IMDb RATING
6.9/10
4.1K
YOUR RATING
Circus performer Tira seeks a better life pursuing the company of wealthy New York men with improbable comic complications along the way.Circus performer Tira seeks a better life pursuing the company of wealthy New York men with improbable comic complications along the way.Circus performer Tira seeks a better life pursuing the company of wealthy New York men with improbable comic complications along the way.
William B. Davidson
- The Chump Ernest Brown
- (as Wm. B. Davidson)
Bobby Barber
- Man In Crowd
- (uncredited)
Eddie Borden
- Carnival Sideshow Spectator
- (uncredited)
George Bruggeman
- Omnes
- (uncredited)
Morrie Cohan
- Bartons Chauffeur
- (uncredited)
Monte Collins
- Sailor at Circus
- (uncredited)
Ray Cooke
- Sailor at Circus
- (uncredited)
Storyline
Did you know
- TriviaIn 1935 and 1949, the production code was more rigorously enforced, and the film was not approved for re-release.
- GoofsDuring closeup when Tira sorts through a pile of phonograph records with different titles (That Dallas Man, That Frisco Man, etc.), all the labels have same serial number.
- Quotes
Jack Clayton: You were wonderful tonight.
Tira: Yeah, I'm always wonderful at night.
Jack Clayton: Tonight, you were especially good.
Tira: Well... When I'm good, I'm very good. But, when I'm bad...
[winks at Jack]
Tira: I'm better.
- Crazy creditsBefore the Paramount logo appears on screen in the opening credits, a sign declares that the studio is an NRA (National Recovery Act) member with the text "We do our part" written beneath.
- ConnectionsFeatured in The Love Goddesses (1965)
- SoundtracksThey Call Me Sister Honky-Tonk
(1933) (uncredited)
Music by Harvey Brooks
Lyrics by Gladys DuBois and Ben Ellison
Sung by Mae West
Featured review
Considered by many to be Mae West's finest film appearance (with only 1933's SHE DONE HIM WRONG and 1940's MY LITTLE CHICKADEE even coming close), the legendary star of the stage and screen has rarely been in better form than in this seminal film. Based on her own stage hit, the film's storyline is naturally preposterous, but West and director Wesley Ruggles wisely keep the focus on the then-salty dialogue and the still hilarious word play. Although he doesn't make his first appearance until nearly two-third of the film is over, Cary Grant remains the ideal straight man to West's zany antics. The film moves at a brisk pace, and its concluding courtroom sequence is unarguably one of the funniest scenes in film comedy.
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Details
Box office
- Budget
- $225,000 (estimated)
- Gross worldwide
- $159
- Runtime1 hour 27 minutes
- Color
- Aspect ratio
- 1.37 : 1
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