User reviews

"On Approval" is a comedy of manners and it delivers on its promise to delight. The dialogue is the thing--filled with insinuations, clever slights, and unabashed insults. The four leads make the most of the plot, which is about two men trying to marry into wealthier circumstances via two sisters.

One reviewer said this film is not up to Oscar Wilde's standards. Well maybe it is too tame to be Wilde, but it is still charming and filled with plenty of caustic throw-away lines and honest insights.

I think I will have to see it more than once to fully appreciate the film because of the sheer volume of memorable lines. That's a prospect I can bear to suffer.

First of all, the pictorial quality of the print on this 1943 comedy is amazingly good; the diction of the actors speaking the King's English is also impeccable, and on that level alone this film is watchable--but much more for me; it's a wartime English film, obviously done on the cheap--but done very well and featuring top quality stage actors who delight in the clever quip and character-driven drollery.

A wee bit of story: a demanding woman decides to take her prospective hubby to an island retreat to see if they can properly relate before they marry--two friends tag along. Now largely forgotten actor Clive Brook (a lead in Dietrich's Shanghai Express) directed and stars as an effete snob who has lessons to learn, and the impeccably hilarious, viper-tongued Beatrice Lille, who made far too few movies, is showcased at her raised-eyebrow best. This is an old-fashioned drawing room comedy, adult in nature, literate in approach, and short, sweet and delightful.

The most English of all English comedies and something of a tour-de-force, particularly for Clive Brook who produced, directed and adapted Frederick Lonsdale's play as well as taking the lead as a penniless Duke in love with an American heiress. She's Googie Withers but she doesn't love him back. They end up as chaperons, he to Roland Culver and she to Beatrice Lillie, on a Scottish island where Lillie has brought Culver for a month 'on approval' to see if she likes him enough to marry him. All four are superb but Lillie, in one of her few major film roles, walks off with the movie as the obnoxious Maria, though in the acting stakes Brook does give her a run for her money. The film is seldom revived, however; could it be just too sophisticated for mass consumption?

in this 1944 film version of the Frederick Lonsdale play. Charming, caustic, biting, and very funny, On Approval centers on 4 people who end up together in a house in Scotland for a month to see if they are "suited" for marriage. Of course no one gets along, the servants leave instantly, and the weather is dreadful. Lillie made only a handful of films; what a pity. She's quite wonderful as the rich woman who disdains marriage. Clive Brook (best remembered for Cavalcade) is excellent as the Duke (son of a butcher's daughter) who assumes the airs of aristocracy without having money. Roland Culver and Googie Withers round out the bickering foursome. Surprisingly fresh and current. I'd seen the 1982 BBC play with Penelope Keith and remembered it fondly. This is different but equal. Lonsdale seemed at one time a copy of Wilde or even Coward. But he has a special way with words that makes for delightful dialogue. On Approval is worth looking for!

A highly mannered comedy ON APPROVAL is, clearly a theatrical play with four participants pretty much on screen from beginning to end, two well off women (one of whom, American) just beginning to get long in the teeth, and two bankrupt aristocrats desperately trying to sink their teeth into money so they can extend their privileged living.

After a somewhat irritating male voice over intro which kind of situates the entire conundrum, you are served some grating singing by Beatrice Lillie, which will continue later in the film with the most discordant duet I can recall in movies.

There are many psychological deviant moments, including the entire ensemble of servants leaving the house shortly after arrival of the two women , and their male company, indignant over treatment, conditions, and an embrace between one of the males and Beatrice Lillie, who delivers a very fine absurd performance.

In contrast, lovely Googie Withers plays an American whose big test for a male is the color of her eyes (!)

I do not know whether this is a B or an A pic, but it surely is unusual, little to do with famous and classical British humor, and a great deal more to do with surrealistic chuckles as Lillie dances around a statue with one of the males, while the other has a nightmare.

If you don't follow... no surprise, neither did I!

This film of Frederick Lonsdale's play is one of my favorite movies of all time. Not because it breaks new artistic ground--it's simply as close to being perfectly cast and perfectly executed as one can imagine. It's Bea Lillie's most important work on film (and as far as I can tell, except for "Thoroughly Modern Millie", the only thing of hers available on home video....will someone PLEASE bring out "Doctor Rhythm"?), and it really does give us a sense of why she was so famous in her day. The amazing Clive Brook is her perfect foil, and Googie Withers is beautiful and utterly charming.

"On Approval" is full of small pleasures that, because of their perfection, are unforgettable. Who can forget Bea Lillie's perfect delivery of "You will find the dinghy by the jetty."? The bickering of Lillie and Brook ("Maria, I don't want to speak to you, but I must." "I don't want to speak to you and I won't!") .....Googie Withers refusing a proposal of marriage by asking the color of her eyes.....Bea Lillie doing vocal exercises at the piano....I could go on endlessly. It's exquisite fun.

On Approval is an extremely amusing comedy of upper class British manners. It is wickedly malicious without being mean-spirited. The four leads play off each other flawlessly. Unfortunately, it seems to be one of those forgotten gems. The DVD release awhile back may have given it some new recognition. (And the DVD transfer is first rate.)

