When the police in a German city are unable to catch a child-murderer, other criminals join in the manhunt.When the police in a German city are unable to catch a child-murderer, other criminals join in the manhunt.When the police in a German city are unable to catch a child-murderer, other criminals join in the manhunt.
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Storyline
Did you know
- TriviaContrary to popular belief, Fritz Lang did not change the title from "The Murderers are Among Us" to "M" due to fear of persecution by the Nazis. He changed the title during filming, influenced by the scene where one of the criminals writes the letter on his hand. Lang thought "M" was a more interesting title.
- GoofsAdults, especially parents, are terrified of a murderer who targets children--yet children are shown playing outside unsupervised and talking to strangers without reservation.
- Quotes
Hans Beckert: I can't help what I do! I can't help it, I can't...
Criminal: The old story! We never can help it in court!
Hans Beckert: What do you know about it? Who are you anyway? Who are you? Criminals? Are you proud of yourselves? Proud of breaking safes or cheating at cards? Things you could just as well keep your fingers off. You wouldn't need to do all that if you'd learn a proper trade or if you'd work. If you weren't a bunch of lazy bastards. But I... I can't help myself! I have no control over this, this evil thing inside of me, the fire, the voices, the torment!
Schraenker: Do you mean to say that you have to murder?
Hans Beckert: It's there all the time, driving me out to wander the streets, following me, silently, but I can feel it there. It's me, pursuing myself! I want to escape, to escape from myself! But it's impossible. I can't escape, I have to obey it. I have to run, run... endless streets. I want to escape, to get away! And I'm pursued by ghosts. Ghosts of mothers and of those children... they never leave me. They are always there... always, always, always!, except when I do it, when I... Then I can't remember anything. And afterwards I see those posters and read what I've done, and read, and read... did I do that? But I can't remember anything about it! But who will believe me? Who knows what it's like to be me? How I'm forced to act... how I must, must... don't want to, must! Don't want to, but must! And then a voice screams! I can't bear to hear it! I can't go on! I can't... I can't...
- Crazy creditsAll of the original credits appear only in the beginning with no music.
- Alternate versionsIn the English and French language versions, in addition to having been dubbed, had some footage re shot. These scenes include the telephone conversation between the minister and the police commissioner, and the ending of the film. Peter Lorre's performance in the trial was re shot, however this time he spoke his lines in English or French, depending upon the version. The shots of him are lit and photographed much differently than Fritz Lang's original footage. Additionally, a shot of the police arriving was inserted, taken from an earlier part of the film (whereas in the original German version no police forces are shown at all). The court scenes have been eliminated and replaced with happy endings where young children play a game similar to the one seen in the opening (English) or a smiling couple watching their children play in the street (French).
- ConnectionsEdited into Juden ohne Maske (1937)
Fritz Lang, you cinematic god! A simple story of the underworld, the police, and a single man holding an entire city hostage, and done with such precision and pre-noir darkness that is oozes creepy suspense from beginning to end.
But this movie is not so simple as the police inspectors trying to catch a devious murderer it's about the mob, employing its network of beggars and petty thieves also trying to bring the killer to their own brand of justice. Apparently, the police crackdown caused by the murders is bad for business so the mob begins to track him down as well.
It's not only a great crime story, and perhaps the first physiological thriller (the murderer is schizophrenic) but there's comments to be made here about the nature of justice, and who should best dispense it.
In all, not only a trail-blazing classic, but THE trail-blazing classic.
Details
Box office
- Gross US & Canada
- $35,566
- Opening weekend US & Canada
- $6,123
- Mar 17, 2013
- Gross worldwide
- $35,566
- Runtime1 hour 39 minutes
- Color
- Sound mix
- Aspect ratio
- 1.19 : 1
- 1.20 : 1