In this Western, Alan Ladd exacts revenge on a small town the best way he knows how -- by becoming sheriff.In this Western, Alan Ladd exacts revenge on a small town the best way he knows how -- by becoming sheriff.In this Western, Alan Ladd exacts revenge on a small town the best way he knows how -- by becoming sheriff.
Photos
Stanley Adams
- Pete
- (uncredited)
Robert Adler
- Sim
- (uncredited)
Fred Aldrich
- Barfly
- (uncredited)
Emile Avery
- Townsman
- (uncredited)
Walter Bacon
- Barfly
- (uncredited)
Eumenio Blanco
- Townsman
- (uncredited)
Oscar Blank
- Barfly
- (uncredited)
Nick Borgani
- Cantina Barfly
- (uncredited)
Bill Borzage
- Cantina Barfly
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaDan talks about using a crayon to draw on walls; crayons weren't invented until1903.
- GoofsWomen did wear pants in this era out of necessity, but these pants were not anything like those worn by Julie Reynolds Dolores Michaels. The pants would not have tailored to be form fitting and probably would have been denim blue or brown. Similarly her shirts would not have been form fitting.
- Quotes
Dr. Seltzer: All the way from Atlanta, she said. They were burned out in the war. The two of them - shoulda been three - wanted to start a new life. They came all the way west... here... to us, my hospitable friends. That's a long way to come just to lay down and die.
- ConnectionsFeatured in Best in Action: 1960 (2018)
- SoundtracksLittle Brown Jug
Written by Joseph Winner
Played on a harmonica in town when Mitch and Julie return; also heard in the Royce City Saloon
Featured review
One Foot in Hell is directed by James B. Clark and written by Aaron Spelling and Sydney Boehm. It stars Alan Ladd, Don Murray, Dan O'Herlihy, Dolores Michaels, Barry Coe and Larry Gates. A CinemaScope/De Luxe Color production with music by Dominic Frontiere and cinematography by William C. Mellor.
Incensed by the circumstances which led to the death of his wife and unborn child, Mitch Barrett (Ladd) plots revenge against the whole town of Blue Springs.
Alan Ladd's last Western doesn't find him in the best of shape or on the best of form, but it's a most interesting and entertaining picture regardless. In a veer from the norm, Ladd is playing a man gone bad, fuelled by hatred and thirsting for revenge, Mitch Barrett assembles a small group of strays and ruffians and sets his plans in motion. He wins the trust of the town and operates behind the facade of the law. Along the way he is extremely callous, the value of life means nothing to him now, while inner fighting and romance destabilises the group until the big denouement arrives.
The pace sometimes sags and there's a distinct rushed feel about the final quarter (one main character annoyingly dies off screen?!), yet there's still a lot to like here. The CinemaScope production is nice to look at, there's some very good scenes such as those involving cattle and liquid fire, while the all round nasty edge to the plotting and characterisations (Julie Reynolds' back story is a shocker) keeps it from being run of the mill. It's not the big Western send off that Ladd fans would have wanted, however it's still a recommended Western to like minded genre fans. 7/10
Incensed by the circumstances which led to the death of his wife and unborn child, Mitch Barrett (Ladd) plots revenge against the whole town of Blue Springs.
Alan Ladd's last Western doesn't find him in the best of shape or on the best of form, but it's a most interesting and entertaining picture regardless. In a veer from the norm, Ladd is playing a man gone bad, fuelled by hatred and thirsting for revenge, Mitch Barrett assembles a small group of strays and ruffians and sets his plans in motion. He wins the trust of the town and operates behind the facade of the law. Along the way he is extremely callous, the value of life means nothing to him now, while inner fighting and romance destabilises the group until the big denouement arrives.
The pace sometimes sags and there's a distinct rushed feel about the final quarter (one main character annoyingly dies off screen?!), yet there's still a lot to like here. The CinemaScope production is nice to look at, there's some very good scenes such as those involving cattle and liquid fire, while the all round nasty edge to the plotting and characterisations (Julie Reynolds' back story is a shocker) keeps it from being run of the mill. It's not the big Western send off that Ladd fans would have wanted, however it's still a recommended Western to like minded genre fans. 7/10
- hitchcockthelegend
- Jul 25, 2013
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Details
Box office
- Budget
- $1,090,000 (estimated)
- Runtime1 hour 30 minutes
- Color
- Aspect ratio
- 2.35 : 1
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