User reviews

Jeff Stewart (Richard Carlson, also in Creature from the Black Lagoon & It Came from Outer Space) is an A-man working out of the Office of Scientific Investigation (OSI). He narrates this story regarding the discovery/creation of a new unstable radioactive isotope.

The movie is part MacGuyver, part Mr. Wizard and part Golden Age Radio program. This movie entertains while it educates. I haven't learned as much from a movie since the Miracle of Life in high school health class. Dr. Stewart explains theories and principles of chemistry, physics and even earth science through the use of simple everyday items (God bless you Mr. Wizard). He also manages to make these "models" by combining everyday items (God bless you MacGuyver).

The special effects are simple and hardly believable, yet still effective in conveying the science of the story. This movie reminds me of a golden age radio program when a chicken heart grows so large as to destroy the earth. This movie follows in the footsteps of that program.

The same can be said of the Outer Limits. It was a show that was severely limited in budget, yet still managed to convey some poignant stories about science and humanity. The thing that all these things have in common is the realization that there are unknowns out there that can kills us. Science will either saves us from the unknowns, or be the Pandora's box to our destruction.

There is a pretty good selection of stars in this movie : Kathleen Freeman (best remembered by me as the woman at the supermarket with the silver revolver from Innerspace), Michael Fox (whom I remember as the announcer from the Longest Yard - 1974) and Leonard Mudie (whom one will remember as one of the survivors from the Star Trek episode The Cage).

The science seems a little hokey, but one has to remember the movies of the time. I mean having a terminal computer called the Brain and a data mainframe called MANIAC is quite silly. Yet it is still believable. This is a very good science fiction movie (especially when one takes in account when it was made and the obviously limited budget). I recommend this movie for anyone who is a fan of classic science fiction.

This is very good 1950's science fiction. At the center is Curt Siodmak, a pretty good writer who involves us in a tale where the use of a particle accelerator causes magnetism to go crazy. It results in implosions that could eventually end all life on earth. It's up to Richard Carlson and King Donovan, staples in the movie genre of the time, to come up with a solution. This is post atom bomb time and we are treated to a lot of moralizing about life and its preciousness. This could have gotten out of hand but is reined in pretty well. I thought the science was reasonable and the acting quite good. Stereotyping was kept to a minimum and allowed the principles to do their thing. Very good scene in an appliance store at the beginning.

"The Magnetic Monster" was a superior sci-fi B movie of the 1950's. Rarely seen these days, it hasn't gotten the appreciation it deserves as an unusual sci-fi classic.

Two scientist-detectives from the Government "Office of Scientific Investigation (O.S.I.)" are sent to investigate some bizarre events, like some guy found dead of radiation poisoning in an apartment building where metal objects have become magnetized. They eventually discover the cause: somewhere there's a new, accidentally created radioactive isotope with the unique property to "grow" by assimilating surrounding energy into itself. As it grows geometrically, its magnetic field and radioactivity increase too, potentially threatening the very existence of Earth itself. Our heroes race to find and destroy the thing somehow.

For its time, the plot tried hard to be realistic, with realistic-sounding science and a semi-documentary style reminiscent of detective movies. Even a deliberate bit of comic relief as the detectives are initially stymied by false leads. ("Some guy phoned to complain that the battery in his hearing aid burned out and he wants us to look into the matter." "Oh, fine!")

With the new crimes of computer hacker attacks and bioterrorist attacks, the notion of detectives with scientific training is no longer science fiction. When the Government started investigating the deaths of people from anthrax in October 2001, I thought O.S.I. had finally come to pass.

"The Magnetic Monster" is a much better than average sci-fi/horror film from an era known for schlocky films in this genre. It works well because they manage to make the story seem possible...and much of it is because its told in a semi-documentary style.

When the story begins, some investigators from the OSI are looking into strange phenomena....and a really weird one comes to them. It seems a business is magnetized and all the clocks are broken. When Dr. Stewart (Richard Carlson) tosses some metal washers into the air, they are sucked onto the ceiling as some magnetic power is THAT strong and appears to be coming from the floor above. There, they find a dead man....killed from radiation. In fact, the whole place is very radioactive. What has happened here? And, where is the source of the magnetism, as it appears as if someone took the source with them...meaning that some object is MUCH more magnetic and dangerous than what the OSI team just found. What ttey don't realize is that the powerful substance is so powerful that it threatens to destroy the planet unless something is done quickly.

