70 reviews
Watching this as a child during the late 1960's I didn't like this show. I didn't find it funny because it frustrated me! With all of the locals frustrating Mr. Douglas endlessly, they frustrated me too. Stumbling upon the show years later, the frustration was gone and I could finally enjoy the humor of it all. This was light years ahead of the tame (and boring) "Pettycoat Junction." This was life with "The Three Stooges." I always loved the on-going home improvement projects with the closet doors opening to the outside, the telephone poll phone, the over-blown big chic New York City furniture stuffed into a little farmhouse, Lisa's pink appliances, her cooking, Arnold the pig and many more. When they say they don't make 'em like they used to, they don't, and that's a darn shame.
I always thought that if Salvador Dali wanted to do a TV sitcom, he'd come up with something like "Green Acres".
This show was a lot of fun, and thank God it never took itself seriously. It was also one of the first to really break the "fourth wall", making self-referential remarks, such as the characters pointing to the credits as they rolled, or having the characters refer to background music being played--I don't think any sitcom had ever done that before! Anyway, Eddie Albert did a great job as perennial straight man to the lunacy around him, with everyone else in on the strangeness. I watched this show as a kid and never really appreciated Oliver's predicament, but now, as a middle-aged man, I know exactly how he feels.
Forty years after its heyday, the show holds up very well. Give it a look.
This show was a lot of fun, and thank God it never took itself seriously. It was also one of the first to really break the "fourth wall", making self-referential remarks, such as the characters pointing to the credits as they rolled, or having the characters refer to background music being played--I don't think any sitcom had ever done that before! Anyway, Eddie Albert did a great job as perennial straight man to the lunacy around him, with everyone else in on the strangeness. I watched this show as a kid and never really appreciated Oliver's predicament, but now, as a middle-aged man, I know exactly how he feels.
Forty years after its heyday, the show holds up very well. Give it a look.
When I was a kid, back in the 60's, there were two shows that I never missed. "Lost In Space" was one, and "Green Acres" was the other. Funny that both were on CBS, and I remember that my parents watched CBS's national news, too.
I always loved Mr. Haney, and when Mr. Douglas begins some story about "The American Farmer", and the patriotic music begins playing in the background. On one episode, the other actors begin looking for where the music is coming from. Priceless gag.
I am looking forward to the DVD of this series. I hope that they are cleaned up, as what we see on TV now are fairly faded prints of the show.
I always loved Mr. Haney, and when Mr. Douglas begins some story about "The American Farmer", and the patriotic music begins playing in the background. On one episode, the other actors begin looking for where the music is coming from. Priceless gag.
I am looking forward to the DVD of this series. I hope that they are cleaned up, as what we see on TV now are fairly faded prints of the show.
Many in my generation (too young to be a boomer and too old to be an "X"er) think this is one of the funniest shows ever. It doesn't have any deeper meanings or ramifications or redeeming social importance. It's funny, and for the sake of being funny. This show proves that humor rises from character. Too often a show gets by on a series of insults, or double entendres, or one-liners. "Green Acres" had characters who were rich and diverse, who might be funny by what they say, or by the fact that they're saying it, or just because they show up at a certain moment. "Hooterville" could, I suppose, be construed as a Kafkaesque construct where even the woman who doesn't want to live there understands what's going on there, and only the man who wants to live there can't comprehend what's going on, or understand what the pig is saying. But why bother with such interpretation? This show is funny, well-written, and performed by fine actors. Shot on a sound-stage, "Green Acres" nevertheless opens out where most shows seem claustrophobic -- there are fields, roads, houses, barns, cows, jeeps, tractors, and all the great outdoors. I'm a country boy myself, and I appreciate that, unlike most shows written by high-handed cityfolk that show country folk as either ignorant bumpkins whose foolishness is the basis of laughs, or makes them more sagely inscrutable than smugly-superior urbanites, "Green Acres" gives the people of Hooterville thier own mindset that is neither better nor worse, just different. And the show itself is different from anything else on television until the arrival of "Newhart" which, for all its humor, nevertheless remained stagey and claustrophobic. "Green Acres" is funny. Enjoy it.
I've been a fan of GREEN ACRES as long as it's been on the air. When my wife says "how can you watch that? " I'm not worried because she just doesn't get it. This show is not for everyone but for the ones who do "get it" it's a ball to watch.
Eddie Albert was great as the lawyer turned gentleman farmer who seems to be the only one not affected by whatever was in the water in that strange place called Hooterville. A wonderful actor, the veteran of dozens of movies he played the straight man in a company of wacky characters that could have come from the mind of Rod Serling. Probably the only show on American television with this particular kind of absurdist humor, landing in Hooterville was like going through a tunnel and coming out in TOONTOWN where people understand pigs, can leave a written egg order for a hen and predict the weather with a coo coo clock.
