IMDb RATING
7.2/10
7.8K
YOUR RATING
An unethical lawyer who wants to help his older brother becomes a partner with a client in the numbers racket.An unethical lawyer who wants to help his older brother becomes a partner with a client in the numbers racket.An unethical lawyer who wants to help his older brother becomes a partner with a client in the numbers racket.
- Awards
- 1 win
Howland Chamberlain
- Freddie Bauer
- (as Howland Chamberlin)
Murray Alper
- Comptroller
- (uncredited)
Jessie Arnold
- Sorter
- (uncredited)
Georgia Backus
- Sylvia Morse
- (uncredited)
Margaret Bert
- Sorter
- (uncredited)
Larry J. Blake
- Detective
- (uncredited)
Mildred Boyd
- Mother
- (uncredited)
Ralph Brooks
- Attorney
- (uncredited)
Storyline
Did you know
- TriviaIn order to show cinematographer George Barnes how he wanted the film to look, Abraham Polonsky gave him a book of Edward Hopper's Third Avenue paintings.
- GoofsDuring a climactic montage set at an East Coast racetrack on the Fourth of July, people in the stock footage crowd scenes are dressed in winter garments nobody would wear in the middle of summer.
- Alternate versionsAll existing copies of the film are of the version that was cut by 10 minutes in order to fit into a double bill.
- ConnectionsEdited into American Cinema: Film Noir (1995)
Featured review
Great mix of mobsters and sibling rivalry in overlooked gem...
Martin Scorsese has hailed this film as one of the forgotten masterpieces of the film-noir genre. He took it a step further by resurrecting the film from the vaults and teaching it at NYU in the late 60's. He said it was the first film he ever saw that related "to a world he knew and saw." Indeed, the film's realism and location shooting is great to see, especially Wall Street circa 1948. Those scrapers have stood for a long time. This is not traditional noir, however. It is an excellent study of a personal battle between two brothers. Joe (John Garfield) is a rich, corrupt mob lawyer, not unlike Duvall in the Godfather flicks. His older brother Leo (A great actor named Thomas Gomez) is a banker trying to live on the "up and up".
The relationship is a tragic one. Thomas Gomez must be one of the most underrated actors of his day. He steals every scene he's in with the quick-talking Garfield, who was so good in THE POSTMAN ALWAYS RINGS TWICE. This may be familiar to fans of RAGING BULL, where both sets of brothers in two very different films love each other, but have a difficult time displaying affection.
Two fabulous scenes stand out and would be impossible if shot in color. The first occurs when Garfield stumbles upon a darkened office with his door slightly ajar. The light from his office cuts through the middle of the screen, allowing Garfield to snoop. Another is the shootout at the film's climax, where all of the three shooters are lying in the shadows, creating suspense based on what we cannot see. It is all done in a very impressionistic way, a superb use of lighting and shadow. This is black and white at its best. Pure and evil. A truly great film. I would stay focused on the scenes between Gomez and Garfield. This sad brotherhood plays incredibly against a brilliant backdrop of crime and double-crossing.
FORCE OF EVIL is another reminder of how good Hollywood films of the 1940's were. Without them, we probably would not have the classics of the past 25 years.
The relationship is a tragic one. Thomas Gomez must be one of the most underrated actors of his day. He steals every scene he's in with the quick-talking Garfield, who was so good in THE POSTMAN ALWAYS RINGS TWICE. This may be familiar to fans of RAGING BULL, where both sets of brothers in two very different films love each other, but have a difficult time displaying affection.
Two fabulous scenes stand out and would be impossible if shot in color. The first occurs when Garfield stumbles upon a darkened office with his door slightly ajar. The light from his office cuts through the middle of the screen, allowing Garfield to snoop. Another is the shootout at the film's climax, where all of the three shooters are lying in the shadows, creating suspense based on what we cannot see. It is all done in a very impressionistic way, a superb use of lighting and shadow. This is black and white at its best. Pure and evil. A truly great film. I would stay focused on the scenes between Gomez and Garfield. This sad brotherhood plays incredibly against a brilliant backdrop of crime and double-crossing.
FORCE OF EVIL is another reminder of how good Hollywood films of the 1940's were. Without them, we probably would not have the classics of the past 25 years.
- How long is Force of Evil?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- The Numbers Racket
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $948,000
- Gross worldwide
- $1,165,000
- Runtime1 hour 19 minutes
- Color
- Aspect ratio
- 1.33 : 1
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