As I already mentioned, the style of the film makes it work well. Giving the story a seemingly credible scientific explanation also works well. Overall, an entertaining story which is surprisingly literate and enjoyable.

Ivan Tors made a few Interesting Low Budget "real" Sci-Fi Movies in the Early to Mid 1950's with the Emphasis on Scientific Explanation and Rational Crime Solving in lieu of Giant Monsters, Aliens, Flying Saucers and Mutants.

The Goal was to bring "Down to Earth" some of the more Fantastic Ideas of Science Fiction and Present them with an Adult Tone that turned a Sense of Wonder into a Sense of Dread.

Radiation, Computers, the Hydrogen Bomb, Space Travel. These were all Things that We were Creating or Endeavoring to Create. Some were saying that we were letting the Technology Grow Faster than Our Ability to Understand (let alone control) it. Therein lies the Scary part and it was right Here in Reality among Us just Waiting to Devour and Destroy.

In this one it is the Exponential Growth of Energy wanting to Feed and be Fed Continuously as it Grows Beyond Sustainable Proportions. This is shown in Striking Lab Visuals through Screens and Electron Microscopes that have a Surreal Appeal. The Over-Sized "Weapon" We use to finally End it all is also Visually Impressive and Exciting.

With a Low Budget and High Concepts these few "Realistic" Scientific Movies from the Era are a welcome Diversion from the Latex, Insects, and Space Invaders.

The astounding story of the "thing" that came alive deals with the discovery of an atomic power , then the government has set up a special group, the Office of Scientific Investigation or OSI , to look into rare phenomenon . Those who work there are known as A-Men (similarly to G-Men) , they are detectives for science and they are called in perilous missions as A-Man (A as in Atom) led by the brave agent Jeffrey Stewart (Richard Carlson) and his partner Dan Forbes (King Donovan) are sent to a local hardware store where they find a strong magnetic field has magnetized every metal item in the store and other bizarre phenomena .There they find the local appliance store owner that explain them all of their products have become highly magnetized and the things came alive . As they start a number of tests to establish what the source of the magnetism . The scientists are puzzled but their investigation leads them to a scientist who has invented a new element of extraordinary power. Unless they can find a way to stop its growth, it will destroy the Earth. As terror sweep through the heart of a city in the dead of night and this one man , the brave scientific , stands between the earth and doom! , battling a monstrous being that terrorizes Earth! A Cosmic Frankenstein monstrosity terrorizes earth and there is an only Man That Dared To Track The Monster To Its Lair!

A main candidate for the strangest and nuttiest Science Fiction of all time along with ¨Red planet Mars¨ by Harry Horner , including a surprising premise and plenty of twists and turns . This in an incoherent movie overburned with various messages about atomic danger and risks on the sub-atomic particles . As the picture narrates how a new danger faces man, sound waves that kill, atomic isotopes searing flesh, even pilotless planes that break the sound barrier , and to combat these threats a new agency has been created, The Office of Scientific Investigation (OSI) the men who work for this agency are known as ¨A men¨ similar to the classic ¨G-Men¨. The script involves a valiant scientist , his helper , his pregnant wife and their fight against a giant magneto-dynamo with tremendous power .The best parts of the movie are the thrilling final scenes ; however , using stock footage of the underground magneto-dynamo from the German science fiction thriller Gold (1934).It stars the always agreeable Richard Carlson . His film debut was The Young in Heart (1938). At the beginning he played forgettable second features, such as the supernaturally-themed Beyond tomorrow (1940), or commercial failures, like the nostalgic Anna Neagle musical No, No, Nanette (1940). There was, however, one stellar performance: his newspaperman David Hewitt in William Wyler's brilliant adaptation of Lillian Hellman's southern melodrama The Fox (1941). This was followed by another decent role in the fruity -but highly enjoyable- melodrama White Cargo (1942), and the lead in a cliched, run-of-the-mill crime picture, Highways by Night (1942). Then , Richard found renewed energy for his third-billed appearance in MGM's lavish Technicolor remake of King Salomon's mines (1950). Perhaps surprisingly, this did not lead to further roles in A-grade features. Instead, Richard Carlson found himself the unlikely star of several sci-fi features, which have attained cult status over the passing years. Pick of the bunch was Jack Arnold's seminal It came from outer space (1953) , based on a story by Ray Bradbury , with Richard in the role of a well-meaning, rather arcane astronomer, witness to an alien presence which turns out to be benign. The sincerity of his performance led to similar parts in The magnetic monster (1953) with similar moralistic undertones and the atmospheric Creature from the Black Lagoon (1954). He is accompanied by an unknown support cast such as : King Donovan , Michael Fox , Byron Foulger , Jean Byron who plays his wife , she was billed the third , but the filming was so tight that she shot her scenes in one day . Look for two notorious secondaries giving brief interpretations : Kathleen Freeman and Strother Martin .