Clive Brook, who also wrote and directed the film, is priceless as an aristocrat who finds it entirely reasonable to take his pleasures at the expense of others. He was a major star in the Thirties, but made only one more movie, The List of Adrian Messenger, after this one. At 76 he proved he still could hold his own against all comers, including George C. Scott.

This is a send up about British society people set in the 1890's that not only keeps your interest but gets progressively funnier with time. Beatrice Lillie plays Maria and Googie Withers plays Helen, with Maria deciding to go for a trial marriage for a month's holiday in Scotland with Richard. George, a Duke, tags along and through a series of planned misadventures, all four of them end up in the same castle on an island they have to row to to reach. This film must have been a breath of fresh air in 1943, as the war was still going on. Sixty five years later, it is still fresh. I had a great time watching it, it is a well made farce, and the acting is terrific. If you like British comedy at all, this is absolutely essential.

Wow....what a surprise....

I bought this on DVD sight unseen, due to the fact that it stars Beatrice Lillie in one of the very few films she ever made.

She's absolutely wonderful playing a rather unpleasant, grumpy women. Similarly, Clive Brook, who capped his long film career by writing, directing and starring in this outrageous farce.

I won't give away the plot, but I can't imagine a better example of how well a well known play can be adapted for the screen.

If you can't live without the Criterion DVD of "The Importance Of Being Earnest", then this movie should also be on your shelf.

Get it....before it disappears....

No one should pass on seeing any film with Beatrice Lillie. And I have to confess I was looking forward to seeing On Approval which is a Frederick Lonsdale comedy of manners which made it to Broadway after Drury Lane in London in the middle twenties. But while I saw a faithful adaption of the rather dated play, I did not see the madcap Beatrice Lillie in this at all.

Bea and Googie Withers play a couple of wealthy widows who are wealthy because their late husbands presumably made some good fortunes in whatever business they were in. A couple of aristocrats with cash flow problems played by Clive Brook and Roland Culver are looking to marry and live in a lifestyle they're accustomed to. To go to work doesn't appeal to these two twits at all. But a nice marriage to money is a lot easier.

The play itself is all right if your taste runs to these kind of stories. It tries to be Oscar Wilde like, without any of Wilde's wit. And Lillie gives a good performance. But I was sitting at my computer screen waiting for her to rollerskate across the floor or break into her double damask dinner napkins routine. You can find that in the Bing Crosby film Dr. Rhythm which Beatrice Lillie co-starred with him.

In fact DEMAND that TCM show that film if you want to see what Bea Lillie was all about.

Thanks to Blackhawk Films and Image Entertainment for the release of this rarely seen British gem. It is refreshing to see a comedy based on language and characters. Only in Britain would Beatrice Lillie have been given a starring role (along with Googie Withers in a wise supporting role) in a film like this. Like George Cukor's THE WOMEN and Mankiewicz's ALL ABOUT EVE, this is a comedy you can return to time and again and pick up something new every time. Hats off to Clive Brook!

Here is a look of one of England's foremost comediennes and entertainers, Beatrice Lillie. She was, for some unknown reason, shamefully neglected/ underutilized by Hollywood, and here she gives one of her fey, comedic performances for which she was celebrated on both sides of the Atlantic before and after the two world wars. She was primarily a stage actress and appeared in only seven movies.

In this one she is in a cast of four actors in a droll, upper class comedy of manners. Listen intently to the dialogue or you may miss a precious bon mot or a glossed-over aside. The script is delicious and keeps you waiting for the next hilarious remark at which Lady Peel had no peer. It was written and Directed by Clive Brook who also co-stars and gives himself too much to say and do, but you can't keep a good man (in this case, woman) down, and Bea Lillie emerges unscathed and triumphant. If you're a fan you must catch this one when you can.

Maria (Beatrice Lillie) invites Richard (Roland Culver) to stay with her in her house in Scotland for a month to see if they are compatible and thus suited for marriage. George (Clive Brook) and Helen (Googie Withers) come along as chaperones for their friends, Helen for Maria and George for Richard. The staff at the house walk out of the residence, leaving the four main characters to fend for themselves and find out about each other.....

This film is very amusing - a good example of dialogue-driven humour. The script is well written and the cast deliver it with precision. All four main characters are well suited to their roles and equally excellent. The only oddity is that Googie Withers, playing an American, couldn't be more English! At the beginning of the film, a narrator delivers an intro in a very British comedy cartoon fashion. Perhaps this segment could have been shorter. However, once the film starts properly, it immediately holds the viewer's interest and runs for a decent length. There is also a twist in the tale.

Enjoyed seeing this film on 31 December 2003 on our Channel 31 TV station. Great to see Beatrice Lillie in an early movie performance. We mainly know her from Throughly Modern Millie. Also a pleasure to see a young Googie Withers performing in this film.

This film is about a woman and her rather jaundiced opinion of marriage.

Beatrice Lillie, in a rare film role, is a treat!