IMDb RATING
6.7/10
3.3K
YOUR RATING
Illiterate peasant Juan Gallardo rises meteorically to fame and fortune in the bullfight arena only to sow the seeds of his own fall.Illiterate peasant Juan Gallardo rises meteorically to fame and fortune in the bullfight arena only to sow the seeds of his own fall.Illiterate peasant Juan Gallardo rises meteorically to fame and fortune in the bullfight arena only to sow the seeds of his own fall.
- Won 1 Oscar
- 1 win & 3 nominations total
Alla Nazimova
- Señora Augustias
- (as Nazimova)
Monty Banks
- Antonio Lopez
- (as William Montague)
Vicente Gómez
- Guitarist
- (as Vicente Gomez)
Pedro de Cordoba
- Don Jose Alvarez
- (as Pedro deCordoba)
Adrian Morris
- La Pulga
- (as Michael Morris)
Ann E. Todd
- Carmen (as a child)
- (as Ann Todd)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaIn order to prepare for the role of Juan Gallardo, Tyrone Power attended a bullfight with his wife, Annabella. Because of Power's great stature as a star, he and his wife were given VIP seats in the center front of the ring. Power became violently ill witnessing the bullfight, and in order to get him out of the arena, Annabella said she was ill.
- GoofsDuring the scene when Doña Sol des Muire sings to Juan Gallardo on his first visit to her home, she accompanies herself on the guitar but while she strums, the fingers of her other hand never move to change chords as she plays.
- Quotes
Juan Gallardo: They say that when a ship is sinking all the rats leave. Good-bye, rats!
[Antonio Lopez and Encarnacíon start to leave]
Juan Gallardo: But you're mistaken if you think I'm sinking! Well, what are you waiting for!
- Alternate versionsIt was planned to add more bullfighting scenes for distribution to South American countries, where the sport of bullfighting was much more acceptable. No details are available.
- ConnectionsEdited into The Bullfighters (1945)
Featured review
Uneducated peasant Juan Gallardo rises to fame and fortune in the bullfight arena. From here he falls for the socially active Dona Sol; thus breaking the heart of his childhood sweetheart Carmen. Nevertheless she stands by her man as he continues to face danger in the bullring, but ego and love will give Juan his biggest fight of all.
This remake of the 1922 silent Rudolph Valentino picture is certainly a lavish production, the colour cinematography by Ernest Palmer & Ray Rennahan rightly won the Academy Award, and it's directed with adroit skill by Roublen Mamoulian. The story is a great one as well, following the rise of Gallardo (a solid if too staid Tyrone Power) is always intriguing, and it's watching his constant battle with his emotions that is the film's drawing card. However, there can be a case made for the film resting too much on its dialogue driven laurels, for far too many times I personally found myself hankering for an up turn in pace to help emphasise the emotional nature of the characters.
The cast do OK without really excelling, Rita Hayworth looks gorgeous and a fine career blossomed from here on in, while Linda Darnell as the other love interest glides nicely from scene to scene. Anthony Quinn takes the best supporting honours, where his Manolo is vigorous with a cheeky glint in the eye, whilst sadly John Carradine is underused and his Nacional is not fully fleshed out until its far too late.
It's at times sexy (damn flamenco always a winner to me), it's got guts, and it looks absolutely gorgeous, but it's not quite the whole classy package it could have been. 7/10
This remake of the 1922 silent Rudolph Valentino picture is certainly a lavish production, the colour cinematography by Ernest Palmer & Ray Rennahan rightly won the Academy Award, and it's directed with adroit skill by Roublen Mamoulian. The story is a great one as well, following the rise of Gallardo (a solid if too staid Tyrone Power) is always intriguing, and it's watching his constant battle with his emotions that is the film's drawing card. However, there can be a case made for the film resting too much on its dialogue driven laurels, for far too many times I personally found myself hankering for an up turn in pace to help emphasise the emotional nature of the characters.
The cast do OK without really excelling, Rita Hayworth looks gorgeous and a fine career blossomed from here on in, while Linda Darnell as the other love interest glides nicely from scene to scene. Anthony Quinn takes the best supporting honours, where his Manolo is vigorous with a cheeky glint in the eye, whilst sadly John Carradine is underused and his Nacional is not fully fleshed out until its far too late.
It's at times sexy (damn flamenco always a winner to me), it's got guts, and it looks absolutely gorgeous, but it's not quite the whole classy package it could have been. 7/10
- hitchcockthelegend
- May 24, 2008
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Details
- Release date
- Country of origin
- Language
- Also known as
- Krv i pesak
- Filming locations
- Plaza de Toros, Mexico City, Distrito Federal, Mexico(bullfighting sequences and backgrounds, torn down and relocated)
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $5,923,496
- Runtime2 hours 5 minutes
- Aspect ratio
- 1.33 : 1
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