It packs an atmospheric musical score by Sanford and Paul Beaver . As well as an evocative cinematography in black and white by Charles Enger .This Sci-Fi film from another age that was ahead of its time was written and produced by Ivan Tors , being regularly directed by Curt Siodmak and Herbert L. Strock . Although credited to Curt Siodmak, most of the film was actually directed by Herbert L. Strock, who was hired by Ivan Tors for his skills as an editor, which were viewed as essential for a film that relied so much on stock footage. Curt Siodmak was a good writer and filmmaker who had a long career . One of Siodmak's first film-writing assignments was the screenplay for the German sci-fi picture F.P.1 antwortet nicht (1932) (US title: "Floating Platform 1 Does Not Answer"), based on his own novel. Compelled to leave Germany after Adolf Hitler and the Nazis took power, Siodmak went to work as a screenwriter in England and then moved to Hollywood in 1937. He got a job at Universal through his director-friend Joe May, helping write the script for May's The Invisible man returns (1940). Because the film went over well, Siodmak says, he fell into the horror/science-fiction "groove" . As he directed : Bride of the Gorilla , Slaves of the Amazons ,The Devil's Messenger , Curucu, Beast of the Amazon and 13 Demon Street . While director Herbert L-Strock made a lot of terror and Sci-Fi movies such as : Witches's brew , Monster , Men on the run , The crawling hand , How to make a monster , Flood of Drácula , Rider on a Dead Horse and I was a teenager monster . Rating : 5.5/10. Acceptable and passable .

When I was a kid I thought this was a great movie! I was impressed by how it was more a straight sci-fi story than a monster movie at all. I liked the way it showed how exponential progression takes you from interesting lab effect to massive destruction with surprising speed. And I loved the energy of the climactic scene in the power plant.

Well, through the magic of Youtube I just today saw it again after a space of 40 years at least. And the wonder wasn't there. On the science side ... what a jumble. I mean, science fiction pretty much automatically involves made-up stuff. But it ought not to involve throwing existing science into a blender. In MM, terms like "atom", "molecule", "electron", "monopole", and "nucleus" are interchangeable. Magnetism and radioactivity are confused throughout. At one point we are given to understand that nuclear fission can be induced by an electric current. And it's never clear to me why the dangerous aspects of the substance are so variable and unpredictable. Why is it ever possible to transport it, for example.

On the plot side, scientists act very strangely. At one point an apparently British scientist puts a safety regulation ahead of the survival of the planet. The "A-men" of the Office of Scientific Investigation apparently have Lensman-level powers; at one point one of them orders all planes in the country grounded "on my authority." And then the action is interrupted here and there with discussions of whether Dr. Stewart's wife has gained enough weight in her pregnancy and whether they can get a house. I confess I had forgotten that whole subplot.

On the other hand you may like it if you are willing to put up with these flaws for the sake of a scene with cool sound effects and electric arcs...

Richard Carlson stars in this earnest, cautionary sci-fi as an agent from Boston's Office of Scientific Investigation discovering to his horror that a renown scientist has independently developed an artificial radioactive element which has taken on a life of its own. This isotope feeds on the energy around it, which doubles its size, and in time will harvest enough power to knock planet Earth right off its axis! Not-bad suspense thriller--with both textbook physics and non-textbook logic--smoothly incorporates footage from the 1934 German film "Gold" for its rousing conclusion. A low-budget entry in the man-made monster genre, but certainly an enjoyable one. ** from ****