The beautiful Eva Gab or was perfect as the Hungarian airhead who for a city girl had no trouble communicating with chickens, cows, pigs and all the off the wall locals. She made a name for herself in movies as the two timing, suicide prone mistress Liane d'Exelmans in the multiple Oscar winning GiGi. She was a good sport about all the humor involving her accent. I remember an interview where the reporter asked her why she still had such a heavy accent after living in the United States for so long and she replied without a seconds thought, "what are you trying to do, blow my act?" She was a class act all the way and although this show took place late in her career she was never more beautiful. Who can forget the situation where Lisa was determined to ruin the Governor's deer hunting party by flying over in a crop dusting plane shouting from a megaphone "RUN FOR YOUR LIVES, THE HUNTERS ARE GOING TO SHOOST YOU!"
For all the other fans out there who "get it" it's good to know we can get our Green Acres every day thanks to cable television. I predict that this show along with THE BEVERLY HILLBILLIES, and I LOVE LUCY will still be on the air and people will still be laughing in the year 2050.
Eddie Albert was great as the lawyer turned gentleman farmer who seems to be the only one not affected by whatever was in the water in that strange place called Hooterville. A wonderful actor, the veteran of dozens of movies he played the straight man in a company of wacky characters that could have come from the mind of Rod Serling. Probably the only show on American television with this particular kind of absurdist humor, landing in Hooterville was like going through a tunnel and coming out in TOONTOWN where people understand pigs, can leave a written egg order for a hen and predict the weather with a coo coo clock.
The beautiful Eva Gab or was perfect as the Hungarian airhead who for a city girl had no trouble communicating with chickens, cows, pigs and all the off the wall locals. She made a name for herself in movies as the two timing, suicide prone mistress Liane d'Exelmans in the multiple Oscar winning GiGi. She was a good sport about all the humor involving her accent. I remember an interview where the reporter asked her why she still had such a heavy accent after living in the United States for so long and she replied without a seconds thought, "what are you trying to do, blow my act?" She was a class act all the way and although this show took place late in her career she was never more beautiful. Who can forget the situation where Lisa was determined to ruin the Governor's deer hunting party by flying over in a crop dusting plane shouting from a megaphone "RUN FOR YOUR LIVES, THE HUNTERS ARE GOING TO SHOOST YOU!"
For all the other fans out there who "get it" it's good to know we can get our Green Acres every day thanks to cable television. I predict that this show along with THE BEVERLY HILLBILLIES, and I LOVE LUCY will still be on the air and people will still be laughing in the year 2050.
- ericbryce2
- Dec 13, 2006
- Permalink
Eddie Albert and Eva Gabor play a city lawyer and his wife who wants a quiet life in the country. They buy a farm in Hooterville (never mention a state). Eva (Zsa Zsa's sister) is a delight and hysterical as Lisa, his wife. Eddie's Oliver Wendell Douglas always means well. He wanted to get out of the rat race in New York City. Arnold, the pig, is a delight. He watches television shows and gets drafted by the army. Mary Grace Canfield played Ralph, the female carpenter and sister. Things always go on in Hooterville and it's not as boring as it seems. Life seems rather interesting on a farm than in the city. Lisa and Oliver always get into trouble but always manage to get out of it with laughs galore. Eb, the farmhand, thinks of him as surrogate parents. The locals are just as much fun especially the older couple who treat Arnold like a son than a pet. He lives like a king.
- Sylviastel
- Jan 30, 2016
- Permalink
"Green Acres" was one of the trio of "rural comedies" created and produced by Paul Henning (the other two being "The Beverly Hillbillies" and "Petticoat Junction"). The premise was built around a big city lawyer (Eddie Albert) and his fashionable wife (Eva Gabor) that abandon their affluent and hectic life for the rustic and more "civil" world of farming in the fictional Midwestern town of Hooterville.
Though Oliver Wendell Douglas (Albert) is happy to make the transition to farm life, his wife Lisa (Gabor) is less enthusiastic, though she adapts the best as she can. One of the running gags throughout the series involves her inability to prepare anything other than "hotcakes," and even those leave much to be desired. Another running gag centers around the frequent visits by Douglas's mother (Eleanor Audley) who sides with her daughter-in-law in regards to her own son's desire to live the simple live. Audley is best known for her vocal work as the wicked stepmother in Disney's "Cinderella," as well as Malificent in the studio's "Sleeping Beauty". Her occasional appearances on "Green Acres" show the comedic side of the actress.
By having the series set in the same locale as Henning's "Petticoat Junction" allowed frequent crossover appearances by Edgar Buchanan ("Uncle Joe") and Frank Cady ("Sam Drucker") who would become a regular on "Green Acres".
The other cast members were a mixed bag of crazies unlike anything else on television at the time. Farmhand Eb (Tom Lester) was like "The Beverly Hillbillies" Jethro, a doofus without the muscles. The Monroe "Brothers" (Sid Melton and an androgynous Mary Beth Canfield) were the carpenters from hell, forever starting construction on the Douglas's farmhouse but never quite finishing a project. Traveling salesman Mr. Haney (veteran cowboy sidekick Pat Butram) was forever plying his wares at a significant and unreasonable price.
