Chester Kent struggles against time, romance, and a rival's spy to produce spectacular live "prologues" for movie houses.Chester Kent struggles against time, romance, and a rival's spy to produce spectacular live "prologues" for movie houses.Chester Kent struggles against time, romance, and a rival's spy to produce spectacular live "prologues" for movie houses.
- Awards
- 1 win
- Chorus Girl
- (uncredited)
- Chorus Girl
- (uncredited)
Storyline
Did you know
- TriviaThis film was selected to the National Film Registry, Library of Congress, in 1992.
- GoofsAfter the "By A Waterfall" prologue ends, the film cuts to the audience giving an animated and thunderous applause, but in the balcony there is no applause or reaction. In fact, there is no movement whatsoever. They are perfectly still which indicates that a photo or painting was used for the balcony audience and then merged with the live theatre audience. The same photo/painting was also used for the "Shanghai Lil" balcony audience.
- Quotes
Nan Prescott: You scram, before I wrap a chair around your neck!
Vivian Rich: [Angrily] It's three o'clock in the morning - where do you want me to go?
[Nan starts to speak, but Vivian immediately cuts her off]
Vivian Rich: You cheap stenographer...
Nan Prescott: Outside, countess. As long as they've got sidewalks YOU'VE got a job.
[Shoves her out, gives her a swift kick in the rump, and slams the door behind her]
- Alternate versionsThere is an Italian edition of this film on DVD, distributed by DNA srl, "VIVA LE DONNE! (1933) + AMORE IN OTTO LEZIONI (1936)" (2 Films on a single DVD), re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- ConnectionsEdited into Busby Berkeley and the Gold Diggers (1969)
- SoundtracksShanghai Lil
(1933) (uncredited)
Music by Harry Warren
Lyrics by Al Dubin
Played during the opening credits and often in the score
Performed by James Cagney, Ruby Keeler and Chorus
Cagney is even doing a bit of singing in this one and also quite an amount of dancing. And it needs to be said that he was not bad at it. He plays the role with a lot of confidence. He apparently had some dancing jobs in his early life before his acting career started to take off big time, so it actually isn't a weird thing that he also took on some musical acting roles in his career. He obviously also feels at ease in this totally different genre than most people are accustomed to seeing him in.
The movie is directed by Lloyd Bacon, who was perhaps among the best and most successful director within the genre. His earliest '30's musicals pretty much defined the musical genre and he also was responsible for genre movies such as "42nd Street". His musicals were always light and fun to watch and more comedy like than anything else really. '30's musicals never were really about its singing, this was something that more featured in '40's and later made musicals, mainly from the MGM studios.
As usual it has a light and simple story, set in the musical world, that of course is also predictable and progresses in a formulaic way. It nevertheless is a fun and simple story that also simply makes this an entertaining movies to watch. So do the characters and actors that are portraying them. Sort of weird though that that the total plot line of the movie gets sort of abandoned toward the end of the movie, when the movie only starts to consists out of musical number routines.
The musical moments toward the ending of the movie are also amusing and well done, even though I'm not a too big fan of the genre itself. Once again the musical numbers also feature a young Billy Barty. he often played little boys/babies/mice and whatever more early on in his career, including the movie musical "Gold Diggers of 1933", of one year earlier.
A recommendable early genre movie.
8/10
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- May 20, 2008
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Details
Box office
- Budget
- $703,000 (estimated)
- Runtime1 hour 44 minutes
- Color
- Aspect ratio
- 1.37 : 1