Think, “I Was a Teenage Empress.” A trio of movies tell an optimized version of the life of a 19th century Empress of Austria and Queen of Hungary. It’s fuzzy history designed to prop up German morale, but the film is graced with the incredible presence of a teenaged Romy Schneider, whose beauty and personality became a sensation in the European film world.
The Sissi Collection:
Sissi
Sissi The Young Empress
Sissi The Fateful Years of an Empress
The Story of Vickie
Blu-ray
Film Movement
1955, 1956, 1957 / Color / 1:78 widescreen & 1:33 flat full frame / 102, 107, 109 min. / Street Date November 14, 2017 / 74.95
Starring: Romy Schneider, Karlheinz Böhm, Magda Schneider, Uta Franz, Vilma Degischer, Josef Meinrad, Gustav Knuth.
Cinematography: Bruno Mondi
Film Editor: Alfred Srp
Original Music: Anton Profes
Produced by Karl Erlich, Ernst Marischka
Written and Directed by Ernst Marischka
I’m fascinated by National Epics, movies that individual countries might take as a film...
The Sissi Collection:
Sissi
Sissi The Young Empress
Sissi The Fateful Years of an Empress
The Story of Vickie
Blu-ray
Film Movement
1955, 1956, 1957 / Color / 1:78 widescreen & 1:33 flat full frame / 102, 107, 109 min. / Street Date November 14, 2017 / 74.95
Starring: Romy Schneider, Karlheinz Böhm, Magda Schneider, Uta Franz, Vilma Degischer, Josef Meinrad, Gustav Knuth.
Cinematography: Bruno Mondi
Film Editor: Alfred Srp
Original Music: Anton Profes
Produced by Karl Erlich, Ernst Marischka
Written and Directed by Ernst Marischka
I’m fascinated by National Epics, movies that individual countries might take as a film...
- 11/14/2017
- by Glenn Erickson
- Trailers from Hell
by Salim Garami
The longevity of Danielle Darrieux's life - reaching up until the golden age of 100 as she passed Tuesday on 17 October - parallels the longevity of Darrieux's storied career. To know her path is to essentially map out the development of French cinema in a cursory sense: Beginning as a child in the very dawn of the French sound era within the musical comedy Le Bal in 1931 until a star-making turn in Anatole Litvak's Mayerling, taking a detour at the cusp of her fame to Hollywood like many beautiful French stars would, returning to her homeland right through the Left Bank faction of the French New Wave working with the likes of Claude Chabrol and Jacques Demy, finding her way to the Broadway stage with Coco as Coco Chanel, and taking a moment to work with directors of the Cahiers du Cinema second generation and the...
The longevity of Danielle Darrieux's life - reaching up until the golden age of 100 as she passed Tuesday on 17 October - parallels the longevity of Darrieux's storied career. To know her path is to essentially map out the development of French cinema in a cursory sense: Beginning as a child in the very dawn of the French sound era within the musical comedy Le Bal in 1931 until a star-making turn in Anatole Litvak's Mayerling, taking a detour at the cusp of her fame to Hollywood like many beautiful French stars would, returning to her homeland right through the Left Bank faction of the French New Wave working with the likes of Claude Chabrol and Jacques Demy, finding her way to the Broadway stage with Coco as Coco Chanel, and taking a moment to work with directors of the Cahiers du Cinema second generation and the...
- 10/19/2017
- by Salim Garami
- FilmExperience
The Eighth Annual Robert Classic French Film Festival — co-produced by Cinema St. Louis and the Webster University Film Series — celebrates St. Louis’ Gallic heritage and France’s cinematic legacy. The featured films span the decades from the 1920s through the early 1990s, offering a comprehensive overview of French cinema.
The fest is annually highlighted by significant restorations, and we’re especially pleased to present Jacques Rivette’s long-unavailable epic Out 1: Spectre Additional restoration highlights include Jean-Luc Godard’s A Married Woman and Max Ophüls’ too-little-seen From Mayerling To Sarajevo. Both Ophüls’ film and Louis Malle’s Elevator To The Gallows – with a jazz score by St. Louis-area native Miles Davis — screen from 35mm prints. All films will screen at Webster University’s Moore Auditorium (47- E. Lockwood)
Music fans will further delight in the Rats & People Motion Picture Orchestra’s accompaniment and original score for Carl Th. Dreyer’s...
The fest is annually highlighted by significant restorations, and we’re especially pleased to present Jacques Rivette’s long-unavailable epic Out 1: Spectre Additional restoration highlights include Jean-Luc Godard’s A Married Woman and Max Ophüls’ too-little-seen From Mayerling To Sarajevo. Both Ophüls’ film and Louis Malle’s Elevator To The Gallows – with a jazz score by St. Louis-area native Miles Davis — screen from 35mm prints. All films will screen at Webster University’s Moore Auditorium (47- E. Lockwood)
Music fans will further delight in the Rats & People Motion Picture Orchestra’s accompaniment and original score for Carl Th. Dreyer’s...
