Musical retelling of the "Ali Baba and the 40 Thieves" Arabian Nights tale.Musical retelling of the "Ali Baba and the 40 Thieves" Arabian Nights tale.Musical retelling of the "Ali Baba and the 40 Thieves" Arabian Nights tale.
Lawrence Hanray
- Kasim Baba
- (as Laurence Hanray)
Francis L. Sullivan
- The Caliph
- (as Francis Sullivan)
Kiyoshi Takase
- Entertainer at Feast
- (as Kyoshi Takase)
Storyline
Did you know
- TriviaThis film's title was Stan Lee's inspiration for the Marvel Comics character of Fin Fang Foom.
- Alternate versionsWhen reissued by Lippert in the 1950s, the film was "revised" and cut, first to 93 minutes, then to 78. This version is titled "Ali Baba Nights."
- ConnectionsReferenced in The Manchurian Candidate (1962)
Featured review
This one works in all departments a 1930's British film of a British stage musical that ran from 1916 to 1920 the sheer artistry involved in this production disguised the staidly primitive techniques. And the production is breathtaking at times it shows just what can be achieved with a little money but plenty of intelligence. George Robey, three decades past his Prime Minister Of Mirth heyday was perfect in the main role of Ali Baba. Just in case you ever wonder: even when young he never had a singing voice, it was his down to Earth silliness playing with words that endeared him to British Music Hall audiences.
It's the story of Ali Baba and the Forty Thieves and his sudden rise to wealth and power, from the finding of their cave and robbing the robbers of their treasures. The magnificent Chu Chin Chow of the title and his coterie travelling to Baghdad are reduced to dust in double quick time, leading to the imposture by Abu Hasan and his Thieves at the court of Kasim Baba. The sets are astounding, probably gossamer but believable. Fritz Kortner as Head Thief is suitably savage, and Anna May Wong (again playing the treacherous insider, as in Fairbanks' Thief Of Bagdad) as his slave is in a difficult position for the entire film. Along the way are some lovely songs: The Cobblers Song, the incredibly romantic Corraline (sung in the sparkling "moonlight" to every camera angle imaginable), I Love Thee So (languid and atmospheric photography) but especially the gorgeous Any Time's Kissing Time. Robey and Thelma Tuson gave it their all and succeeded in creating the most delicious idiotic/romantic 2 minutes in film history just look at the slaves laughing in the background!
It's one of the best British films from the decade even so I don't expect UK TV to ever show it again, but it's one I trot out on video to watch every few years with no loss of enjoyment. It might have been better in Technicolor because a lot of people who might have liked it today could be put off by the black and white photography. But if you can sink into the first 10 minutes or so you'll find a little gem worth the taking.
It's the story of Ali Baba and the Forty Thieves and his sudden rise to wealth and power, from the finding of their cave and robbing the robbers of their treasures. The magnificent Chu Chin Chow of the title and his coterie travelling to Baghdad are reduced to dust in double quick time, leading to the imposture by Abu Hasan and his Thieves at the court of Kasim Baba. The sets are astounding, probably gossamer but believable. Fritz Kortner as Head Thief is suitably savage, and Anna May Wong (again playing the treacherous insider, as in Fairbanks' Thief Of Bagdad) as his slave is in a difficult position for the entire film. Along the way are some lovely songs: The Cobblers Song, the incredibly romantic Corraline (sung in the sparkling "moonlight" to every camera angle imaginable), I Love Thee So (languid and atmospheric photography) but especially the gorgeous Any Time's Kissing Time. Robey and Thelma Tuson gave it their all and succeeded in creating the most delicious idiotic/romantic 2 minutes in film history just look at the slaves laughing in the background!
It's one of the best British films from the decade even so I don't expect UK TV to ever show it again, but it's one I trot out on video to watch every few years with no loss of enjoyment. It might have been better in Technicolor because a lot of people who might have liked it today could be put off by the black and white photography. But if you can sink into the first 10 minutes or so you'll find a little gem worth the taking.
- Spondonman
- Sep 16, 2007
- Permalink
Details
Box office
- Budget
- $500,000 (estimated)
- Runtime1 hour 43 minutes
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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