And who can forget Fred and Doris Ziffel's "son," Arnold the pig. The porcine star had his own fan base the perhaps accounted for much of the show's success during its six-year run.
Though Eddie Albert's character was the most "serious" of the bunch, there were bits of lunacy centered around him, also. One ongoing bit involved his frequent monologues on the greatness of the American farm, while a patriotic fife plays in the background, for no apparent reason to the audience, as well as the listeners to his speeches.
Another inspired bit was during the opening credits of one installment. As Lisa was gathering eggs from the hen house, she discovered writing on the eggs: the names of the episode's writer, creator, and director.
One could best describe "Green Acres" as being the flip-side of "The Beverly Hillbillies" or "The Andy Griffith Show" on acid.
Though Oliver Wendell Douglas (Albert) is happy to make the transition to farm life, his wife Lisa (Gabor) is less enthusiastic, though she adapts the best as she can. One of the running gags throughout the series involves her inability to prepare anything other than "hotcakes," and even those leave much to be desired. Another running gag centers around the frequent visits by Douglas's mother (Eleanor Audley) who sides with her daughter-in-law in regards to her own son's desire to live the simple live. Audley is best known for her vocal work as the wicked stepmother in Disney's "Cinderella," as well as Malificent in the studio's "Sleeping Beauty". Her occasional appearances on "Green Acres" show the comedic side of the actress.
By having the series set in the same locale as Henning's "Petticoat Junction" allowed frequent crossover appearances by Edgar Buchanan ("Uncle Joe") and Frank Cady ("Sam Drucker") who would become a regular on "Green Acres".
The other cast members were a mixed bag of crazies unlike anything else on television at the time. Farmhand Eb (Tom Lester) was like "The Beverly Hillbillies" Jethro, a doofus without the muscles. The Monroe "Brothers" (Sid Melton and an androgynous Mary Beth Canfield) were the carpenters from hell, forever starting construction on the Douglas's farmhouse but never quite finishing a project. Traveling salesman Mr. Haney (veteran cowboy sidekick Pat Butram) was forever plying his wares at a significant and unreasonable price.
And who can forget Fred and Doris Ziffel's "son," Arnold the pig. The porcine star had his own fan base the perhaps accounted for much of the show's success during its six-year run.
Though Eddie Albert's character was the most "serious" of the bunch, there were bits of lunacy centered around him, also. One ongoing bit involved his frequent monologues on the greatness of the American farm, while a patriotic fife plays in the background, for no apparent reason to the audience, as well as the listeners to his speeches.
Another inspired bit was during the opening credits of one installment. As Lisa was gathering eggs from the hen house, she discovered writing on the eggs: the names of the episode's writer, creator, and director.
One could best describe "Green Acres" as being the flip-side of "The Beverly Hillbillies" or "The Andy Griffith Show" on acid.
Oliver and Lisa have got to be the most annoying TV couple... EVER! Oliver with his shouting and Lisa with her babbling. I will say this show is pretty funny, but sometimes the surreal stuff is enough to drive me crazy. Maybe that's what happened to Oliver (yeah thats what the shows about). If someone asked me to describe Green Acres in one word, I'd say "annoying", but then I'd follow that up by saying that it is pretty funny despite being terribly annoying. The only relatively good one out of Paul Henning's shows. There are at least 10 truly good episodes, and 15 'meh' episodes. The rest are too annoying to be "good", but overall the show is pretty funny.
- 19random79
- Jun 12, 2024
- Permalink
Green Acres is brilliant. It's Oliver Douglas's American dream turned surreal nightmare week after week. It's like Dali meets Bunuel meets American Gothic. The logic is completely twisted. But it is consistent. And Oliver is the only one not in on the joke. The writing is first class. Read some of Mr. Kimball's dialog written down some time. It is beyond belief. I recall several mind blowingly funny episodes. The one where they decide to have their own college bowl game. The Rudabaga (sp?) Bowl. Lisa gets in a hot air balloon, flies across the country tossing out rutabagas and exclaiming: "eat Hootersville rutabagas." The episode where Mr. Haney pulls up with a full-scale replica of the Eiffel Tower in the back of his truck. Oliver asks Eb where Haney gets this stuff. "I think his mom knits 'em" exclaims Ed. But my particular favorite is the one where Arnold gets drafted to go to Vietnam. He has a whole scene with a horse who has just returned from Nam. It is subtitled and the horse waxes harsh and poetic about his time in Vietnam. There are things in this series that go beyond the bounds of anything ever tried in American TV. Green Acres rocks!
