw franchise, was slated for release just weeks after his death.

"Go home and get your shine box....", so said ill-fated Billy Batts in Goodfellas (1990). However, Billy Batts is better known to a legion of crime-film fans as the talented actor, musician, and comedian Frank Vincent. He was born in North Adams, Massachusetts, but was raised in the Greenville section of Jersey City, New Jersey. Frank studied music at St. Pauls Grammar School and became a keen drummer at a young age, while his father introduced him to the dramatic arts. Vincent went on to became quite an accomplished musician and played with some of the key 1960s recording artists including Trini López, Del Shannon and Paul Anka. In 1975 Vincent appeared before the camera for the first time in the low-budget The Death Collector (1976) where he was noticed by acclaimed director Martin Scorsese, who cast Frank in three iconic American films: the first saw Frank play the insolent Salvi in Raging Bull (1980), secondly as the aforementioned made man Billy Batts in Goodfellas (1990) being bumped off by Joe Pesci and Robert De Niro, and once again as Frank Marino in Casino (1995). Frank Vincent appeared in over fifty movies, and set the pace as one of the cinema's most versatile and resourceful character actors. With the recognition of his talents, various new opportunities work followed, and Frank lent his skills to contributing and appearing on video games, in television commercials and even rock-music clips with artists including DMX, T-Boz and Hype Williams. He also had the role of gangster Phil Leotardo in the legendary HBO series The Sopranos (1999).

Frank Vincent was also the proud recipient of the Italian American Entertainer of the Year Award, and was also acknowledged with a Lifetime Achievement Award presented by the Back East Picture Show.