Ready to catch a train to his hometown, a washed-up boxer tells us about the strange and twisty events that happened to him the past couple of days.Ready to catch a train to his hometown, a washed-up boxer tells us about the strange and twisty events that happened to him the past couple of days.Ready to catch a train to his hometown, a washed-up boxer tells us about the strange and twisty events that happened to him the past couple of days.
- Awards
- 1 win
Jerry Jarrett
- Albert
- (as Jerry Jarret)
Jack Curtis
- TV announcer
- (voice)
- (uncredited)
Peggy Lobbin
- Gloria Price
- (voice)
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaWorking with practically no budget and largely without on-location filming permits, Stanley Kubrick had to remain unnoticed while shooting in the nation's busiest city, using hand-held cameras and sometimes secretly shooting from a nearby vehicle.
- GoofsPennsylvania Station was electrified, all trains entering and leaving would not be pulled by steam engines. The sounds of steam engines chugging about during the station sequence are a goof. Pennsylvania Railroad trains had GG1 electric locomotives.
- Quotes
Vincent Rapallo: Like the man said, "Can happiness buy money?"
Gloria Price: Well, you're a comedian, too.
- ConnectionsFeatured in Stanley Kubrick: A Life in Pictures (2001)
- SoundtracksLove Theme from the Song Once
Written by Norman Gimbel and Arden E. Clar (as Arden Clar)
Featured review
At an age when most wannabe filmmakers are still 'in training' Stanley Kubrick was producing full length feature masterpieces.
I'm still shocked at how many fans of Kubrick's later work do not appreciate Killer's Kiss. While the basic plot of the movie is nothing special and decidely more 'Hollywood' than Kubrick's later works there are more signs of his trademark style in this film than I feel there were in The Killing or Paths of Glory.
Kubrick's own cinematography in particular blew me away. The use of depth, light and shadow and of his trademark moving camera show us more skill and thought than directors with dozens of films and much better scripts under their belt. And Kubrick's trademark use of his camera to observe silently, capturing the true spirit of his characters when they are alone (no music, no dialogue) is seen over and over in the apartment. If Kubrick's direction could turn a story like this into such a masterful cinematic experience I shudder at what he would of done with this film had he made 10 or 20 years later.
If you love the unique cinematic idiosynchracies of Kubrick's later work then you MUST SEE KILLER'S KISS!
I'm still shocked at how many fans of Kubrick's later work do not appreciate Killer's Kiss. While the basic plot of the movie is nothing special and decidely more 'Hollywood' than Kubrick's later works there are more signs of his trademark style in this film than I feel there were in The Killing or Paths of Glory.
Kubrick's own cinematography in particular blew me away. The use of depth, light and shadow and of his trademark moving camera show us more skill and thought than directors with dozens of films and much better scripts under their belt. And Kubrick's trademark use of his camera to observe silently, capturing the true spirit of his characters when they are alone (no music, no dialogue) is seen over and over in the apartment. If Kubrick's direction could turn a story like this into such a masterful cinematic experience I shudder at what he would of done with this film had he made 10 or 20 years later.
If you love the unique cinematic idiosynchracies of Kubrick's later work then you MUST SEE KILLER'S KISS!
- Look Closer
- Feb 12, 2002
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Details
- Release date
- Country of origin
- Language
- Also known as
- Kiss Me, Kill Me
- Filming locations
- 3156 Perry Avenue, Bronx, New York City, New York, USA(Davey and Gloria's Apartment Building)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $75,000 (estimated)
- Gross worldwide
- $1,330
- Runtime1 hour 7 minutes
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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