- johnjgayton
- Sep 3, 2009
- Permalink
I'll admit it. I must be pretty low-brow because I am a huge sucker for this series. The chemistry and silliness are really hard to beat. When you do watch the series, you'll notice that at the beginning Lisa wasn't stupid at all and the show was a lot more conventional. However, as the show continued, the episodes got sillier and sillier--introducing Arnold the pig, a neighbor kid who went to the moon, the town of Hooterville trying to host the Olympics, etc. The show got a lot of criticism for its dopey humor, but if you watch it you can't help but laugh--and that is what makes a great TV series.
By the way, if you have watched Petticoat Junction, do not assume this spin-off is similar at all. I never particularly liked Petticoat Junction, as it lacked the humor and silliness of Green Acres. Comparing the two is almost like comparing The Andy Griffith Show (great show) with Mayberry RFD (duller than watching paint dry).
By the way, if you have watched Petticoat Junction, do not assume this spin-off is similar at all. I never particularly liked Petticoat Junction, as it lacked the humor and silliness of Green Acres. Comparing the two is almost like comparing The Andy Griffith Show (great show) with Mayberry RFD (duller than watching paint dry).
- planktonrules
- Mar 1, 2006
- Permalink
If not for Arnold Ziffel this show would have no social redeeming value whatsoever. Corny doesn't come close in describing this horrendous waste of talent. I know I'm going against the grain with this review but I simply hated this show.. less Arnold.
- a-alexander119
- Apr 23, 2020
- Permalink
"Green Acres" is a surrealist, subversive sitcom classic... one of TV's greatest comedies. Eddie Albert is Oliver Wendell Douglas, the big-city lawyer who escapes the rat-race with his wife Lisa to live the "simple-life" of a country farmer. The trouble is everyone in the small town of Hooterville is insane.
Tom Lester is Ebb, the twenty-something farmhand who seems almost intentionally obtuse. He insists on calling Oliver & Lisa "Mom & Dad" in spite of the fact that they are not his parents. This infuriates Oliver who frequently reminds the boy that they are not related. Ebb is a gangly innocent, so lanky that he can get a laugh just by standing up straight. His Adam's apple is constantly in the act of escaping his neck, and will one day surely succeed.
Alvy Moore is Hank Kimball. Well, he's not REALLY Hank Kimball- he just plays him on TV. Well, not ON the TV... more like IN the TV box. Well, not really IN the box...
Pat Buttram is Mr. Haney, the king of charlatan salesmen, always ready to sell Oliver a completely unnecessary item at a reasonably outrageous price. He takes a pride in gouging Mr. Douglas that borders on perverse.
Arnold Ziffel is the TV-loving pig with human parents who had a brief career as an actor in Hollywood. Long-story...
And don't forget Eva Gabor as Lisa Douglas, a Hungarian princess who never met a word she couldn't shlaughter...
This show is painfully funny... listen for the fife and drums every time Oliver gives his "American Farmer" speech. Enjoy the brilliant sight gags and the sweet pride that Fred & Doris have for their pig-son. Watch Eddie Albert go six seasons without ever finishing a sentence... the delirious insanity of "Green Acres" paved the way for future TV towns like The Simpsons' Springfield.
If you haven't seen "Green Acres" it is worth seeking out. I suggest watching at least 2-3 episodes at a time... it's funnier that way. But when it starts making sense it's time to take a break.
GRADE: A
Tom Lester is Ebb, the twenty-something farmhand who seems almost intentionally obtuse. He insists on calling Oliver & Lisa "Mom & Dad" in spite of the fact that they are not his parents. This infuriates Oliver who frequently reminds the boy that they are not related. Ebb is a gangly innocent, so lanky that he can get a laugh just by standing up straight. His Adam's apple is constantly in the act of escaping his neck, and will one day surely succeed.
Alvy Moore is Hank Kimball. Well, he's not REALLY Hank Kimball- he just plays him on TV. Well, not ON the TV... more like IN the TV box. Well, not really IN the box...
Pat Buttram is Mr. Haney, the king of charlatan salesmen, always ready to sell Oliver a completely unnecessary item at a reasonably outrageous price. He takes a pride in gouging Mr. Douglas that borders on perverse.
Arnold Ziffel is the TV-loving pig with human parents who had a brief career as an actor in Hollywood. Long-story...
And don't forget Eva Gabor as Lisa Douglas, a Hungarian princess who never met a word she couldn't shlaughter...
This show is painfully funny... listen for the fife and drums every time Oliver gives his "American Farmer" speech. Enjoy the brilliant sight gags and the sweet pride that Fred & Doris have for their pig-son. Watch Eddie Albert go six seasons without ever finishing a sentence... the delirious insanity of "Green Acres" paved the way for future TV towns like The Simpsons' Springfield.
If you haven't seen "Green Acres" it is worth seeking out. I suggest watching at least 2-3 episodes at a time... it's funnier that way. But when it starts making sense it's time to take a break.
