A feud between rival newspapermen Kruger (Bromberg) and McDonald (Guilfoyle) goes deadly when blackmailing McDonald ends up murdered and his corpse planted in the trunk of Kruger's car.A feud between rival newspapermen Kruger (Bromberg) and McDonald (Guilfoyle) goes deadly when blackmailing McDonald ends up murdered and his corpse planted in the trunk of Kruger's car.A feud between rival newspapermen Kruger (Bromberg) and McDonald (Guilfoyle) goes deadly when blackmailing McDonald ends up murdered and his corpse planted in the trunk of Kruger's car.
Elayne Adams
- Miss Ames
- (uncredited)
Mary Arden
- Madge
- (uncredited)
Bess Flowers
- Office Worker
- (uncredited)
Charles Jordan
- Draper
- (uncredited)
Anne O'Neal
- Mrs. Swanaker
- (uncredited)
Jean Ransome
- Marie
- (uncredited)
John Shay
- Jeffry Dodd
- (uncredited)
Lorell Sheldon
- Phyllis Kruger
- (uncredited)
Ken Terrell
- Motorcycle Policeman
- (uncredited)
Joan Tours
- Office Worker
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaKruger's car is a 1941 Buick convertible; the "A" sticker on his front windshield is a World War II era gasoline ration status. The "A" sticker was aimed at nonessential driving and was good for three gallons a week to be used for essential shopping and other uses.
- GoofsWhen Officer Trigg sees Kruger speeding past, and sets out after him, his motorcycle has three headlights on. But just seconds later, before he catches up to Kruger, only two headlights are on. The next time we see him, still at night, none of the headlights are on.
- SoundtracksHome, Sweet Home
(uncredited)
Music by Sir Henry Bishop (aka H.R. Bishop)
Played under the opening and closing credits
Featured review
PRC produces an enjoyable item here with little funding, a comedic melodrama that successfully incorporates both verbal and visual humour, along with a dollop of suspense, in creating a picture notable for its rare featured performance by veteran supporting actor J. Edward Bromberg, skillful direction, and especially effective scoring, in addition to a clever scenario that benefits from perfect pacing to smoothly advance the action. A whimsical plot requires that scripting, acting, and editing combine equally to avoid mere giddiness, and that is the case here, with Bromberg cast as Henry Kruger, an ethical newspaper publisher who threatens Andy McDonald, his counterpart upon a rival big city (Los Angeles) tabloid, with physical harm after McDonald splashes a nightclub escapade involving Kruger's daughter upon his journal's front page. After the blackmailing McDonald is murdered by one of his victims, his corpse is chased from the unsuspecting Kruger's automobile trunk to a series of makeshift hiding places, with humorous perplexity resulting from Kruger's attempts to avoid being implicated in the homicide. Director Albert Herman, for his final feature film commission, ably leads his actors in the briskly gaited affair, and manages in fine fashion to balance comedy with sequences of suspense, aided throughout by a splendid score contributed by classically trained Karl Hajos, who adds pages to his prior work from studio stock, seamlessly blending the total into the narrative. Acting is of variable merit, with Frank Jenks winning the Thespic laurels in the role of Kruger's chauffeur and companion, a typically sharply defined performance from him, capitalizing upon his impeccable sense of timing.
Details
- Release date
- Country of origin
- Language
- Also known as
- Stranger in the Family
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 2 minutes
- Color
- Aspect ratio
- 1.37 : 1
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