One of the best sci-fi B-movies of the Fifties! Stalwart hero-scientist Carlson is really terrific and convincing too; stock footage of dynamo is realistically intercut with new footage of a movie set built to look exactly like the one in the German film GOLD (1934), in which stock footage from the 1934 film is intercut with new footage. The film succeeds on all levels, made for an adult audience, and although a 'modern' American film, it had a film crew with a heritage in German impressionist cinema of the 1930s. Highly recommended! Great Science Fiction! Probably the only Fifties SF film besides ON THE BEACH (1959) to show the nuclear radiation problem realistically; especially chilling is the scene on board an airliner where the nuclear scientist who had a hand in creating the monster (Leonard Mudie) is dying of nuclear radiation and his gums are bleeding while he holds onto a briefcase in his lap containing the radioactive isotope. Rushed to a hospital after the plane lands, he dies in isolation. And a formidable, unknown, unseen monster! Badly dated now, but an effective, well-written thriller featuring the TV star of I LED THREE LIVES and the movie star of IT CAME FROM OUTER SPACE and CREATURE FROM THE BLACK LAGOON, Richard Carlson gives another fine performance.

Two agents from the Office of Scientific Investigation are sent to investigate high levels of radiation and magnetism centered above a hardware store. They discover that a scientist, who has since fled with the element, has invented a new highly dangerous radioactive element that is able to "grow". If the element is not found and destroyed or contained, it could continue to grow until it sends the Earth off its orbit. The OSI men must locate the element and then find a way to destroy before its to late.

THE MAGNETIC MONSTER is one of the best low budget films from the 1950's. The story is intelligent and the science at least seems authentic. Ivan Tors deserves praise for trying to make a serious, realistic science fiction film. This is probably his best. His other science fiction films and T.V. series "Science Fiction Theater" also aimed for this kind of realism, but they were often to talky and slow moving. This film moves at the right pace and builds up to an excellent climax.

A few stray facts: Most of the special effects at the end were taken from the 1935 German science fiction film GOLD. This explains the outdated overcoat and fedora that Carlson wears at the the climax, to match the one worn by the German actor in the older film. Also Ivan Tors is said to have aped this films structure from the "Dragnet" TV series. The fictitious government agency The Office of Scientific Investigation turned up in Tors GOG (1954) and some episodes of "Science Fiction Theater."

Our heroes in this yarn work for the O.S.I. That's the Office of Scientific Investigation. And their latest case is pretty staggering: looking into the incident of magnetized items in a hardware store, they discover something unexpected upstairs. It's a laboratory, in which a mad scientist, Dr. Denker (Leonard Mudie), had developed a radioactive element. Of course, now this element is unstable and could cause problems for many Americans if guys like Jeffrey Stewart (Richard Carlson) and his associate Dan Forbes (King Donovan) don't do something about it.

"The Magnetic Monster" won't be to everyones' taste. This is due to depending more on talk than action for its impact, and relatively little spectacle. (Even a key explosion is only mentioned rather than shown.) It IS pretty intelligent, offering a scenario (concocted by producer Ivan Tors and director Curt Siodmak) with an unusual and interesting "monster". The screenplay does offer convincing dialogue centered around science fact more than fantastical science fiction. Siodmak directs in a matter of fact, no nonsense style that helps to sell the realism of the story. There are some scenes of domestic bliss with Stewart and his pregnant wife Connie (Jean Byron) that do interrupt the flow of things, but there aren't an excessive amount of them. The big action climax actually consists of stock footage lifted from a 1930s German sci-fi feature titled "Gold".

There's a fair amount of recognizable actors in this earnest and rock solid cast. Good work by Carlson and Donovan is supplemented by fine performances by people like Harry Ellerbe, Leo Britt, Byron Foulger, Roy Engel, Frank Gerstle, William 'Billy' Benedict, Kathleen Freeman, and Strother Martin.

Fairly enjoyable overall. Tors' O.S.I. trilogy also consists of "Riders to the Star" and "Gog".

Six out of 10.

An interesting but rather odd and contrived story. Yes it's nice to see a serious attempt at authentic science. But it really fails rather badly at that -- even though it has the aura of authenticity.

Why did the writers of the movie feel it was necessary to go to Canada? Did audiences of the time accept the oddly dressed workers as Canadians? They were, of course, Germans acting in a movie from 1934.

