Lesser A&C romp. The boys are in Mexico, where they get mixed up with Nazi agents.
This was the boys first production at MGM and frankly it looks like the big-budget studio wasn't sure how to duplicate the team's surging success over at Universal. That whirling car- lift is a heck of an effect, but is more impressive than funny. Then too, operatic singer Kathryn Grayson seems an odd choice for musical interludes in a knock-about comedy. In fact, it's a more high-profile supporting cast than usual, with John Carroll (Ricardo) getting as much screen time as A&C.
There are, of course, some amusing bits as could be expected from the duo (mainly the puns), but the Nazi part is left sketchy without the menace it should have provided Costello's brand of comedy. This also looks like a try-out for the Volusia dancers. Their costumes are eye-catchers, but this is their only movie credit. Of the three MGM productions (Lost in a Harem, {1944}), and (A&C in Hollywood, {1945}), this one in my view is the least. All in all, they really did belong at low-budget Universal where there was less concern with prestige.
