IMDb RATING
5.5/10
1.6K
YOUR RATING
When a master monster make-up artist is sacked by the new bosses of American International studios, he uses his creations to exact revenge.When a master monster make-up artist is sacked by the new bosses of American International studios, he uses his creations to exact revenge.When a master monster make-up artist is sacked by the new bosses of American International studios, he uses his creations to exact revenge.
Rodd Dana
- Lab Technician
- (as Rod Dana)
Jaclyn Hellman
- Jane
- (as Jacqueline Ebeier)
Thomas Browne Henry
- Martin Brace
- (as Thomas B. Henry)
Paulene Myers
- Millie
- (as Pauline Myers)
Storyline
Did you know
- TriviaThis film was advertised with the tagline "See the Ghastly Ghouls... IN FLAMING COLOR!" However, most of it was in black and white with only the final two reels in color.
- GoofsThe visitors to the studio are told they are about to visit the set of Horrors of the Black Museum (1959). That film, which was also produced and written by Herman Cohen, was actually filmed in England, not in the U.S.
- Quotes
Jeffrey Clayton: [Surprised that Pete has declined severance pay] Turn down money? Maybe you've been living too long with these monsters!
Pete Dumond: Sometimes I find them better company than humans.
- ConnectionsFeatured in Aweful Movies with Deadly Earnest: How to Make a Monster (1970)
Featured review
Monster makeup man Pete Dumond (Robert H. Harris) is told the studio is closing down his shop because they've decided to stop making horror films. He vows revenge. The final film he's on has a teenage werewolf (Gary Clarke--not Michael Landon) and a teenage Frankenstein (Gary Conway reprising his role from the original). He puts a drug in their makeup that make them obey him and orders them to kill the studio heads.
Pretty much forgotten horror movie--for good reason! The plot is sort of interesting but it's basically a 30 minute plot stretched out to 74 minutes! A lot of talk but little action. There's also a pointless (and pretty funny) musical number by John Ashley squeezed in (purportedly he had some hits in the 1950s).
Some of the acting is good. Harris is enjoying himself and Clarke has some good moments. Conway however seems uncomfortable. The best part of this movie is the final 11 minutes--they're done in color (the rest of the film is in b&w). We get to see a good bunch of AIP monster masks, some blood, and Harris, Clarke and Conway in full color. Fans of AIP monster movies will get more of a kick out of this than anyone else. For the color ending alone I give this a 7.
Be aware--most TV prints have the whole film in b&w--the DVD has the color.
Pretty much forgotten horror movie--for good reason! The plot is sort of interesting but it's basically a 30 minute plot stretched out to 74 minutes! A lot of talk but little action. There's also a pointless (and pretty funny) musical number by John Ashley squeezed in (purportedly he had some hits in the 1950s).
Some of the acting is good. Harris is enjoying himself and Clarke has some good moments. Conway however seems uncomfortable. The best part of this movie is the final 11 minutes--they're done in color (the rest of the film is in b&w). We get to see a good bunch of AIP monster masks, some blood, and Harris, Clarke and Conway in full color. Fans of AIP monster movies will get more of a kick out of this than anyone else. For the color ending alone I give this a 7.
Be aware--most TV prints have the whole film in b&w--the DVD has the color.
- How long is How to Make a Monster?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Der Satan mit den 1000 Masken
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 13 minutes
- Color
- Aspect ratio
- 1.66 : 1
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