IMDb RATING
6.6/10
1.5K
YOUR RATING
While his wife is urging him to quit the force, a Los Angeles homicide detective hunts for the killer responsible for the murder of his ex-partner, who might have been on the take with local... Read allWhile his wife is urging him to quit the force, a Los Angeles homicide detective hunts for the killer responsible for the murder of his ex-partner, who might have been on the take with local bookies.While his wife is urging him to quit the force, a Los Angeles homicide detective hunts for the killer responsible for the murder of his ex-partner, who might have been on the take with local bookies.
- Awards
- 1 nomination
Gloria DeHaven
- Lili
- (as Gloria De Haven)
Bette Arlen
- Girl with Sleeper
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThis film has many actors cast against previous types. Van Johnson had appeared in light comedies and musicals, making him a teen idol at the time. His versatility, proven in this film, would lead to his role in Battleground (1949). Gloria DeHaven has previously been cast as sweet, innocent girls, but here she is a stripper and gun moll. Arlene Dahl, who would have been expected to play the stripper, here plays a nagging wife.
- GoofsWhen Detective Piper introduces the young man that sold the .38 S&W revolver to the cop killer to detective Conovan the man says he sold the gun to a man in a bar. Conovan then grills the man about his getting a lousy eighty bucks for the gun that killed his former partner. But at no time did the man mention getting eighty bucks for the gun.
- Quotes
Sleeper: Naturally, I know you know I know somethin'.
Mike Conovan: I know you know I know you know somethin'.
- ConnectionsFeatured in Some of the Best: Twenty-Five Years of Motion Picture Leadership (1949)
- SoundtracksI'M A GOODY-GOODY GIRL
(uncredited)
Music by André Previn
Lyrics by William Katz
Sung (with partial striptease) by Jean Carter
Featured review
Did, as some people think, "Scene of the Crime" invent the cop drama clichés that have been a mainstay of television and film for so long? Or were they already established and just copied by this film? Not being an expert in the genre, I don't know. I do know that despite attempts by some people to elevate this movie to film noir status, it's not that great. Dore Schary put this into production when he took over MGM. I guess he wanted MGM to be more like Warner Brothers. It stars Van Johnson, Arlene Dahl, John McIntyre, Leon Ames, and Gloria DeHaven.
When a cop is killed with a roll of dough found on him, his fellow officers set out to investigate the crime and clear the man's name.
"Scene of the Crime" is similar in its way to "Dragnet" - it shows the daily grind of detectives as they put together a case. There are a couple of very good scenes, including one in which Mike (Van Johnson) arrests a suspect, and shooting starts when they get outside of the apartment building. Still handcuffed to Mike, the perp jumps into a building stairwell. There's also a good car chase.
For some reason, Van Johnson did these baby-faced tough guys well - perhaps it was his New York accent, but he pulls off the role of the dedicated Mike. He was set to be Elliot Ness in the TV "Untouchables" when his wife Evie called Desi Arnaz the night before and held him up for more money. Arnaz called Robert Stack and told him to report to the set the next day. A friend of mine who has lived in LA for over 50 years and socialized with many stars said that Arlene Dahl was the most beautiful woman of everyone he had met. Seeing her in this, you can believe it. She is a spectacular beauty if her acting in some spots isn't the best. Gloria De Haven, usually a vibrant ingenue, plays against type as a tramp, which makes it interesting.
"Scene of the Crime" is gritty-looking enough but suffers from being slow in spots and loaded with clichés. There isn't anything to make it truly special. That could be because by now, we've seen it all before. Perhaps in 1949, it was fresh. But I have my doubts that even back then, it broke any new ground.
When a cop is killed with a roll of dough found on him, his fellow officers set out to investigate the crime and clear the man's name.
"Scene of the Crime" is similar in its way to "Dragnet" - it shows the daily grind of detectives as they put together a case. There are a couple of very good scenes, including one in which Mike (Van Johnson) arrests a suspect, and shooting starts when they get outside of the apartment building. Still handcuffed to Mike, the perp jumps into a building stairwell. There's also a good car chase.
For some reason, Van Johnson did these baby-faced tough guys well - perhaps it was his New York accent, but he pulls off the role of the dedicated Mike. He was set to be Elliot Ness in the TV "Untouchables" when his wife Evie called Desi Arnaz the night before and held him up for more money. Arnaz called Robert Stack and told him to report to the set the next day. A friend of mine who has lived in LA for over 50 years and socialized with many stars said that Arlene Dahl was the most beautiful woman of everyone he had met. Seeing her in this, you can believe it. She is a spectacular beauty if her acting in some spots isn't the best. Gloria De Haven, usually a vibrant ingenue, plays against type as a tramp, which makes it interesting.
"Scene of the Crime" is gritty-looking enough but suffers from being slow in spots and loaded with clichés. There isn't anything to make it truly special. That could be because by now, we've seen it all before. Perhaps in 1949, it was fresh. But I have my doubts that even back then, it broke any new ground.
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Details
- Release date
- Country of origin
- Language
- Also known as
- Sumpf des Verbrechens
- Filming locations
- 259 E. 5th Street, Los Angeles, California, USA(site of Hippo's Coffee Pot)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $761,000 (estimated)
- Runtime1 hour 34 minutes
- Color
- Aspect ratio
- 1.37 : 1
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