IMDb RATING
6.3/10
2.9K
YOUR RATING
The recently widowed Mary Stuart returns to Scotland to reclaim her throne but is opposed by her half-brother and her own Scottish lords.The recently widowed Mary Stuart returns to Scotland to reclaim her throne but is opposed by her half-brother and her own Scottish lords.The recently widowed Mary Stuart returns to Scotland to reclaim her throne but is opposed by her half-brother and her own Scottish lords.
- Awards
- 1 win & 1 nomination
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaKatharine Hepburn credited John Ford with saving her life one day on the set. They were shooting a scene of Hepburn on horseback when the horse she was riding kept going unexpectedly. Ford yelled at Hepburn to duck just before she was about to collide with a low branch.
- GoofsMary's execution takes place outdoors. It actually took place in the great hall of Fotheringay Castle.
- Quotes
Mary, Queen of Scots: [to Queen Elizabeth I] I might have known you'd come to gloat like this - stealthily, under cover of night.
- Crazy creditsOpening credits: "Like two fateful stars, Mary Stuart and Elizabeth Tudor appeared in the sixteenth century, to reign over two great nations in the making ... They were doomed to a life-and-death struggle for supremacy, a lurid struggle that still shines across the pages of history ... But today, after more than three centuries, they sleep side by side, at peace, in Westminster Abbey."
ENGLAND
- Alternate versionsExists in a computer-colorized version.
- ConnectionsFeatured in The Costume Designer (1950)
Featured review
The complicated historical background involved in MARY OF Scotland is such that unless you know something about British monarchs you'll have a hard time knowing where the truth lies in this epic historical romance. But it's clear that KATHARINE HEPBURN gives a radiant performance as Mary, Queen of Scots--the only drawback being that she never ages a bit over a twenty-five year span. When she goes to her execution, she looks just as young as she did in the opening scene.
It's a pleasure to report that FREDRIC MARCH breathes a lot of life into his portrayal of Bothwell. Too bad he didn't exhibit this kind of gusto when he played the title role in ANTHONY ADVERSE the same year. He's all bravado and robust athletic grace and looks good in his period costumes. Maybe we owe his strong performance to John Ford, but whatever it is, he's much better here than he was as Anthony Adverse.
JOHN CARRADINE seemed an unusual choice to play Rizzo, the Italian secretary who happens to be a troubadour of sorts, but it's nice to see him in a more sympathetic role for a change. DONALD CRISP, ALAN MOBRAY, DOUGLAS WALTON and FRIEDA INESCOURT are interesting in supporting roles.
Walton is another actor who shines here, rather than remaining colorless in the background of many a film. He gives a flamboyant performance as Lord Darnley and it's probably among the best roles he ever had.
FLORENCE ELDRIDGE makes an interesting Queen Elizabeth, less showy in the role than Bette Davis or Flora Robson but still with the right amount of regal spirit.
John Ford directs the first half of the film with his usual authority but things get a little too repetitious and slow-moving in the second half when tedium really settles in before Mary's final walk to the execution block.
Summing up: A mixed bag, some strong performances, a few strong scenes but overall result is disappointing. Here's an historical romance that cried out for Technicolor. It manages to look drab in B&W despite the lavish costumes and good photography.
It's a pleasure to report that FREDRIC MARCH breathes a lot of life into his portrayal of Bothwell. Too bad he didn't exhibit this kind of gusto when he played the title role in ANTHONY ADVERSE the same year. He's all bravado and robust athletic grace and looks good in his period costumes. Maybe we owe his strong performance to John Ford, but whatever it is, he's much better here than he was as Anthony Adverse.
JOHN CARRADINE seemed an unusual choice to play Rizzo, the Italian secretary who happens to be a troubadour of sorts, but it's nice to see him in a more sympathetic role for a change. DONALD CRISP, ALAN MOBRAY, DOUGLAS WALTON and FRIEDA INESCOURT are interesting in supporting roles.
Walton is another actor who shines here, rather than remaining colorless in the background of many a film. He gives a flamboyant performance as Lord Darnley and it's probably among the best roles he ever had.
FLORENCE ELDRIDGE makes an interesting Queen Elizabeth, less showy in the role than Bette Davis or Flora Robson but still with the right amount of regal spirit.
John Ford directs the first half of the film with his usual authority but things get a little too repetitious and slow-moving in the second half when tedium really settles in before Mary's final walk to the execution block.
Summing up: A mixed bag, some strong performances, a few strong scenes but overall result is disappointing. Here's an historical romance that cried out for Technicolor. It manages to look drab in B&W despite the lavish costumes and good photography.
Details
- Runtime2 hours 3 minutes
- Color
- Aspect ratio
- 1.37 : 1
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