The Americano

AMAZON but not really,the river scene...no...piranha.no man a geography mess..The sad thing is they come to our contry to film this thing ,they shot in cool location but for them to sell they have to put the label AMAZON..JUNGLE ...sad man.they shoot in MATO GROSSO nice place i like that but AMAZON ..stereotypes only and the language PORTUNHOL a mix between portuguese and spanish man stereotype ONLY but i already went to wacth knowing that would happen because...AMERICANS..and..GEOGRAPHY dont go together but its not good and itsnot bad i DIG it had fun nothing compromising long that gets boring..NOT BAD!!!

Watchable and standard Western set in flashy Brazil about classic confrontation between cattlemen and homesteaders . There are wonderful , showy outdoors shot on spectacular territory and it displays action , shootouts , violence and though sometimes is slow-moving , isn't tiring neither dreary , sustaining the interest for quite a while . It deals with an American who takes a small herd of Brahma bulls and undertakes the long drives began from Texas to Brazil where he has sold them for a small fortune that is subsequently robbed . Later on , the American working on a ranch in the Amazon comes up against a gang of Brazilian bandits (Cesar Romero) . The American named Sam Dent fights to stifle the conflicts between homesteaders (led by Ursula Thies) and cattleman (Frank Lovejoy) who hires gunfighters . Texas cowboy become involved with a group of bad guys versus Brazilian good guys in this way-south-of-the-border Western . Meanwhile , he is hired for a time to keep the peace and develops a love story with the wealthy owner. But the Amazon becomes notorious for its lawlessness .

The picture gets action Western , shootouts , a love story , musical numbers (in charge of a gorgeous Abbe Lane) and is quite entertaining . A formula film featuring the standard grand opening , an enjoyable change of scenery , dramatic problem-posing center and slang-bang climax , but a nice entertaining Western nonetheless . It's a medium budget film with good actors , technicians, cheap production values and pleasing results . Bright scenarios shot in Brazil and Riverside, California , though there are excessive stock-shots. The main asset results to be the change of scenery , but a familiar theme : homesteaders against cattlemen make this movie all but a little bit pedestrian . Acceptable acting by Glenn Ford as a Texas cowboy gets embroiled with bad guys and finds himself in the middle of a range war . Commendable support cast as Frank Lovejoy , Cesar Romero , Rodolfo Hoyos and the gorgeous Abbe Lane , though Sara Montiel was originally cast for the role of Teresa and filmed some sequences in the Matto Grosso jungle . Atmospheric musical score by Roy Webb , including agreeable songs ; being danced and sung by Abbe Lane and composed and conducted by her husband Xavier Cugat .

This low-budgeted motion picture was professionally directed by William Castle . He was an expert craftsman with some of the all-time great schlock names serving as the producer Sam Katzman and fondness for gimmicks as proved in his successful terror films such as House of haunted hill , The Tingler , Mr Sardonicus , Strait-jacked , Homicidal , Macabre and 13 Ghosts . Castle emulated Alfred Hitchcock , this included the practice of appearing in the trailers, and even making cameo appearances in his films . Furthermore , he made several Western such as 1955 Duel on the Mississippi , 1955 The Gun That Won the West ,1955 El Americano , 1954 Masterson of Kansas , 1954 The Law vs. Billy the Kid , 1954 Jesse James vs. the Daltons , 1954 Battle of Rogue River , 1953 Fort Ti , 1951 cave of outlaws. Rating : 6. Acceptable and passable

The main problem with The Americano I feel is it's a film that should never have been undertaken by a studio that was on its way out. Yet RKO was in fact lucky enough to get this thing done and released at all. At least one member of the original cast, Sarita Montiel, never finished it and her scenes had to be reshot with Abbe Lane.

The Americano is a story about a Texas cattle breeder who has bred three prize Brahma bulls and is selling them to a rancher in Brazil. Glenn Ford as the rancher hopes that the money will help him and his brother get started on a new place of their own. He's accompanying the bulls to Brazil and is expecting to get $2500.00 for them.

Of course when he gets there his potential buyer is dead and Ford is soon involved in a local range war, something you've seen in a gazillion American westerns. The dead man's partner, Frank Lovejoy is himself the he bull of the valley trying to push out the other smaller ranchers and farmers like Ursula Thiess.

It was an ambitious undertaking that RKO did, a studio that was on its last legs since Howard Hughes sold it and didn't want it for a plaything any more. The location shooting in Brazil is the best thing about The Americano. A studio like MGM or Paramount should have done this film, with a better story. As it was the film shut down and then was completed stateside in California because it ran out of money. Ford walks through the film looking like a man who was worried his salary check wouldn't clear.

Cesar Romero has an interesting if undefined role as a local bandit who winds up helping the local police. As for Lovejoy there is an interesting gay subtext to his role. He tries to get Ford to stay in Brazil and partner with him, but Ford says he has to get back to Texas and his family. Then Lovejoy pays him and then sets up a robbery where one of his own men is killed so Ford has to return. Now just why was he craving Ford's company so much?

Ford's got eyes for Ursula Thiess though and when he's forced to choose a side, his duty is clear. That upsets Lovejoy even more.

The panorama of the Amazon forest deserved a film of the epic sweep of Gone With The Wind or even Duel In The Sun. What it got was a warmed over range war plot that could have come from a Roy Rogers film.

What an interesting story, this western made in Brazil. As also was Hugo Fregoonese's SAVAGE PAMPAS, made ten years later in Argentina. During those golden years for western, it was very rare that those films were not made in the USA, Mexico, Spain or Italy...The story however brings nothig really new, besides those new settings for an American western. Good pace, solid acting, convincing directing elements; only the story is not flawless. Frank Lovejoy is excellent in this film; I don't remember he made other films with Glenn Ford, besides this one. William Castle will abandon this kind of films a few years later for his famous horror gimmick films cycle. His best part.

The Americano (1955)

** 1/2 (out of 4)

William Castle's Western is pretty familiar on many grounds but it's also a lot different on others, which makes it worth checking out. American Sam Dent (Glenn Ford) heads to Brazil to sell his cattle so that he and his brother can live better but once there he gets in the middle of a land owner (Frank Lovejoy) and a "bandit" (Cesar Romero) who are battling each other. THE AMERICANO, story wise, really doesn't offer us anything we haven't seen countless times before so if you're looking for something original then you're certainly not going to find it here. Based on story alone this film would be worth skipping but what makes it so entertaining and worth watching are the locations. The Brazilian jungle really makes for an interesting setting and I must admit that it was a lot of fun seeing some routine Western scenes "updated" for the location. How many times have we seen a scene where the cowboy must take the cattle across some water? Well, in the scene here the problem is that there are crocodiles and piranhas in the water. How many times have we seen the cowboy beat or threaten a bad guy into telling the truth about something? Well, in this film those same piranhas are used to get him to talk. I really enjoyed seeing these familiar scenes updated to the setting and throw in the Technicolor and this really makes the film worth seeing. It also features some good performances with Ford leading the way playing a good guy like only he can. Lovejoy was extremely entertaining and steals every scene he's in and Romero is also very good in his role. Castle's direction isn't anything ground-breaking but he does a good job piecing everything together and keeping the film flowing at a nice pace.