Directly steals story points, footage, and sound from 1950's King Solomon's Mines.
The musical score for this film, by noted jazz musician Shorty Rogers, often bears no relation to what is seen on screen, and gives the impression someone has brought a wind-up phonograph on the safari and is merely playing a random jazz recording from their personal collection.
As with most Tarzan movies, it is never explained how characters maintain perfectly quaffed hair and clean-shaven faces in the midst of a jungle that is labeled "uncharted territory" on a map as the film begins.
This film's budget was so minuscule that, when footage from previous M-G-M Tarzan titles is used, there is almost no effort made to disguise that the earlier footage is black-and-white and this film was made in color.
The giant pagan horned statue was first seen in the biblical epic 'The Prodigal' (1955).
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