During the 1950s, a Los Angeles psychiatrist uses hypnosis to treat a 25-year-old woman who's suffering from multiple personality disorder.During the 1950s, a Los Angeles psychiatrist uses hypnosis to treat a 25-year-old woman who's suffering from multiple personality disorder.During the 1950s, a Los Angeles psychiatrist uses hypnosis to treat a 25-year-old woman who's suffering from multiple personality disorder.
Fred Aldrich
- Bar Patron
- (uncredited)
Jan Englund
- Helen Jameson
- (uncredited)
Pat Goldin
- Man in Bar
- (uncredited)
Karen Green
- Elizabeth (age 9)
- (uncredited)
Ken Lynch
- Man at Bar
- (uncredited)
Michael Mark
- Bartender
- (uncredited)
Dick Paxton
- Waiter
- (uncredited)
Carl Sklover
- Bar Patron
- (uncredited)
Gene Walker
- Guard
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaShirley Jackson was not impressed with this filmed adaptation of her novel "The Bird's Nest". Her assessment: "Abbott and Costello meet a multiple personality." (From Ruth Franklin's 2016 biography "Shirley Jackson: A Rather Haunted Life".)
- GoofsIn Johnny Mathis' first scene at the bar, the position of the microphone head and the drink near it on the piano keep changing positions between shots.
- Quotes
[last lines]
Elizabeth Richmond: [from the top of the stairs as the doctor is at the front door ready to leave] Dr. Wright... Good night, and thank you.
Dr. Neal Wright: [just before exiting the front door] Good night... and, happy birthday.
- SoundtracksIt's Not for Me to Say
Music by Robert Allen
Lyrics by Al Stillman (as Albert Stillman)
Performed by Johnny Mathis (uncredited)
[The bar singer performs the song when Johnny is sitting at the piano and Lizzie telephones the bar looking for him]
Featured review
Shirley Jackson's "The Bird's Nest" has always been one of my favorite novels, so I was excited to find that it had been made into a movie (albeit one that's nearly impossible to find) 'way back when. The film's black-and-white 1950s graininess perfectly evokes its era, as do the starchy clothes and rigid hair of the characters, and the dreadful, over-the-top "score" of shrieking, dissonant violins. The beginning of the movie promised an experience so terrible that I was tempted to hold off watching it till I could gather some of my snarkier friends, but it was already too late -- I'd been sucked in and was having too much fun to quit. As the movie goes on, it gets much better, yet it remains enjoyable, every now and again flinging itself headlong into vertiginous swoops of insane bathos. All in all, I found it perfectly delightful, and can only summarize it by plagiarizing Mae West: When it's good, it's very good, and when it's bad, it's better.
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Details
- Release date
- Country of origin
- Language
- Also known as
- Hidden Faces
- Filming locations
- Natural History Museum of Los Angeles County - 900 Exposition Boulevard, Exposition Park, Los Angeles, California, USA(Elizabeth, Ruth and Johnny work there)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $361,000 (estimated)
- Runtime1 hour 21 minutes
- Color
- Aspect ratio
- 1.37 : 1
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