Chester Morris and Willard Parker are successful jingle writers in Chicago, but just as they get a chance to write for radio in Los Angeles at big, steady money, Parker falls in love with Marguerite Chapman and goes to work for her father's organ company. This leave Morris and gal Friday/girl friend Janis Carter scrambling. As the love birds break up. So Parker gets on the train to Los Angeles, as does Miss Chapman, and they make up and break up again and again amidst a trainload of eccentrics like Hugh Herbert and Jerome Cowan, while conductor Irving Bacon considers retiring. Again.
It's a mishmosh of gags and situations from the classic screwballs like TWENTIETH CENTURY and HIS GIRL FRIDAY, but with enough changes and expert comic actors to keep things moving. Morris is nearing the end of his contract with Columbia, but doesn't seem dismayed by being credited third. Director Ray Enright keeps things moving at a good pace for comedy. With Jerome Cowan, Frank Jenks, and Sam McDaniel.