GRADE: A
I've known many who pan this show as pure drudge. Nay, I say to thee, this show was the pinnacle of genius. The jokes may be 'childish', 'sophomoric' and 'dumb' but they are meant to be. This show is one of the most amazingly funny shows ever produced BECAUSE it's humor is so dumb. It's meant to be dumb and done so well, the average person just does not get the joke. And think about it, Eddie Albert was a VERY accomplished actor. Does anyone really think he'd sign on to a stupid show? A brilliant show made to seem stupid, YES! And Eva Gabor, the ONLY Gabor worth ever remembering (were there any others, eh, who gives a damn?) was dumb so brilliantly, how could you not love her and her character?
I don't care what anyone says, if you watch this show with an open mind, or even a closed one that can grasp pure satire and NOT laugh your ass off, you need some serious counseling. Small, rural town life satired to the point of absurdity while also skewering uptight, big city snobs is just too funny to every dismiss as anything but brilliant. I've used that word a lot, and I mean it.
I don't care what anyone says, if you watch this show with an open mind, or even a closed one that can grasp pure satire and NOT laugh your ass off, you need some serious counseling. Small, rural town life satired to the point of absurdity while also skewering uptight, big city snobs is just too funny to every dismiss as anything but brilliant. I've used that word a lot, and I mean it.
This series while as corny as it can be had something which endeared it to all of us who watched it. This series had a heart which beat strongly & carried us through each week to the conclusion with Oliver & Lisa in their Monroe remodeled open air bedroom.
While there were times the series got too hung up on Arnold, & Ebb Dawson's love life, the characters of Hooterville always made for great comedy. There were times that Paul Henning was winking & smiling as he made fun of Lawyers, American Farmers, Mobsters, Hollywood, & many other targets during the shows run.
The characters he created were amazing. The physical comedy in this along with the great verbal comedy blended together into as fine a 1960's sitcom as could be produced.
Eddie Albert was kind of old for his role, but brought it off with an amazing energy. Ava Gabor was given a character where she could put herself into it, & this series turned out to the best role of her life. Pat Buttrum & the rest of the cast were great in support with special credos to Alvy Moore as Mr. Kimble who created one of the more amazing county agents ever portrayed.
All of this, higher pay, full benefits, & a years supply of cracked crab. It just don't get any better than that.
While there were times the series got too hung up on Arnold, & Ebb Dawson's love life, the characters of Hooterville always made for great comedy. There were times that Paul Henning was winking & smiling as he made fun of Lawyers, American Farmers, Mobsters, Hollywood, & many other targets during the shows run.
The characters he created were amazing. The physical comedy in this along with the great verbal comedy blended together into as fine a 1960's sitcom as could be produced.
Eddie Albert was kind of old for his role, but brought it off with an amazing energy. Ava Gabor was given a character where she could put herself into it, & this series turned out to the best role of her life. Pat Buttrum & the rest of the cast were great in support with special credos to Alvy Moore as Mr. Kimble who created one of the more amazing county agents ever portrayed.
All of this, higher pay, full benefits, & a years supply of cracked crab. It just don't get any better than that.
Green Acres is my favorite sit-com ever. There are many excellent ones over the years and perhaps some better, the Andy Griffith Show is close for me, but none make me laugh or allow for complete, escapist zaniness as does Green Acres. Top-notch acting & writing, incredibly wacky characters, bizarre situations and story lines, Green Acres has it all. I do not know about any Kafkaesque similarities or other "deep" meanings. I DO know that Green Acres makes me laugh and lets me escape my sometimes grim world to a place where anything can happen and often does. Of course the glue holding this menagerie together was Eddie Albert as Oliver Wendell Douglas. His brilliant "playing-off" of all the lunacy around him is top-notch. I also felt a real chemistry between Oliver & his wife Lisa (Eva Gabor). One thing I felt was left out of some of the other comments was the great use of editing in the show. The quick cuts and capturing of the sometimes hilarious reactions of the actors really added to the show in both pacing & comedic effect. Truly a charming and insane treasure!!!
- tonedeaf06
- Sep 26, 2008
- Permalink
Just acquired the Green Acres collection (April 2019 as I write) and felt compelled to add my 2 cents worth. I won't repeat synopses - that's been covered well and truly on this page. I'd like to share some personal insights instead.
I'm 62, born and raised in Australia. I was born the year TV started here; 1956 and every series I watched and liked was American. I felt like an American as a result. The show that I loved the most was this one. For two reasons.
1. My aunt and uncle owned a farm in remote NSW called ' Greenbank' and my school holidays were spent plowing fields and tending the farm. A delight for a city kid. To get there, my folks would put me on an express train and I'd need to switch to a two carriage steam train to get from the main line to their tiny town; two stops away. Like riding the Cannonball Express from Pixley. My cousin, 6'6" could eat like a thrashing machine and was strong and lean. Like Eb.
The neighbours were warm and quirky. My God, this was Hooterville.
2. The characters were unforgettable. No one did or does TV like the Yanks did in the 50's & 60's. Alvy Moore had me in stitches just looking at him. Still does. I just loved how everyone in town was in on it; except for Oliver.
