In George Cukor's remake, fading matinee idol Norman Maine helps young singer and actress Esther Blodgett find fame, even as age and alcoholism send his own career on a downward spiral.In George Cukor's remake, fading matinee idol Norman Maine helps young singer and actress Esther Blodgett find fame, even as age and alcoholism send his own career on a downward spiral.In George Cukor's remake, fading matinee idol Norman Maine helps young singer and actress Esther Blodgett find fame, even as age and alcoholism send his own career on a downward spiral.
- Nominated for 6 Oscars
- 7 wins & 13 nominations total
Tommy Noonan
- Danny McGuire
- (as Tom Noonan)
John Alban
- Academy Awards Attendee
- (uncredited)
Laurindo Almeida
- Guitarist
- (uncredited)
Leon Alton
- Usher
- (uncredited)
Rudolph Anders
- Mr. Ettinger
- (uncredited)
David Armstrong
- Soundman
- (uncredited)
Phil Arnold
- Agent #3
- (uncredited)
Nadine Ashdown
- Esther - Age 6
- (uncredited)
Gertrude Astor
- Racetrack Spectator
- (uncredited)
Storyline
Did you know
- TriviaGeorge Cukor offered Marlon Brando the role of Norman Maine on the set of Julius Caesar (1953). "Why would you come to me?" asked Brando. "I'm in the prime of my life... If you're looking around for some actor to play an alcoholic has-been, he's sitting right over there"- pointing at his costar James Mason, who got the part.
- GoofsAfter Vicki comes home and she performs in her house for Norman, the doorbell rings and he goes to the door to accept a package for Vicki. His hair is all mussed-up when he goes to the door, but after he closes it and the camera goes back to him, there isn't a hair out of place. Then he walks over to where Vicki is and his hair is all mussed-up again.
- Quotes
[last lines]
Vicki Lester: Hello, everybody. This is Mrs. Norman Maine.
- Alternate versionsContrary to popular belief, the film was not originally at 181 minutes, but rather 196 (3hrs. and 16mins.) at a post-premiere shown on August 8, 1954 in Huntington Park, California. After its second post-premiere - the very next day - two scenes of 15 minutes total were deleted; making the film run its original world debut length at 181 minutes. One was a number called "When My Sugar Walks Down the Street" that came after Judy's take of "I'll Get By" in the 'Born in the Trunk' sequence, the other was a scene where Garland and James Mason's characters (Vicki and Norman) were picnicking on the beach; production stills and promotional advertisements are the only thing left in existence of the footage. After its world premiere on September 29, 1954, 27 minutes was cut, bringing it down to a mediocre 154 time length. Those scenes were:
- 1) Esther quitting the band
- 2) The Trinidad Coconut Oil Shampoo
- 3) Esther working at a drive-in
- 4) Norman being driven away drunk in his car
- 5) Norman inquiring Esther's old landlady
- 6) Spotting Esther on the TV commercial
- 7) Tracking down Esther at her new boarding residence
- 8) Driving down the strip - Esther getting sick
- 9) "Here's What I'm Here For" musical number - Norman proposes
- 10) "Lose That Long Face" musical number - Vicki breaks down
- ConnectionsFeatured in Film Night: Film Night Special: Forty Years in Hollywood (1970)
- SoundtracksGotta Have Me Go with You
(uncredited)
Music by Harold Arlen
Lyrics by Ira Gershwin
Performed by Judy Garland with Jack Harmon & Don McKay
Featured review
On a brief getaway this past weekend, the hotel where I was staying had TCM (Turner Classic Movies) on its cable roster and, lo! and behold, there was Judy singing and acting her heart out in letterbox and stereo sound. TCM...you're the best!
It was the restored version, thank the good Lord, with that sad reminder of Warner Brothers' pathetic timidity in trashing Cukor's original cut, but recalling for us his masterful use of the widescreen ratio. (A "formatted" version would be simply unwatchable, what with numerous scenes played by actors perched on the outer reaches of the screen, opposite each other.)
James Mason turns in an absolutely brilliant performance, especially when one recalls the rigors of production, with filming going months over schedule, due to Judy's unhappy vicissitudes (so evident in her appearance even within the same scene!) With the very able support of Charles Bickford, as the most benign studio head ever, and Jack Carson proving why Warners kept him employed so often for so many years.
Plus musical direction taking fabulous advantage of Warners' studio orchestra (and WB's sound technicians who were, for several decades running, the envy of all the other major studios), and arrangements that must have overwhelmed first-run audiences with their incredible richness.
It's a must-see, all right, and is in a class by itself, among the several screen versions of this beloved Hollywood saga.
It was the restored version, thank the good Lord, with that sad reminder of Warner Brothers' pathetic timidity in trashing Cukor's original cut, but recalling for us his masterful use of the widescreen ratio. (A "formatted" version would be simply unwatchable, what with numerous scenes played by actors perched on the outer reaches of the screen, opposite each other.)
James Mason turns in an absolutely brilliant performance, especially when one recalls the rigors of production, with filming going months over schedule, due to Judy's unhappy vicissitudes (so evident in her appearance even within the same scene!) With the very able support of Charles Bickford, as the most benign studio head ever, and Jack Carson proving why Warners kept him employed so often for so many years.
Plus musical direction taking fabulous advantage of Warners' studio orchestra (and WB's sound technicians who were, for several decades running, the envy of all the other major studios), and arrangements that must have overwhelmed first-run audiences with their incredible richness.
It's a must-see, all right, and is in a class by itself, among the several screen versions of this beloved Hollywood saga.
- gregcouture
- Aug 22, 2003
- Permalink
Details
- Release date
- Country of origin
- Language
- Also known as
- Zvezda je rodjena
- Filming locations
- Church of the Good Shepherd - 505 North Bedford Drive, Beverly Hills, California, USA(Norman Maine's funeral)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $5,019,770 (estimated)
- Gross US & Canada
- $4,335,968
- Gross worldwide
- $4,349,352
- Runtime2 hours 34 minutes
- Aspect ratio
- 2.55 : 1
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