- 2/16/2016
- by Tom Stockman
- WeAreMovieGeeks.com
Child actor Dickie Moore: 'Our Gang' member. Former child actor Dickie Moore dead at 89: Film career ranged from 'Our Gang' shorts to features opposite Marlene Dietrich and Gary Cooper 1930s child actor Dickie Moore, whose 100+ movie career ranged from Our Gang shorts to playing opposite the likes of Marlene Dietrich, Barbara Stanwyck, and Gary Cooper, died in Connecticut on Sept. 7, '15 – five days before his 90th birthday. So far, news reports haven't specified the cause of death. According to a 2013 Boston Phoenix article about Moore's wife, MGM musical star Jane Powell, he had been “suffering from arthritis and bouts of dementia.” Dickie Moore movies At the behest of a persistent family friend, combined with the fact that his father was out of a job, Dickie Moore (born on Sept. 12, 1925, in Los Angeles) made his film debut as an infant in Alan Crosland's 1927 costume drama The Beloved Rogue,...
- 9/11/2015
- by Andre Soares
- Alt Film Guide
Omar Sharif in 'Doctor Zhivago.' Egyptian star Omar Sharif, 'The Karate Kid' producer Jerry Weintraub: Brief career recaps A little late in the game – and following the longish Theodore Bikel article posted yesterday – below are brief career recaps of a couple of film veterans who died in July 2015: actor Omar Sharif and producer Jerry Weintraub. A follow-up post will offer an overview of the career of peplum (sword-and-sandal movie) actor Jacques Sernas, whose passing earlier this month has been all but ignored by the myopic English-language media. Omar Sharif: Film career beginnings in North Africa The death of Egyptian film actor Omar Sharif at age 83 following a heart attack on July 10 would have been ignored by the English-language media (especially in the U.S.) as well had Sharif remained a star within the Arabic-speaking world. After all, an "international" star is only worth remembering...
- 7/24/2015
- by Andre Soares
- Alt Film Guide
Marc Allégret: From André Gide lover to Simone Simon mentor (photo: Marc Allégret) (See previous post: "Simone Simon Remembered: Sex Kitten and Femme Fatale.") Simone Simon became a film star following the international critical and financial success of the 1934 romantic drama Lac aux Dames, directed by her self-appointed mentor – and alleged lover – Marc Allégret.[1] The son of an evangelical missionary, Marc Allégret (born on December 22, 1900, in Basel, Switzerland) was to have become a lawyer. At age 16, his life took a different path as a result of his romantic involvement – and elopement to London – with his mentor and later "adoptive uncle" André Gide (1947 Nobel Prize winner in Literature), more than 30 years his senior and married to Madeleine Rondeaux for more than two decades. In various forms – including a threesome with painter Théo Van Rysselberghe's daughter Elisabeth – the Allégret-Gide relationship remained steady until the late '20s and their trip to...
- 2/28/2015
- by Andre Soares
- Alt Film Guide
Danielle Darrieux turns 97: Darrieux has probably enjoyed the longest film star career in history (photo: Danielle Darrieux in ‘La Ronde’) Screen legend Danielle Darrieux is turning 97 today, May 1, 2014. In all likelihood, the Bordeaux-born (1917) Darrieux has enjoyed the longest "movie star" career ever: eight decades, from Wilhelm Thiele’s Le Bal (1931) to Denys Granier-Deferre’s The Wedding Cake / Pièce montée (2010). (Mickey Rooney has had a longer film career — nearly nine decades — but mostly as a supporting player in minor roles.) Absurdly, despite a prestigious career consisting of more than 100 movie roles, Danielle Darrieux — delightful in Club de femmes, superb in The Earrings of Madame De…, alternately hilarious and heartbreaking in 8 Women — has never won an Honorary Oscar. But then again, very few women have. At least, the French Academy did award her an Honorary César back in 1985; additionally, in 2002 Darrieux and her fellow 8 Women / 8 femmes co-stars shared Best Actress honors...
