User reviews

This is The Army is patriotic. It is non-stop music from end to end. Ray Heindorf did an excellent job with the montages of music that are constantly heard throughout the picture. It's a treat to hear Irving Berlin sing his own song "O How I Hate To Get Up In The Morning" with its original verse and chorus.

The print I saw was duplicated from a 35mm print. One can only hope that Warners will restore this film to its original glory. It is a piece of history and its loss would be terrible.

If you plan to rent it, dont get a copy in black and white. The costumes are beautiful in color. The color prints currently available have marginal problems due to the condition of the original master print. Dont let this put you off seeing this. It's well worth the flaws.

Oh yes, there are only a handful of women in the entire production. I warned you.

Most of Irving Berlin's shows on Broadway were revues and not book type shows. For that reason they're not frequently revived. All of them contain topical jokes that only history majors like myself would get now. But the extreme topicality of This Is The Army and its World War I predecessor Yip Yap Yaphank guarantee you don't see this one revived too often no matter how many good songs come from it.

Even to do This Is The Army we have a threadbare plot of sorts. George Murphy is a song and dance man doing the lead in the Ziegfeld Follies when he gets his draft notice for World War I. Like Irving Berlin in real life, he offers to put his entertainment talents at the army's disposal. Murphy also marries Rosemary DeCamp at the same time he goes in the army.

Flash forward to a new World War and Murphy's son Ronald Reagan is going out with Joan Leslie who's the daughter of Charles Butterworth another performer from the Yip Yap Yaphank show back in the day. Reagan gets his draft notice just like dear old dad and he says let's put on a show for the boys. Of course dear old dad volunteers to help as do other veterans of the World War I show.

One thing that Warner's was smart about, they didn't give Ronald Reagan any singing or dancing to do. Reagan's talents such as they are were confined to behind the curtain.

A lot of Hollywood regulars are mixed with members of the original cast of actual soldiers who put on This Is The Army on Broadway. The score is also a mixed one with Irving Berlin allowing several of his older numbers mixed in with the Broadway score of This Is The Army. Most particularly God Bless America which Kate Smith had introduced in 1939 and sang in the film. It dwarfs all the other numbers in the score by comparison, in fact it's only rival in popularity in this film is Irving Berlin's soldier's lament of Oh How I Hate To Get Up In The Morning. And that originally comes from Yip Yap Yaphank. And of course that other barracks ballad telling what civilians will have to do without, the title song of the show and the film.

This Is The Army is dated flag-waving to be sure, but as Irving Berlin said in another song in another show, do you know of a better flag to wave? Both Yip Yap Yaphank and This Is The Army are the product of an immigrant kid who escaped poverty and persecution in the old world of Europe. If Irving Berlin's life isn't the American success story than I don't know a better example. He was grateful to his adopted country and these shows were his way of payback.

I doubt if B picture actor Ronald Reagan had the remotest conception that he would be sitting in the White House as a tenant one day and that he would be giving the nation's greeting to Irving Berlin on his 100th birthday. But that's an American success story too.

First of all, had you done your research, you would've known that all three branches of the military had (and still have) entertainment divisions whose sole job is to produce shows for the troops. If you looked at the "Crazy Credits" section you would've learned that famed composer Irving Berlin staged the two soldier shows as depicted in the movie.

Yes, many of the skits and songs are terribly dated and yes "This is the Army" is largely a propaganda film, but Berlin singing his "Oh How I Hate to Get Up in the Morning" was the lament of every draftee.

Virtually *every* film made during WWII was done either as propaganda or to bolster the spirits on the homefront.

I respectfully suggest watching it again, but instead of looking at it with 2004 cynicism, look at it in the context of the times.

This is the type of musical that Hollywood did best and it sure was popular with the public. However, 65 years later, the film has lost much of its appeal due to changes in movie styles as well as the fact that the film's value as a propaganda tool is now lost--after all, the war has been over since 1945. So what was rousing and exciting then to the folks at home now just seems rather dated and slow--though the film still does have very good production values.

