During the 1956 Hungarian uprising, an American mercenary is hired to smuggle a Hungarian resistance leader out of Soviet-occupied Budapest.During the 1956 Hungarian uprising, an American mercenary is hired to smuggle a Hungarian resistance leader out of Soviet-occupied Budapest.During the 1956 Hungarian uprising, an American mercenary is hired to smuggle a Hungarian resistance leader out of Soviet-occupied Budapest.
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- (as Georg Köváry)
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Storyline
Did you know
- TriviaRichard Widmark's wife, Jean Hazlewood, wrote the screenplay. It was her only screenwriting credit.
- GoofsAlthough the film is set in 1956 Hungary. The opening title of the movie is The Austrian-Hungarian Border 1960.
- Quotes
Jancsi: That would be convenient wouldn't it? You've made arrangements, certain plans to deliver me from my enemies into the hands of Herr Scheffler. You overlooked one thing only - I don't choose to leave my country.
Michael Reynolds: Sir, you don't have a choice, your time is up.
Jancsi: If that is so, Mr Reynolds, I'll die here.
Michael Reynolds: Why do you have to die? What for? I don't believe in it. Look, I came here to save your neck and I'm going to do it, even if you don't want it saved.
Jancsi: Whatever I do with my life is my own business. No one else's.
Michael Reynolds: Oh, you don't understand. In an few days you won't have a life.
The Count: We know our position better than you do.
Michael Reynolds: No, you don't! Scheffler is a pipeline. If he says I've got two days to get you out, you've got two days. Now, you can wait here like sitting ducks or you can do something. But there's a way out. If you're reasonable, you'll take it.
Jancsi: There's no profit for you, don't bother about that.
Michael Reynolds: Alright, I'm being paid. I know you'd like it better if I was some great humanitarian who believed in your cause. Well, I don't even know what your cause is.
The Count: That shouldn't surprise us.
Michael Reynolds: Well, who does outside this room? You could yell your heads off, nobody'd hear you. They aren't listening. They're all like me, I promise you; they couldn't care less. Causes are outmoded. Everybody's learned to live by compromise. Why can't you?
Jancsi: There isn't any compromise. To compromise is to doubt your own convictions. If they're worth having, they're unshakeable.
Michael Reynolds: Convictions are fine, if you live.
Jancsi: Mr. Reynolds, if I can live one day to save one person, that's enough.
Michael Reynolds: But you can do more than that on the outside. Unless you're determined to die a a martyr. And a crackpot!
Widmark as Reynolds is largely on target as the mercenary without a personal life; unfortunately, he teeters on an unconvincing edge when he mocks Communist authorities and when he staggers through a staged drunken scene. German actress Sonja Ziemann as Julia, Jancsi's daughter, is effective, although her character creates unnecessary complications, and she seems more a token love interest than key player.
The award-caliber cinematography by Mutz Greenbaum captures the dark side of Vienna and locations that pass for Budapest in strikingly-lit black-and-white images. The Baroque architecture, deep passageways, cobble-stone streets, wrought-iron staircases, and lingering vestiges of World War II damage are captured in shadowy night scenes. The lines etched in Widmark's face complement the textures of rough brick facades, stretched barbed wire, and walls of peeling paint. The inky photography creates an eery atmosphere that enhances the suspense as silhouetted figures are chased through dark back alleys and down starkly-lit stairways. At times tilted at an angle, Greenbaum's camera infused Vienna with a mystery and menace not seen since "The Third Man."
Directed by Phil Karlson and based on an Alistair MacLean novel, "The Secret Ways" has a slow pace initially, which may deter viewers accustomed to James Bond and Jason Bourne. However, the film is similar to other 1960's thrillers such as "The Spy Who Came in from the Cold" and requires patience to appreciate. Sensational photography, a solid Widmark performance, and a backward glimpse at Cold War intrigue in the early 1960's make the film worth catching.
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Details
- Runtime1 hour 52 minutes
- Color
- Aspect ratio
- 1.85 : 1