- 5/1/2014
- by Andre Soares
- Alt Film Guide
Oscar winners Olivia de Havilland and Luise Rainer among movie stars of the 1930s still alive With the passing of Deanna Durbin this past April, only a handful of movie stars of the 1930s remain on Planet Earth. Below is a (I believe) full list of surviving Hollywood "movie stars of the 1930s," in addition to a handful of secondary players, chiefly those who achieved stardom in the ensuing decade. Note: There’s only one male performer on the list — and curiously, four of the five child actresses listed below were born in April. (Please scroll down to check out the list of Oscar winners at the 75th Academy Awards, held on March 23, 2003, as seen in the picture above. Click on the photo to enlarge it. © A.M.P.A.S.) Two-time Oscar winner and London resident Luise Rainer (The Great Ziegfeld, The Good Earth, The Great Waltz), 103 last January...
- 5/7/2013
- by Andre Soares
- Alt Film Guide
Le bonheur (1934) may be Marcel L'Herbier's best talkie—even if it is, its existence should be enough to disprove the widely and uncritically accepted assumption that the director went into a steep decline with the coming of sound.
In fact, the bigger problem is that not enough people know his work at all. In the silent era, he quite deliberately competed with Abel Gance in terms of cinematic spectacle, swinging his camera from ropes and wheeling it on a lighting stand, while also pursuing a cinema of elaborate, stylized production design. There's something inscrutable about him: he shuttles from genre trifles to experimental epics, and his true sensibility may be glimpsed as much in the former as the latter. Perhaps his homosexuality, an open secret in the film business, led him to to employ layers of careful coding more than most commercial filmmakers.
L'Herbier's early talkies include the lighter-than-air...
In fact, the bigger problem is that not enough people know his work at all. In the silent era, he quite deliberately competed with Abel Gance in terms of cinematic spectacle, swinging his camera from ropes and wheeling it on a lighting stand, while also pursuing a cinema of elaborate, stylized production design. There's something inscrutable about him: he shuttles from genre trifles to experimental epics, and his true sensibility may be glimpsed as much in the former as the latter. Perhaps his homosexuality, an open secret in the film business, led him to to employ layers of careful coding more than most commercial filmmakers.
L'Herbier's early talkies include the lighter-than-air...
- 10/4/2012
- by David Cairns
- MUBI
The fourth in a short series celebrating the films of the Pathé-Natan company, 1926-1934.
Apart from the innovative films of Gremillon and Ozep, and the super-epics of Raymond Bernard (available from Criterion), Pathé-Natan produced a lot of slick commercial properties decorated with much the same kind of melodrama and glamor as Hollywood movies of the era.
L'équipage (1935) was one of the last Pathé-Natan productions before the studio went bankrupt amid charges of swindling and mismanagement, and they spent lavishly on it. By now, the influx of German talent that had contributed much to the style of French cinema had become a massive flood, as the Nazis had banned Jews from working in cinema. A talent exodus resulted, and Paris was the first stop for nearly everybody. And so Anatole Litvak, eventually bound for Hollywood, pitched up in the City of Light, where, for instance, he made Mayerling...
Apart from the innovative films of Gremillon and Ozep, and the super-epics of Raymond Bernard (available from Criterion), Pathé-Natan produced a lot of slick commercial properties decorated with much the same kind of melodrama and glamor as Hollywood movies of the era.
L'équipage (1935) was one of the last Pathé-Natan productions before the studio went bankrupt amid charges of swindling and mismanagement, and they spent lavishly on it. By now, the influx of German talent that had contributed much to the style of French cinema had become a massive flood, as the Nazis had banned Jews from working in cinema. A talent exodus resulted, and Paris was the first stop for nearly everybody. And so Anatole Litvak, eventually bound for Hollywood, pitched up in the City of Light, where, for instance, he made Mayerling...
- 3/29/2012
- MUBI
Catherine Deneuve Catherine Deneuve, 68, will be the recipient of the Film Society of Lincoln Center's 39th Chaplin Award. The annual fundraising gala benefiting Lincoln Center programs will be held on Monday, April 2, at the Alice Tully Hall in New York. The evening will include films clips and a party. [Full list of Film Society of Lincoln Center (Fslc) Chaplin Award Honorees.] Catherine Deneuve's career spans more than five decades, from André Hunebelle's Les collégiennes / The Schoolgirls (1957), Jacques-Gérard Cornu's L'homme à femmes / Ladies Man (1960), and Michel Fermaud and Jacques Poitrenaud's Les Portes claquent / The Door Slams 1960) to her latest efforts: Christophe Honoré's Les Biens-aimés / The Beloved, shown at last year's Cannes Film Festival; Thierry Klifa's Les Yeux de sa mère / His Mother's Eyes; and Laurent Tirard's upcoming Astérix et Obélix: Au Service de Sa Majesté / Astérix et Obélix: On Her Majesty's Secret Service, as Cordelia, the Queen of England, opposite frequent co-star Gérard Depardieu and Edouard Baer.
- 1/11/2012
- by Andre Soares
- Alt Film Guide
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