The film is basically a bazillion patriotic songs rolled up into the thinnest of plots. Frankly, I think the film could have been a lot better had the story received greater emphasis and they'd dropped a few musical numbers. This would have given the film a much needed infusion of energy--though again, back during the war years, this wasn't as big a concern.

The story, such as it is, begins during WWI. A group of soldiers (George Murphy, Alan Hale, George Tobias and Charles Butterworth and others) are interested in performing a musical to raise morale and the when they are given permission, the show is a huge hit. Many years later, when WWII arrives, the children of these same men and others put on their new and timely stage show. It's a major success and the soldiers are sent on a tour of the USA to increase the public's patriotism and backing of the war. There's a little more to the plot than this--but not much.

As I said, it's really just an excuse to string together tons of musical and dance numbers--so many that you feel a bit overwhelmed. Some of the numbers are very good, the one with Irving Berlin was interesting (not good--just interesting from a historical sense) and a few were rather bad. The worst was the one that was a minstrel show--something that you'd hoped would have died out by 1943. It was just embarrassing and makes you cringe. Also, in a few separate parts of the film, Joe Lewis made some irrelevant appearances, as he couldn't sing and was as light on his dancing feet as a rhino! He just looked very lost but you can't blame him--he was ordered to appear in the film and since he was a sergeant, he had no choice!

If I could, I'd give the film a score for 1943 (8) and one for today (4 or 5). But, since I can't, I'll give it a 6. Interesting from a historical standpoint but pretty tough going at times, though some of the songs were catchy and the color cinematography was lovely.

As a history teacher, I was a bit concerned with a couple reviews that gave the film a 1. It wasn't nearly that bad and some of the reasons they gave it such a low score seemed petty. One was a diatribe about why they hated Ronald Reagan and really didn't review the film itself. Another was very critical about how the film was propaganda. My answer to that is YES it is propaganda and so what?! Given that it was a life and death struggle for survival in WWII only a knucklehead would see this sort of propaganda as an evil! Should Hollywood have either ignored the war or done pro-Hitler films instead?! Read your history books or talk to some vets before you make such silly assertions.

This movie is a classic of World War II movies. It was made as a moral booster during the war, and includes the music of Irving Berlin. One thing to note especially is the song "Someday I'm going to murder the bugler" which is sung by Irving Berlin himself (wearing his own WWI uniform).

In order to really appreciate this movie you need to understand the world in which it was made, which was a whole lot different than 2004. There was a world war and everyone was concerned about stopping evil. (as opposed to today, where everyone is concerned about how terrorism, or the fight against it, is going to disrupt their daily life)

This movie was made as a way to give people something to feel good about, and show patriotism.

For those who love to watch flag waving men in uniform doing musical numbers in drag, this film is your heaven. Add a little minstrel show, black face comedy, and a variety of acts from a magician to star impersonators, to acrobats to Air Force and Navy glee clubs and you have one of the gayest pieces of pro-military pop-corn imaginable. This is a 1943 version of the Ed Sullivan Show on steroids.

This movie seems to have A.D.D. It moves from subject to subject in a rather willy-nilly fashion, but it is tied together with waving flags and marching/tap dancing men in uniform, and the fact that Irving Berlin wrote both the two or three classic songs and the fourteen or fifteen duds. One could watch every scene in reverse order and get the same effect. It is a parade celebrating pro patria mori. It is a broken record that just keeps repeating that it is glorious to be a soldier because it is not glorious to be a soldier.

Yet, it lacks conviction, which is what makes it such tiresome propaganda. Why is it arguing that World War II is a continuation of World War I? Why does it have twenty minutes of men in drag singing and dancing, but only one minute of men in battle? Why is it advocating that men should get married before they go off to war? Why does it say that war is hell because you have to get up early in the morning, especially when every working man in America had to get up at the same time? There is something chilling about this movie: the way it uses song and dance and vaudeville theater to promote war. What I can not figure out is why I love Michael Curtiz's "Yankee Doodle Dandy" which celebrated George M. Cohan's patriotic song contributions, while I disliked this movie which celebrates the same thing in Irving Berlin? Maybe it is because James Cagney glides across the screen with grace and an open heart, while this movie is just an army trampling everything in its path.

