Three friends struggle to find work in Paris. Things become more complicated when two of them fall in love with the same woman.Three friends struggle to find work in Paris. Things become more complicated when two of them fall in love with the same woman.Three friends struggle to find work in Paris. Things become more complicated when two of them fall in love with the same woman.
- Won 6 Oscars
- 11 wins & 7 nominations total
Georges Guétary
- Henri Baurel
- (as Georges Guetary)
Robert Ames
- Ballet Dancer
- (uncredited)
Joan Anderson
- Child in Ballet
- (uncredited)
Marie Antoinette Andrews
- News Vendor
- (uncredited)
Larry Arnold
- Frenchman
- (uncredited)
Martha Bamattre
- Mathilde Mattieu
- (uncredited)
Felice Basso
- Ballet Dancer
- (uncredited)
Charles Bastin
- Smiling Young Man
- (uncredited)
Joan Bayley
- Ballet Dancer
- (uncredited)
Janine Bergez
- Girl
- (uncredited)
Rodney Bieber
- Ballet Dancer
- (uncredited)
Madge Blake
- Edna Mae Bestram
- (uncredited)
Ralph Blum
- Patron at Flodair Café
- (uncredited)
Nan Boardman
- Maid
- (uncredited)
Best Picture Winners by Year
Best Picture Winners by Year
See the complete list of Best Picture winners. For fun, use the "sort order" function to rank by IMDb rating and other criteria.
Storyline
Did you know
- TriviaEven though Vincente Minnelli is credited as the sole director, he was sometimes tied up with his divorce from Judy Garland and other directing projects, leaving Gene Kelly to take over the directing duties much to the dismay of the cast and crew.
- GoofsAdam is seen in his studio three times. When first seen, he is alone and playing a black baby grand. The second time, he is playing a brown baby grand upon which Jerry dances. In the third sequence, he is again alone and playing the black grand. Perhaps the brown piano was fashioned to accommodate and withstand Jerry's dancing on it.
- Quotes
Jerry Mulligan: That's... quite a dress you almost have on.
Milo Roberts: Thanks.
Jerry Mulligan: What holds it up?
Milo Roberts: Modesty.
- Crazy creditsAnd Presenting The American In Paris Ballet
- Alternate versionsIn 1995 a restored version was prepared for release on video/laserdisc, with the 18-minute ending ballet soundtrack reprocessed in stereo.
- ConnectionsEdited into Histoire(s) du cinéma: Seul le cinéma (1994)
- SoundtracksOur Love Is Here to Stay
(1937) (uncredited)
Music by George Gershwin
Lyrics by Ira Gershwin
Sung by Gene Kelly
Danced by Gene Kelly and Leslie Caron
Played often in the score as the love theme between Jerry and Lise
Featured review
Don't get me wrong: the musical numbers are still top rate. Watching Kelly dance anything from the tap on the sidewalks to the full blown ballet at the end is still very much a marvel to behold. But the story? Ehhhh... not so much.
Granted, plots in MGM musicals are pretty thin affairs anyway, little more than slight variations on their Broadway cousins (who, at the time, weren't anywhere near Shakespeare themselves!): stock formulae that involved a boy and a girl and a happy ending. But in American IN Paris, we're to somehow believe that Gene and Leslie are a perfect couple from their very first glance, even though it means trampling all over the feelings of the two people genuinely in love with these two (and Lord only knows why). Poor Nina Foch gets the worst of it: her storyline doesn't even get a proper resolution... and I'm not quite sure I hold to the idea that she wanted to make Kelly a "kept man": instead, she comes across as a woman who falls in love way too easily and has the cash on hand to help her man of the moment realize his own dream with little thought of her own. Certainly she gets twisted in all directions from the moment Kelly, spurned by Caron, shows up at her apartment, seemingly ready to accept her a "real woman"... only to discover that she's just a rebound relationship -- and we all know how well those work out, right? Meanwhile, the guy who's kept Caron's body and soul together comes across as the kind of nice guy that would do *anything* to keep his wife happy... even if it means giving her up for some schmuck he (and she!) barely knows. Again, we're looking at someone with a fierce sense of devotion and the means to create a perfect world for his intended... only to find out that she never really loved him like she said she did. I have little doubt that when his act finally *did* tour the States, it was a huge disaster, because it's difficult to sing something about a stairway to Paradise through a layer of bitter cynicism.
It's interesting that we have these parallel relationships, both set up along the same dynamics of one person totally in love and happy to lay out anything his/her partner wants, no matter the cost -- and that in both cases, the wealthy one, despite the integrity of his/her feelings, get dumped for a somewhat duplicious, deceitful little affair. Maybe, in some alternate MGM universe, these two unfortunate people found each other and got their own happy ending. I sure hope so.
Granted, plots in MGM musicals are pretty thin affairs anyway, little more than slight variations on their Broadway cousins (who, at the time, weren't anywhere near Shakespeare themselves!): stock formulae that involved a boy and a girl and a happy ending. But in American IN Paris, we're to somehow believe that Gene and Leslie are a perfect couple from their very first glance, even though it means trampling all over the feelings of the two people genuinely in love with these two (and Lord only knows why). Poor Nina Foch gets the worst of it: her storyline doesn't even get a proper resolution... and I'm not quite sure I hold to the idea that she wanted to make Kelly a "kept man": instead, she comes across as a woman who falls in love way too easily and has the cash on hand to help her man of the moment realize his own dream with little thought of her own. Certainly she gets twisted in all directions from the moment Kelly, spurned by Caron, shows up at her apartment, seemingly ready to accept her a "real woman"... only to discover that she's just a rebound relationship -- and we all know how well those work out, right? Meanwhile, the guy who's kept Caron's body and soul together comes across as the kind of nice guy that would do *anything* to keep his wife happy... even if it means giving her up for some schmuck he (and she!) barely knows. Again, we're looking at someone with a fierce sense of devotion and the means to create a perfect world for his intended... only to find out that she never really loved him like she said she did. I have little doubt that when his act finally *did* tour the States, it was a huge disaster, because it's difficult to sing something about a stairway to Paradise through a layer of bitter cynicism.
It's interesting that we have these parallel relationships, both set up along the same dynamics of one person totally in love and happy to lay out anything his/her partner wants, no matter the cost -- and that in both cases, the wealthy one, despite the integrity of his/her feelings, get dumped for a somewhat duplicious, deceitful little affair. Maybe, in some alternate MGM universe, these two unfortunate people found each other and got their own happy ending. I sure hope so.
- info-12388
- May 26, 2009
- Permalink
Details
- Release date
- Country of origin
- Languages
- Also known as
- Amerikanac u Parizu
- Filming locations
- Paris, France(second unit exterior photography)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $2,723,903 (estimated)
- Gross US & Canada
- $267,824
- Opening weekend US & Canada
- $182,606
- Jan 19, 2020
- Gross worldwide
- $275,077
- Runtime1 hour 54 minutes
- Color
- Aspect ratio
- 1.37 : 1
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