Directed by
Vincente Minnelli |
Writing Credits
Betty Comden | ... | (story by) and |
Adolph Green | ... | (story by) |
Norman Corwin | ... | (uncredited) |
Alan Jay Lerner | ... | (uncredited) |
Cast (in credits order) verified as complete
Produced by
Roger Edens | ... | associate producer |
Arthur Freed | ... | producer |
Bill Ryan | ... | associate producer (uncredited) |
Music by
Alexander Courage | ... | (uncredited) |
Adolph Deutsch | ... | (uncredited) |
Conrad Salinger | ... | (uncredited) |
Cinematography by
Harry Jackson | ... | director of photography |
George J. Folsey | ... | director of photography (uncredited) |
Editing by
Albert Akst | ... | film editor |
George White | ... | (uncredited) |
Art Direction by
E. Preston Ames | ... | (as Preston Ames) |
Cedric Gibbons |
Set Decoration by
F. Keogh Gleason | ... | (as Keogh Gleason) (set decorations) |
Edwin B. Willis | ... | (set decorations) |
Costume Design by
Mary Ann Nyberg | ... | (costumes by) |
Makeup Department
Sydney Guilaroff | ... | hair stylist |
John Truwe | ... | makeup artist |
William Tuttle | ... | makeup creator |
Production Management
Hugh Boswell | ... | unit manager (uncredited) |
Second Unit Director or Assistant Director
Jerry Thorpe | ... | assistant director |
Al Alt | ... | second assistant director (uncredited) |
Jack Greenwood | ... | assistant director (uncredited) |
Art Department
Oliver Smith | ... | designer: musical numbers |
Robert Cormack | ... | continuity sketches (uncredited) |
Tommy Crawford | ... | props (uncredited) |
Tom Ordoqui | ... | property master (uncredited) |
Harold Turberg | ... | property master: rehearsal unit (uncredited) |
Frank Wesselhoff | ... | painter (uncredited) |
Sound Department
Douglas Shearer | ... | recording supervisor |
James Brock | ... | sound (uncredited) |
Ben Price | ... | recordist (uncredited) |
Special Effects by
Warren Newcombe | ... | special effects |
Camera and Electrical Department
Robert J. Bronner | ... | camera operator (uncredited) |
Charles Burrell | ... | best boy (uncredited) |
Phil Philbrick | ... | gaffer (uncredited) |
Mervin Price | ... | grip (uncredited) |
Al Smith | ... | playback operator (uncredited) |
Gene Stout | ... | best boy (uncredited) |
Costume and Wardrobe Department
Morris Brown | ... | wardrobe (uncredited) |
Joan Joseff | ... | costume jeweller (uncredited) |
Grace Kuhn | ... | wardrobe (uncredited) |
Editorial Department
Robert Brower | ... | color consultant: Technicolor |
Henri Jaffa | ... | color consultant: Technicolor |
Music Department
Alexander Courage | ... | orchestrator |
Adolph Deutsch | ... | musical director |
Howard Dietz | ... | songs by |
Michael Kidd | ... | stager: dances and musical numbers |
Skip Martin | ... | orchestrator |
Conrad Salinger | ... | orchestrator |
Arthur Schwartz | ... | songs by |
David Crocov | ... | violin (uncredited) |
Robert Franklyn | ... | orchestrator (uncredited) |
Harry V. Lojewski | ... | pianist (uncredited) |
Script and Continuity Department
William E. Orr | ... | script supervisor (uncredited) |
Additional Crew
Louis Calhern | ... | dialogue coach: Jack Buchanan (uncredited) |
Patricia Denise | ... | assistant dance director (uncredited) / dancing stand-in: Cyd Charisse (uncredited) |
Janet Koye | ... | secretary (uncredited) |
Carroll Pratt | ... | stage manager (uncredited) |
Dwayne Ratliff | ... | dancing stand-in (uncredited) |
Alex Romero | ... | assistant dance director (uncredited) / dancing stand-in: Fred Astaire (uncredited) |
Emily Torchia | ... | publicist (uncredited) |