As a twenty-year resident of Yaphank, New York, which is on Long Island about 60 miles east of Manhattan, I've learned some of the background of this movie.

Irving Berlin wrote "Yip, Yip, Yaphank" while stationed at Camp Upton in Yaphank during WW I. (Camp Upton is now the Brookhaven National Laboratory.) For this show, which was indeed written to be performed by the soldiers, Berlin wrote "Oh, How I Hate to Get Up in the Morning" and the melody of "God Bless America," which was actually cut from the show in its original form.

The show even ran briefly on Broadway in 1918 with a Camp Upton cast, according to the Internet Broadway Data Base.

After the war ended, the songs were put away, then brought out for the morale-boosting efforts of WW II. Berlin frequently rewrote and reused his songs; he revised the lyrics of "God Bless America" for Kate Smith and the rest, as they say, is history.

An outrageously bad musical celebration of life in the United States Army. The story, and it's a weak one, involves the unlikely prospect that World War I soldier George Murphy (as Jerry Jones) has fathered World War II soldier Ronald Reagan (as Johnny Jones), who wants Joan Leslie (as Eileen Dibble) to wait until the war is over. Most of the humor is derived from several "drag" routines. None of this falls into the category of "so bad it's good," however.

And, it's not all bad, either. Three cheers for Irving Berlin, who composed an excellent collection of songs. Highlights include Mr. Berlin's own endearing "Oh How I Hate to Get Up in the Morning", Kate Smith's rendering of the simple classic "God Bless America", and the rousing theme "This Is the Army, Mr. Jones". Berlin's soundtrack contains all the patriotism and inspiration lacking in the surrounding drivel. Thankfully, the good endures.

**** This Is the Army (7/29/43) Michael Curtiz ~ George Murphy, Ronald Reagan, Joan Leslie

This movie was produced as a fund-raiser and as a morale booster. At the time it was filmed we were on the verge of losing the war and the public needed a patriotic lift. The songs are not, perhaps, the best Irving Berlin ever wrote, but they speak of the era in which they were written. For those who are politically-correct, I agree that African-Americans are not shown in the best light, but, right or wrong, that was the attitude then. The minstrel show was still a popular entertainment and the idea of white actors in black-face was considered simply show business. This show was actually staffed by real, honest-to-goodness soldiers with a few actors tossed in for the starring roles. Even if you dislike the movie, appreciate it for the look it gives into American life during the 40s. I, for one, enjoy it a lot and have watched it a half-dozen times. By the way, the sound on the VHS tape is better than on several of the DVD versions that are available.

"This is the Army" is a musical comedy film made specifically as a morale booster during World War II. It was released in the U.S. in August 1943 after a successful tour of the country of a stage play of the same title from 1942. The film is based on that original Broadway play, but also includes a restaging of another show from 25 years earlier, during World War I. As a musical, this can't compare with the great Hollywood productions of the time and later. But, besides the morale and service aspects of the film during the war, this movie shows a good piece of history.

It tells about the staging of the "All Soldier" Army play in 1917 as a morale booster before the American doughboys went off to war in Europe. Then, it tells about the making of a similar play in 1942. Only this time, it was put on as a Broadway play in connection with the new Army Emergency Relief Fund to help service families. And, it chronicles how the play's success led to its extensive tour of cities around the country.

The cast for this film includes some of the actual performers from the 1942 show. Some were men who had careers in show business. Others were actors who weren't in the stage show but who were in the military service for the war. And, for historical posterity, the film includes songwriter and composer Irving Berlin as a sergeant who sings one of his original songs from 1918, "Oh! How I Hate to Get Up in the Morning." Berlin's history is tied to both of the Army shows and to this film. More information on that is below.

Among the popular actors of the early 1940s are George Murphy in the male lead. Other male actors in prominent roles are Ronald Reagan, Alan Hale, George Tobias, and Stanley Ridges. Among the female performers are singers Kate Smith and Frances Langford. Heavyweight boxing champion Joe Louis is in the film, as are acrobats, magicians and dancers who were part of the revue shows.

