Dr. Jekyll faces horrible consequences when he lets his dark side run wild with a potion that transforms him into the animalistic Mr. Hyde.Dr. Jekyll faces horrible consequences when he lets his dark side run wild with a potion that transforms him into the animalistic Mr. Hyde.Dr. Jekyll faces horrible consequences when he lets his dark side run wild with a potion that transforms him into the animalistic Mr. Hyde.
- Won 1 Oscar
- 4 wins & 2 nominations total
Robert Adair
- Ivy's Admirer at Music Hall
- (uncredited)
Harry Adams
- Pub Patron
- (uncredited)
William Begg
- Party Guest
- (uncredited)
Leonard Carey
- Briggs - Lanyon's Butler
- (uncredited)
Rita Carlyle
- Jekyll's Patient
- (uncredited)
Frank Goddard
- Undetermined Role
- (uncredited)
Bobbie Hale
- Pub Patron
- (uncredited)
Pat Harmon
- Music Hall Customer
- (uncredited)
Sam Harris
- Party Guest
- (uncredited)
Boyd Irwin
- Police Inspector
- (uncredited)
Tom London
- Undetermined Role
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe remarkable Jekyll-to-Hyde transition scenes in this film were accomplished by manipulating a series of variously colored filters in front of the camera lens. Fredric March's Hyde makeup was in various colors, and the way his appearance registered on the film depended on which color filter was being shot through. Only in the late 1960's did Mamoulian reveal how this was done.
- GoofsImmediately after Hyde changes to Jekyll in front of Dr. Lanyon, he moves his head and briefly reveals the padded armature attached to the back of his chair, intended to hold his head in the same position while the makeup artists worked on various stages of his transformation.
- Alternate versionsThis film was published in Italy in an DVD anthology entitled "Il dottor Jekyll e Mr. Hyde", distributed by DNA Srl. The film has been re-edited with the contribution of the film history scholar Riccardo Cusin . This version is also available in streaming on some platforms.
- ConnectionsEdited into Mondo Lugosi - A Vampire's Scrapbook (1987)
- SoundtracksToccata and Fugue in D Minor, BWV 565
(1708) (uncredited)
Music by Johann Sebastian Bach
Played by orchestra during opening credits and in some scenes by an anonymous organist dubbing Fredric March
Featured review
What happened to movies in the late 30's and early 40's? Why did they become so stale and stagey? "Dr. Jekyll and Mr. Hyde" would be considered downright antique to many of today's casual filmgoers, but it feels so much more dynamic technically and thematically than many films that came out later in its decade. The answer, of course, is that this movie came out before enforcement of the Production Code, at which time artistry in films--both style and substance--took a nose dive.
This film is worth watching for its stunning camera work alone. It doesn't suffer from any of the awkwardness other films working in the early years of sound do. The camera's always moving, there's terrific use of light and shadow, and the scenes showing the transformation of Jekyll to Hyde are seamlessly filmed in what appear to be uninterrupted shots, leaving you to ponder the sheer physical behind-the-scenes mechanics of them.
But this movie isn't just more technically advanced than films later in the decade; it's more adult in content too. No filming of this story ten years later (I've not seen the Victor Fleming version for comparison) would dare add the level of sexuality that this story does. Fredric March is very good in the dual role, and when he transforms into Mr. Hyde, you can see that it's everything within his power not to rip the dress right off whatever female he happens to be with and mount her right there. I'm not exaggerating; the film is really that frank.
Creepy good fun.
Grade: A-
This film is worth watching for its stunning camera work alone. It doesn't suffer from any of the awkwardness other films working in the early years of sound do. The camera's always moving, there's terrific use of light and shadow, and the scenes showing the transformation of Jekyll to Hyde are seamlessly filmed in what appear to be uninterrupted shots, leaving you to ponder the sheer physical behind-the-scenes mechanics of them.
But this movie isn't just more technically advanced than films later in the decade; it's more adult in content too. No filming of this story ten years later (I've not seen the Victor Fleming version for comparison) would dare add the level of sexuality that this story does. Fredric March is very good in the dual role, and when he transforms into Mr. Hyde, you can see that it's everything within his power not to rip the dress right off whatever female he happens to be with and mount her right there. I'm not exaggerating; the film is really that frank.
Creepy good fun.
Grade: A-
- evanston_dad
- Nov 16, 2005
- Permalink
Details
Box office
- Budget
- $535,000 (estimated)
- Gross worldwide
- $16,615
- Runtime1 hour 38 minutes
- Color
- Aspect ratio
- 1.20 : 1
Contribute to this page
Suggest an edit or add missing content