As I write this in 2018, I wonder if other new viewers had the same thought as me -- they are going 1700 feet underground along the coast of Nova Scotia? My God -- it's Oak Island!!

The Magnetic Monster is an earnest, but essentially below average science fiction film from the paranoid Fifties. In fact it's not a living creature at all.

It is in fact a new atomic element, we started getting a few them as a result of the Manhattan Project back in the day. And here was the problem I had with the film. What kind of a nuclear scientist walks off with a piece of some radioactive stuff with apparently no security precautions. Yet this is what we're asked to believe that Leonard Mudie went and did. They locate him on a flight with a leadlined briefcase with the stuff.

What to do with it? In sober documentary fashion scientists Richard Carlson and King Donovan try to stop this thing from growing. When it's on a feeding cycle it feasts on all things metallic, magnetizing them in the process. Carlson has an additional problem, wife Jean Byron is expecting and the world may get destroyed before Carlson and Byron contribute to the population.

It's a sincere film and the idea of a monster that's not animal or vegetable, but radioactive mineral is appealing to science fiction intellect. But I could not wrap myself around the concept of Leonard Mudie just walking off with the stuff to do some homework with.

MM suffers from the same problems as a good many scifi films from its era. It is filmed in a documentary style, which also characterized some of the lesser film noir of the same time period. Exposition is handled mainly through very boring voice-over narration. In this way, instead of conveying information through interesting character interactions or suspenseful plot reveals (The Thing from Another World provides perfect examples e of how it should be done), we have to listen to the protagonist drone on and on in sci-babble through his voice-overs.

In addition, the movie makes liberal use of Air Force stock footage leading up to the climax. The climax itself consists largely of re-used footage from what I believe is the 1935 scifi movie, Trans-Atlantic Tunnel (worth a look, BTW).

All of the above alludes to the main problem with MM: a bland, uninteresting script which never draws the viewer in after the fashion of better scifi movies from that decade. It's just not on par with the best the 50s had to offer by way of American scifi flicks, like Them, Invasion of the Body Snatchers, The Thing, The Monolith Monsters, Forbidden Planet, It Came from Outer Space, and others. Most of these movies make a sincere attempt to present entertaining dialogue, and those with less complex scripts still create suspense through competent pacing and editing. Some of them, such as Them and The Thing, inject some humor into the script, thus investing the movie with another level of entertainment, while also fleshing out the characters a bit more. MM possesses none of these attributes, which is somewhat surprising, given Curt Siodmak's involvement with the film. He was both a competent writer and a reasonably talented director (perhaps not coincidentally, he conceived the story for Trans-Atlantic Tunnel).

Magnetic Monster is worth a look if you are a connoisseur of 50s American scifi; but I suggest you go in with low expectations.

The Magnetic Monster (1953) is an intelligent & well-paced film that contains plausible-sounding science and which builds up to an excellent climax.

The films allows us to consider at what point does science cross over into areas where some people believe it should not and cannot cross.

In the area of science, there is a certain unease of the times being reflected in the film. After all, it was scientific research that produced an element that even in the initial stages resulted in the production of radiation that was "strong enough to kill us or wipe out a few city blocks." Whether done independently or not, science had created something new that "turned out to be unstable," that was "monstrous" and capable of "reaching out with invisible fingers" to kill!

The unease of the times is further highlighted by the fact that the element created by Dr. Denker appears to be as Forbes exclaims, "a live thing!" Instead of the usual monsters from space, the ocean depths or from under the ice, we have an impersonal, apparently indestructible and unseen monster.

this film will appeal to the sci-fi buff that enjoys the type of movies with scientific and electronic equipment and the hunt for a radioactive isotope on the loose. well produced, well acted and good script! AND a good ending.

Most science fiction from the 1950s are very artistic, well directed, and entertaining.

This one flails a bit more, but it does so in an effort to be low key. They don't look to use a big budget for effects, but still manage to show their story reasonably well.

The story is the problem here, however. It never really is clear just what the scientists are talking about. They seem to want to make some very deep philosophical point, but that is where the flailing comes in. Each time they begin to try to explain what the microscopic magnetic atomic monster is doing, they digress into a confusing ideology that no one understands.

The idea of the microscopic monster, the unseen force left to the imagination, works well enough. The characters do, too. It just fails on the story level enough to make merely a mediocre film, not nearly as good as most monster films from the fifties.