The Young One
- 1960
- 1h 36m
A jazz musician seeks refuge from a lynch mob on a remote island, where he meets a hostile game warden and the young object of his attentions.A jazz musician seeks refuge from a lynch mob on a remote island, where he meets a hostile game warden and the young object of his attentions.A jazz musician seeks refuge from a lynch mob on a remote island, where he meets a hostile game warden and the young object of his attentions.
- Awards
- 1 win & 1 nomination
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaIncluded among the "1001 Movies You Must See Before You Die", edited by Steven Schneider.
- Quotes
Jackson: Go ahead. Say something, say something fresh.
Traver: It's easy to insult a man when you got him hog-tied.
Jackson: You intimatin' I'm a coward 'cause I got you tied up here? Well that ain't it. Believe it, don't believe it, makes no difference. I seen my death half dozen times. And I never yet been scared and that's the truth. You see it's... just like you got a alligator, you tie him up. A lot of soft-hearted people try to-- try to make out a nigger's a man. I just don't believe it. I don't believe you are; God left somethin' out of you, a soul or somethin'. Trying to prove he's a man is what gets a nigger into trouble. Was you a man, I'd be mad at you, but I ain't really. Hell, I'm sorry for you, and that's the truth.
- ConnectionsReferenced in Cinéastes de notre temps: Luis Buñuel: Un cinéaste de notre temps (1964)
**** (out of 4)
An innocent black man (Bernie Hamilton) is accused of rape by a white woman so he runs off into the swamps of Louisiana. Once there he meets a young (11-13 year oldish) white girl (Key Meersman) and her racist guardian (Zachary Scott) who is also having sex with her. I've seen quite a few Luis Bunuel films now and earlier I said I wished he would do a normal film and tell a normal story without all the dreams and surreal aspects. Well, this is a film like that and I must say it's subject matter is still quite graphic and hard to watch even forty-six years after being released. I have a hard time imagining this thing got released in America due to its sexual and racist nature but apparently it did as the IMDb lists an American title for the film. It's also worth noting that this pre-dates To Kill a Mockingbird but this film here goes a lot further than that film even dreamed. The "N" word is constantly thrown around and unlike the blaxploitation films that would follow a decade later or the earlier Sidney Poitier films, that word has never had a more damaging saying than what's on display here. I'm not exactly sure what the director felt about race but every time that word is said it's used in such a graphic and evil way that you can't help but want to wash your ears out. Race is an issue throughout the film but thankfully Bunuel never lets his message get preachy. He lets the viewer see the hypocrisy and that's enough. The sexual aspect is also quite shocking since there are a couple love scenes between the older guardian and the younger girl. Bunuel also doesn't shy away from showing the girl taking a shower, showing shots of her legs and even a shot of her breasts. No nudity is used and in some ways this makes it seem all the more dirty because of the innocence lost. The performances are all remarkable and even in their most evil ways, the actors make you care for them. Scott steals the film as the racist redneck who's also having sex with the young girl. Just watch the actors eyes and you'll see him thinking, which is something a lot of actors don't do. The thinking of whether or not he should kill the black man and if it's right for him to be sleeping with this girl. The three actors are always looking at one another and you can see that they are thinking about their actions and what could follow. I was rather shocked to see this film get a * 1/2 in Leonard Maltin's movie guide but I guess this film would be rather hard to watch for most people. It doesn't shy away from its subject matter and Bunuel hits the viewer with punches from all sides. The film shows evil and bad people but he also shows the good in such people so it's rather refreshing to see a film that deals with race and isn't one sided towards any point of view.
- Michael_Elliott
- Mar 6, 2008
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Details
Box office
- Gross worldwide
- $1,463
- Runtime1 hour 36 minutes
- Color