Harmless fun. Gosh, why did it have to end?
Thank you to the writers, producers and actors for this enduring joy.
- steve-667-10190
- Apr 21, 2019
- Permalink
"I feel like I'm in the twilight zone" That's what Mr. Douglas said in one of the early episodes, to put it mildly. But in a real sense it's more like, "I feel like I'm in an insane asylum." Every character except Mr. Douglas in this show acts like a crazy person. As many explained that this show is opposite of Beverly Hillbillies which means unlike Beverly Hillbillies, a person with common sense and general knowledge moves to a country town full of oddballs. Every episode is about the sane person, Mr. Douglas tolerating nonsensical behaviors from the people with low intelligence and selfish minds including the wife of Mr. Douglas who turned out to be the craziest person of all. Everyday Mr. Douglas gets frustrated, and yells "it doesn't make sense" at people. People and his wife, then call him sore head because he's too "normal". That's the main plot of the show. From the several episodes in the beginning of the show, it was fun, but when you get to see the same tricks repeating over and over, the annoyance also mounts more and more. I had to stop watching some of episodes because the levels of the annoyance were way too high. This isn't one of those typical campy TV shows from the 60s like Batman and Get smart that people enjoy again and again. You like them because it's campy. Green Acres, on the other hand, went way beyond the camp, It became offbeat wacky silliness which I must say it's creative by any means. This is the most annoying TV show I've ever watched.
This show was to be the obverse of "The Beverly Hillbillies" and instead turned out to be perhaps the most surreal TV show ever done in on American TV.
Oliver Wendell Douglas is the button-downed, successful New York lawyer who longs to be a farmer (he even grows corn on the balcony of his Park Avenue apartment). So off he goes to Hooterville with his glamorous Hungarian wife where they begin to farm Green Acres and live a house so ramshakle that even the Joad family in "The Grapes of Wrath" probably wouldn't live in.
Oliver tends the farm every day in suit and tie and Lisa wears elegant gowns while cooking the only meal that she knows how to make---"hots cakes" which possess extraordinary qualities---some are like granite, others bubble like sulfur mud baths, and others are stickier than any adhesive known to science. The house itself is hilarious---the bedroom closet sliding door which flys off its runners each and every time Oliver touches it, the phone which is at the top of the telephone pole, the "pore-key" hole for the house which makes it impossible to paint the place. And occasionally Arnold the Pig, perhaps the smartest inhabitant of Hooterville, regularly comes in to watch television which is always showing the same show--a wild Western gunfight between cowboys and Indians.
That's just the house. The townspeople are an assortment of extreme oddballs. Hank Kimball, the memory-gapped county agent, Ed and Doris Ziffel who are the parents of Arnold, and Mr. Haney who is the biggest flim-flam man since P.T. Barnum (he sold Oliver the house in the first place) and who has a seemingly unlimited assortment of things to peddle to Oliver. Meanwhile, the Monroe Brothers, Alf and Ralph, are perpetually trying to repair Oliver's house. Ralph is a woman and probably the first female tradesman in the history of American television, decades before women were welcomed into the construction industry. Oliver's hired hand, Eb, lives in the barn. Even Eb gets surreal---one great episode has him trying to win a radio "name that tune" call-in show. Every song snippet that is played is exactly the same as the previous one but Eb always comes up with some bizarre new title which turns out to be right.
The entire world around Oliver is insane but he gamely struggles along, erupting on occasion but absolutely determined not to give up farming and regularly trying to inspire his neighbors with stirring speeches about the nobility of the American farmer---the backbone of the economy, while his neighbors keep wondering where the patriotic music-- which always accompanies Oliver's speeches--comes from.
Oliver Wendell Douglas is the button-downed, successful New York lawyer who longs to be a farmer (he even grows corn on the balcony of his Park Avenue apartment). So off he goes to Hooterville with his glamorous Hungarian wife where they begin to farm Green Acres and live a house so ramshakle that even the Joad family in "The Grapes of Wrath" probably wouldn't live in.
Oliver tends the farm every day in suit and tie and Lisa wears elegant gowns while cooking the only meal that she knows how to make---"hots cakes" which possess extraordinary qualities---some are like granite, others bubble like sulfur mud baths, and others are stickier than any adhesive known to science. The house itself is hilarious---the bedroom closet sliding door which flys off its runners each and every time Oliver touches it, the phone which is at the top of the telephone pole, the "pore-key" hole for the house which makes it impossible to paint the place. And occasionally Arnold the Pig, perhaps the smartest inhabitant of Hooterville, regularly comes in to watch television which is always showing the same show--a wild Western gunfight between cowboys and Indians.