Irving Berlin served as a sergeant in the Army in World War I. In 1917, at age 29, he already was a famous composer and songwriter. That year, he helped stage an "All Army Soldier Show" at Camp Upton in Yaphank, NY. The Army advertised tryouts for the show among the GIs. All the roles were filled by men. They called the musical show, "Yip! Yip! Yaphank." At the close of its last performance, the men marched off to return to their units that were going overseas to fight.

Then, 25 years later, as the most famous composer and songwriter in America, Berlin got permission to produce another All Army Soldier show. The 1942 show was similar to that of WW I, only it was produced as a Broadway musical, with men trying out from various posts around the country. It was called "You're in the Army Now," and featured Berlin's music. The show was a big hit and ran from July 4 to Sept. 26. After its Broadway run, the Army took it on the road. It played in several cities across the country and raised several million dollars for the Army Emergency Relief. While the movie has the men marching off to their units after the last road show, in reality the show continued to travel and perform until the end of the war. It's last performance was Oct. 22, 1945, on Maui, Hawaii, where Irving Berlin again sang "Oh! How I Hate to Get Up in the Morning."

One song that Berlin wrote for the 1942 show soon became a hit -- "This is the Army, Mr. Jones." The movie grossed nearly $10 million, all of which went to the new Army Emergency Relief Fund.

After the AER Fund was established, the other branches of the military created similar programs and funds. In modern times, the U.S. Army for a time apparently had an All-Soldier Army show. It included women, and service people tried out for the show each year. I don't know how long that program ran, but the Army discontinued it in 2016. It's one thing to have something special like these shows during a global war. But at other times and now with an all-volunteer Army, it seems that civilian professionals can best meet entertainment needs. It doesn't make sense to spend tax dollars to train people for military positions in which they won't serve. Then to add the cost of organizing them for entertainment purposes. And then to train more people to fill the positions they have vacated. I say this as an Army veteran. We didn't have All Soldier shows during the Cold War decades, but we did have professional entertainers tour and perform on Army bases.

While "This is the Army" isn't a top musical, it is good by revue standards. It shows a nice slice of history from two periods as America was going to war. History buffs and those interested in culture should find this interesting. And, with the tunes by Berlin and some super patriotic staging, most people should find it entertaining. This is one of just two films in which Irving Berlin appeared - the other being "Glorifying the American Girl" of 1929.

Berlin wrote some 1,500 songs. He wrote the scores for 15 musical films and 20 Broadway shows. He had more than 100 hit tunes over a 60-year career. "White Christmas" of 1942 remains the single most popular song of all time. It sold more than 100 million single copies and is still recorded on new holiday albums by artists nearly every year. And, who doesn't know another Berlin song from 1918? Still sung every year at national, patriotic and religious events is Irving Berlin's "God Bless America."

I first saw this film on cable in the late 1970's, and was mesmerized by the story and the music. Certainly, as many people comment, it is propagandistic, but it is also a masterpiece, showcasing an almost-forgotten time. Irving Berlin is one of this country's most prolific and best-loved songwriters, and this musical extravaganza is an homage to his talent and genius.

The cast is unique and wonderful. The main characters are played solidly by "name" stars, but the musical ensemble cast (real U.S. soldiers at the time) are what set this film apart.

A reviewer complaining that it isn't "realistic" overstates the point. So what if you think an "average" army base couldn't produce a cast for a show like this. Film is a medium that attempts to suspend reality and let you enter a place, situation, relationship, time period, etc. that you might not otherwise get to experience. It's sometimes the view of one person's "reality," a manifestation of their own "vision."

My copy of this film is on a very old (early 80's) VHS copy, a low-end bargain release which is of marginal quality, but I love every minute of it. I certainly hope someone reviews some of the specific DVD choices out there, I'd like to get the DVD before I wear out the VHS!

If you enjoy a good flag-waving, patriotic musical, this is a film you will enjoy. If you enjoy Irving Berlin's music, it's a soundtrack you will enjoy. Personally I'd put this on a par with the 1942 film, "Yankee Doodle Dandy," and both films share a few cast members!

Released back in 1943 - This flag-waving musical-tribute (featuring 19 Irving Berlin songs) was clearly meant as a morale booster for disillusioned US soldiers during WW2.

