- My Gal Sal(1905) (uncredited)Written by Paul DresserSung by Robert Gordon (dubbed by an unidentified singer)
- Yosl, Yosl (Joseph, Joseph)(1923) (uncredited)Written by Samuel Steinberg and Nellie Casman[Played several times during New York street scenes. Originally written for the Yiddish Theater]
- Waiting for the Robert E. Lee(1912) (uncredited)Music by Lewis F. MuirLyrics by L. Wolfe GilbertSung by Robert Gordon (dubbed by an unidentified singer)
- Kol Nidre(uncredited)TraditionalSung by Warner Oland (dubbed by Joseph Diskay)Also sung later by Al Jolson
- Dirty Hands, Dirty Face(1923) (uncredited)Music by James V. MonacoSung by Al Jolson
- Toot, Toot, Tootsie (Goo' Bye!)(1922) (uncredited)Sung by Al Jolson
- Kaddish(uncredited)TraditionalSung by Yossele Rosenblatt
- Blue Skies(1926) (uncredited)Written by Irving BerlinSung by Al JolsonPiano performed by Bert Fiske
- Mother of Mine, I Still Have You(1927) (uncredited)Music by Louis SilversLyrics by Grant ClarkeSung by Al Jolson during the dress rehearsal
- My Mammy(1918) (uncredited)Music by Walter DonaldsonSung by Al Jolson at the Winter Garden performance
- The Sidewalks of New York(1894) (uncredited)Music by Charles LawlorPlayed during the opening montage of the New York ghetto
- In the Good Old Summertime(1902) (uncredited)Music by George EvansPlayed at the saloon before young Jakie sings
- Give My Regards to Broadway(1904) (uncredited)Music by George M. CohanPlayed at the train station and at Jack's arrival in New York
- Romeo and Juliet Overture(1868) (uncredited)Music by Pyotr Ilyich TchaikovskyPlayed during the opening credits and often in the score
- If a Girl Like You Loved a Boy Like Me(uncredited)Written by Gus Edwards and Will D. Cobb
- Sérénade mélancolique opus 26(1875) (uncredited)Music by Pyotr Ilyich TchaikovskyPlayed during the score
- Pélleas och Mélisande: Mélisande(1905) (uncredited)Music by Jean SibeliusPlayed during the score. The autor complained the unauthorized use of his music.
- Kol Nidre, Op. 47(1881) (uncredited)Music by Max BruchPlayed during the score. The main theme of the Bruch's work (traditional) is the same as the traditional song sung in the film
- Beau SoirComposed by Claude Debussy(Heard when a character is seen on his sickbed)
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