That's just the house. The townspeople are an assortment of extreme oddballs. Hank Kimball, the memory-gapped county agent, Ed and Doris Ziffel who are the parents of Arnold, and Mr. Haney who is the biggest flim-flam man since P.T. Barnum (he sold Oliver the house in the first place) and who has a seemingly unlimited assortment of things to peddle to Oliver. Meanwhile, the Monroe Brothers, Alf and Ralph, are perpetually trying to repair Oliver's house. Ralph is a woman and probably the first female tradesman in the history of American television, decades before women were welcomed into the construction industry. Oliver's hired hand, Eb, lives in the barn. Even Eb gets surreal---one great episode has him trying to win a radio "name that tune" call-in show. Every song snippet that is played is exactly the same as the previous one but Eb always comes up with some bizarre new title which turns out to be right.
The entire world around Oliver is insane but he gamely struggles along, erupting on occasion but absolutely determined not to give up farming and regularly trying to inspire his neighbors with stirring speeches about the nobility of the American farmer---the backbone of the economy, while his neighbors keep wondering where the patriotic music-- which always accompanies Oliver's speeches--comes from.
Like many reviewers, I'm a Boomer who hadn't seen much of "Green Acres" since it left prime time and went into reruns. Stumbling across it on Prime, I gave it a look for nostalgia's sake, and am glad I did. I started right from the first season and rediscovered a treasure trove of humor that largely went over my head as a kid 50 years ago. Be sure to see the premiere episode before anything else. It lays the foundation for the entire 6 years that it ran. It should be remembered, among other things, as being one of the first network series to break the "fourth wall"---you can see the cast having fun with the wacky material and inside jokes. The humor is fast and well-written. Eddie Albert is the perfect straight man for the characters around him. Eva Gabor, gamely and unselfishly, uses the glamor-image thing to the show's advantage, not her own. (One wonders if her sister, the arguably more famous Zsa Zsa, could have pulled it off as well. I'm thinking 'not'.) Like most long-running series, the humor only held up for so long, but it was long enough to plant itself firmly (unlike Oliver's corn crop) into the national consciousness. Rediscovering "Green Acres" has been a real treat---thanks, Amazon.
- brian_m_hass
- Dec 6, 2016
- Permalink
If you remember in Holiday Inn Bing Crosby just like Eddie Albert wanted a life of ease and comfort and away from the daily grind of show business. In a year on the farm he found just how hard life can be there and decided on something else which was the crux of that film. Fred Astaire gave him a geranium plant to satisfy his agricultural urge as he put it.
Bing wasn't half as determined as Oliver Wendell Douglas played by Eddie Albert who was a Wall Street lawyer, but who also wanted to get to a simple life on the farm. But his time on the farm lasted for seven seasons and was still going when Green Acres went off the air. Albert was the fictional reincarnation of Wendell Wilkie who Harold Ickes once characterized as the "simple barefoot prairie lawyer from Wall Street" who also had a farm background in rural Indiana.
But Douglas never saw a farm he only imagined what it was like. Well no one in our society works harder than farmers, even those who don't work for themselves, but might work for some agri-business outfit like Archer Daniels Midland. It's 24/7 for those folks with no vacations and the women work as hard as the men. Crops don't grow by themselves with a decent yield and livestock has to be tended and fed to multiply.
None of this did Albert realize when he bought a farm in fictional Hooterville, also known as the home of the Shady Rest Motel in Petticoat Junction. The same show regulars did double duty in both shows, making them the hardest working cast in television during the Sixties.
The comedy came from two sources on Green Acres both equally funny. The first was Eddie Albert, Wall Street lawyer and a curious combination of eager apprentice farmer and lawyer used to dealing with powerful folks. As often as not the rustics of Green Acres got the better of him.
Secondly though there was Eva Gabor. She'd have much preferred to stay living on Park Avenue as the theme said every week, but she dutifully followed her husband to Hooterville. They invented the word 'chic' for Eva Gabor, but she too was at a loss dealing with her environment and by the rural folks who just didn't quite get her as she didn't get them. Of course it helped to have the best hooters in Hooterville, beating even Bea Benaderet's three daughters from Petticoat Junction.
The interchangeable regulars were a trip though. My favorites were Alvy Moore as the brain dead county agent and Pat Buttram the ever scheming Mr. Haney who even got the best of Wall Street lawyer Albert from time to time.
Eddie Albert was one of the most versatile players that the big and small screen ever knew. That man could play everything from gentle hero to some of the slimiest villains the screen ever saw. But he will forever be known for this show as his career part where his comic side was given its best opportunity.
Green Acres was an integral part of CBS network's rural lineup that included Andy Griffith, Gomer Pyle, Petticoat Junction and the Beverly Hillbillies. All those shows were sacrificed in the eternal quest for younger demographics. I doubt if a show as gentle, but as absolutely hysterical as Green Acres could ever be duplicated again.
Bing wasn't half as determined as Oliver Wendell Douglas played by Eddie Albert who was a Wall Street lawyer, but who also wanted to get to a simple life on the farm. But his time on the farm lasted for seven seasons and was still going when Green Acres went off the air. Albert was the fictional reincarnation of Wendell Wilkie who Harold Ickes once characterized as the "simple barefoot prairie lawyer from Wall Street" who also had a farm background in rural Indiana.