Produced through Warner Bros. Studios - "This Is The Army" has just about everyone (including his dog) singing up a total storm in the name of American patriotism.

Surprisingly enough - Several of the elaborately-staged, all-soldier musical numbers in this Technicolor picture were actually quite impressive.

Thank goodness actor (and future US Prez), Ronald Reagan couldn't (and didn't) sing, so his scenes were at least kept down to a tolerable minimum. But, yet, he still did manage to do his fair share of flag-waving, too. Natch.

Made to raise money for a war relief fund, the picture had the support of the Army and used many Hollywood people who were in the services at the time. Unusual in that there is only one (tame) number with a female chorus line and three dance numbers with men in drag. The dancing in general is not too exciting (unless you like chorines with hairy chests). The flag waving plot can safely be ignored.

Joe Louis in particular and Blacks in general are not treated well, though the 'Harlem' dance number has the best dancing in the picture. Be warned that there is a 'Minstrel' number in blackface.

Irving Berlin fans will be thrilled since the picture was made from two of his shows (Yip Yip Yaphank and This Is the Army).

I acquired this film by chance, and without cost, and I still regret that it occupies any shelf space in my home. This review contains no spoilers because there is nothing to spoil: The film spans two generations of Army men; the first put on a show about marching off to fight the "Great War" and their children put on a show about being in the Army during World War Two.

The music is awful, patriotic fluff; the editing makes the film impossible to understand; there is no acting to speak of, no character development; and the appearance of soldiers dressed in black-face is sickening to the point of physical revulsion.

Even a Joe Lewis cameo becomes offensive, based on the scene that follows directly.

I give this movie a 1 out of 10, only because it is not possible to assign a negative score.

Just watched again this, the third of the "war musicals" I'm reviewing for these next few days of which Something for the Boys and Thank Your Lucky Stars were the first two, having seen This is the Army previously during the summer of 1987 on USA Network and again several years later on a Diamond Home Video VHS tape. With the Warner Bros. DVD providing a much better print than the last couple times I've seen this, I managed to have a much better time watching it. In fact, the only times I've cringed were during the blackface "Mandy" number (though the dances-led by Gene Kelly's brother Fred-were enjoyable) and during the "Stage Door Canteen" sketch where we get lame banter of one man dressed as Lynn Fontaine and another as her husband Alfred Lunt, not to mention having another man impersonating European thespians praising the hamburger. Otherwise, this movie had mostly enjoyable comedy especially whenever Alan Hale, Sr.-who is very much like his "Skipper" son in lovable blustery-is on screen, drama with Lt. Ronald Reagan and Joan Leslie debating the merits of marrying before leaving for battle, and musical highlights-like when Kate Smith sings her stirring and iconic rendition of "God Bless America" or even when composer Irving Berlin makes his entrance in his old uniform singing "Oh, How I Hate to Get Up in the Morning" (not to mention an additional song filmed exclusively for English audiences called "My British Buddy" which is an extra on the disc). And the number "That's What the Well-Dressed Man in Harlem Will Wear" isn't all that offensive concerning the African-American performers though I don't think it really was necessary to have boxer Sgt. Joe Louis in this as he just punches a bag during it. All in all, this was a rousingly patriotic show that really delivered. P.S. I have to note that co-screenwriter Capt. Claude Binyon came from my birthtown of Chicago, Ill. And when I first watched this, during the commercials, I switched to other channels and saw live coverage of President Reagan and his wife Nancy consoling various people on the death of loved ones. I'm guessing this was related to the event of May 17 of that year (two days before I graduated from Belaire High School) when 37 American sailors were killed on the U.S.S. Stark after it was set afire by two missiles from an Iraqi airplane. Talk about coincidence...

What really enhanced my enjoyment of THIS IS THE ARMY last night on TCM is the fact that for once I saw a good, restored print of the wartime Warner Bros. musical and it looked great. The colors were vibrant. JOAN LESLIE never looked so beautiful with her reddish brown hair and the uniformly good cast of contract players headed by RONALD REAGAN, ALAN HALE, STANLEY RIDGES and others mixed well with the assorted real-life soldiers and sailors and marines who made up the bulk of the show. GEORGE MURPHY does a standout job as Reagan's show business father.

