A couple who have been married for three years are shocked to learn that their marriage is not legally valid.A couple who have been married for three years are shocked to learn that their marriage is not legally valid.A couple who have been married for three years are shocked to learn that their marriage is not legally valid.
Pamela Blake
- Lily
- (as Adele Pearce)
Ernie Adams
- Bellhop
- (uncredited)
Ernie Alexander
- Bellhop at Lodge
- (uncredited)
Murray Alper
- Harold - Taxi Driver
- (uncredited)
Tex Brodus
- Nightclub Patron
- (uncredited)
Storyline
Did you know
- TriviaCarole Lombard directed Sir Alfred Hitchcock's cameo and made him do repeated takes.
- GoofsBecause the Smiths entered into the marriage in good faith and were unaware at the time that the marriage was invalid, their marriage is, in fact, still legal under American law.
- ConnectionsFeatured in Crimes and Misdemeanors (1989)
- SoundtracksThe Sidewalks of New York
(1894) (uncredited)
Music by Charles Lawlor
In the score during scenes at Mamma Lucy's
Featured review
Mr. Surif was wrong when he calls this Hitch's only venture into comedy, for "The Trouble With Harry" falls into that category as well. Not having seen all of Hitch's films, there could be others, for all I know.
Unlike "Harry", in which the peripatetic corpse gives the otherwise bucolic goings-on a zanily ghoulish air, "Mr. & Mrs. Smith" is an exercise in pure romantic comedy. Montgomery and Lombard work beautifully against each other, and the script is elegantly and effervescently witty. The opening scene, in which Hitchcock suggests the aftermath of a protracted and clearly energetic sexual romp, is surprisingly risque for its time, and far more erotically suggestive than some of the blatant stuff we see nowadays.
My only quibble is what I feel to be a rather unsatisfactory and hasty conclusion.
Unlike "Harry", in which the peripatetic corpse gives the otherwise bucolic goings-on a zanily ghoulish air, "Mr. & Mrs. Smith" is an exercise in pure romantic comedy. Montgomery and Lombard work beautifully against each other, and the script is elegantly and effervescently witty. The opening scene, in which Hitchcock suggests the aftermath of a protracted and clearly energetic sexual romp, is surprisingly risque for its time, and far more erotically suggestive than some of the blatant stuff we see nowadays.
My only quibble is what I feel to be a rather unsatisfactory and hasty conclusion.
Details
- Runtime1 hour 35 minutes
- Color
- Aspect ratio
- 1.37 : 1
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