But Douglas never saw a farm he only imagined what it was like. Well no one in our society works harder than farmers, even those who don't work for themselves, but might work for some agri-business outfit like Archer Daniels Midland. It's 24/7 for those folks with no vacations and the women work as hard as the men. Crops don't grow by themselves with a decent yield and livestock has to be tended and fed to multiply.
None of this did Albert realize when he bought a farm in fictional Hooterville, also known as the home of the Shady Rest Motel in Petticoat Junction. The same show regulars did double duty in both shows, making them the hardest working cast in television during the Sixties.
The comedy came from two sources on Green Acres both equally funny. The first was Eddie Albert, Wall Street lawyer and a curious combination of eager apprentice farmer and lawyer used to dealing with powerful folks. As often as not the rustics of Green Acres got the better of him.
Secondly though there was Eva Gabor. She'd have much preferred to stay living on Park Avenue as the theme said every week, but she dutifully followed her husband to Hooterville. They invented the word 'chic' for Eva Gabor, but she too was at a loss dealing with her environment and by the rural folks who just didn't quite get her as she didn't get them. Of course it helped to have the best hooters in Hooterville, beating even Bea Benaderet's three daughters from Petticoat Junction.
The interchangeable regulars were a trip though. My favorites were Alvy Moore as the brain dead county agent and Pat Buttram the ever scheming Mr. Haney who even got the best of Wall Street lawyer Albert from time to time.
Eddie Albert was one of the most versatile players that the big and small screen ever knew. That man could play everything from gentle hero to some of the slimiest villains the screen ever saw. But he will forever be known for this show as his career part where his comic side was given its best opportunity.
Green Acres was an integral part of CBS network's rural lineup that included Andy Griffith, Gomer Pyle, Petticoat Junction and the Beverly Hillbillies. All those shows were sacrificed in the eternal quest for younger demographics. I doubt if a show as gentle, but as absolutely hysterical as Green Acres could ever be duplicated again.
- bkoganbing
- Nov 10, 2009
- Permalink
Hands Down, the best show, comedy or otherwise, ever on TV. Subtle comedy that many just "don't get" need a certain sense of humor to really appreciate the sheer genius of writing and acting. Oliver is so surrounded by nuts he begins to wonder if he's the one who is nuts and everybody else is 'normal'. Eva Gabor has a real-life sense of humor previously unknown and brought to life. Frank Cady as Sam Drucker cannot be praised enough, Tom Lester as Eb were also so very very good at their roles driving Oliver to the point of most people run screaming pulling out their hair, and at the risk of leaving anybody out, not one actor/actress failed in what the writers and directors wanted, maybe even improvising. No show has ever given as many belly-laughs to tears.
- ruffy-43-99630
- Oct 12, 2014
- Permalink
The Gabors were famous for marrying rich guys that died, and they basically forced themselves onto talk shows to talk about their crummy lives as rich widows living in America. For a while, every Gabor sister was on TV every day. Everyone had to find out what these Hungarians thought about life as rich widows in the U.S.A.
Then Green Acres came along, and Zsa-Zsa Gabor forced herself onto a TV series, so she could be her obnoxious and vapid self every week on a TV show. Her husband was played by Eddie Albert, who was the most empty soul-less blank slate in the history of entertainment. He was perfect for the role of the husband of Gabor. The big joke was that he & Gabor moved from their wealthy life in New York City, to be in the country, but he still dressed in attorney suits, and she dressed in expensive gowns. What a totally annoying show this was.
Then Green Acres came along, and Zsa-Zsa Gabor forced herself onto a TV series, so she could be her obnoxious and vapid self every week on a TV show. Her husband was played by Eddie Albert, who was the most empty soul-less blank slate in the history of entertainment. He was perfect for the role of the husband of Gabor. The big joke was that he & Gabor moved from their wealthy life in New York City, to be in the country, but he still dressed in attorney suits, and she dressed in expensive gowns. What a totally annoying show this was.
- panzerstein
- Sep 7, 2020
- Permalink
When I watch "Green Acres" I can't help but think that this is what Vaudeville must have been like. There's Oliver Wendell Douglas in his three-piece suit and Phi Beta Kappa key standing in front of an obviously painted backdrop with the most pathetic looking stalk of corn "growing" nearby. Then comes onstage a series of the finest comedians doing their standup routine with Mr. Douglas as the straight man: Mr. Haney (Pat Buttram) with an endless supply of wacky things to sell; Hank Kimball (Alvy Moore) as the oh-so-forgetful farm agent ("Ah, Mr. Douglas! I have a message for you." "What is it?" "What is WHAT?" "The message!" "What message?" "MY MESSAGE!" "You have a message?"); Eb the farmhand (Tom Lester); on and on and on.
Love it.
Love it.