The Irving Berlin tunes were the film's saving grace. His jaunty "This Is The Army, Mr. Jones," "Oh, How I Hate to Get Up in the Morning," and other sprightly numbers compensate for the very thin plot that has Reagan and Leslie as wartime sweethearts who don't get together until the final reel after quarreling foolishly about whether or not to tie the knot.

Some of the comedy skits between soldiers are beyond corny and fall flat for today's audiences, but as hokey as most of it is, it's still an enjoyable show, especially the sight of beefy men in drag doing their thing with Berlin's irresistible songs. ALAN HALE is especially funny as an overweight soldier forced to take a female part in one of the show's big musical numbers.

And, of course, the blackface routine may turn some politically correct spectators off the entire film.

Trivia note: It's amusing to see Reagan get excited about the presence of the President of the United States in the audience--someone shown only in a distant shot. Reagan himself was about to occupy the White House for two straight terms at a future time. A rare and ironic moment!

I love my country, which is why I sincerely hope This Is The Army never had a foreign release. Because if it did, then someone would certainly declare war on us for torturing them with this flick. I mean, this thing makes "The Lizzie McGuire Movie" look good by comparison.

There are maybe two or three actors of note in this masterpiece of mediocrity (one of which is Reagan), but the rest of the cast was just plain bad. I mean just plain bad. Those who weren't too stiff were too silly in their parts to be even close to entertaining.

The premise itself is completely unrealistic. Like any army division would let a bunch of new draftees rehearse for a show instead of going though training IN THE MIDDLE OF A WAR! And I highly doubt that a single base could come up with that many performers & stage crew and still get all of its daily duties done. This Is The Army is such a poor portrayal of army life that I'm surprised so many military personnel agreed to be in it. Let's face it, this movie screams "PROPAGANDA FILM" loud enough to drown out the atom bomb explosion at Hiroshima.

Besides that, many of the songs aren't even good, whether due to pathetic writing ("Oh woe is me, I'm on KP") or pathetic singing (the lady in the street band at the beginning).

Go ahead and yell at me if you will, all I know is that this was one of the extremely few films I've ever given up on before they were over. This was one of the insanely few times I've ever stopped watching halfway through. And this was one of the extraordinarily few movies I've ever been unable to find a good point to.

As a musical This is the Army is average at best. As a slice of American History, of a time when so many entertainers put aside personal profit to entertain troops, this film is special. Also it is a reminder that Michael Curtiz, not usually ranked among the great directors is none the less one of the most versatile director ever. Coming off of Yankee Doodle Dandy, this is another flag waving musical, and if he isn't lucky enough to have a star of the level of James Cagney, this ensemble review is more reflective of the wartime review show. The numbers are well staged, with many fine solo performances highlighted. Particularly outstanding is the performance by Kate Smith of God Bless America, interspersed with shots of families about to be affected by the war listening intently. It really does give of sense of what it was like in 1942, wondering where sons and husbands would be going soon.

But in the end nothing about that matters. This film is worth watching just to see Irving Berlin reprise his role in Yip Yip Yaphank, performing "I Hate to Get Up In The Morning". (Berlin, a chronic insomniac, really did hate getting up in the morning). In addition to the historic value of this piece of film, there is also some satisfaction in seeing one of the true geniuses of the American Musical Theatre, just managing to carry the tune of one of his own songs. It is a tribute to his commitment to the country and the war that he is willing to put himself front and center in this way. I own a DVD purchased in the wild and wooly days of copyright laoses, bought specifically for the purpose of owning this ;little slice of history. Sometimes I put it in and just waatch that part. There are better films of Irving Berlin's music, but none tht feature the man himself.

The Plot.

WWI dancer Jerry Jones stages an all-soldier show on Broadway, called Yip Yip Yaphank.

Wounded in the war, he becomes a producer.

In WWII his son Johnny Jones, who was before his father's assistant, gets the order to stage a new all-soldier show, called This is the Army.

But in his personal life he has problems, because he refuses to marry his fiancée until the war is over.

It's a WW2 pep film that is VERY dated.