Directed by
| Sydney Pollack | ||
Writing Credits
| Shana Alexander | ... | (article) |
| Stirling Silliphant | ... | (written by) |
Cast (in credits order) complete, awaiting verification
Produced by
| Stephen Alexander | ... | producer |
Music by
| Quincy Jones | ... | (music) |
Cinematography by
| Loyal Griggs | ... | director of photography |
Editing by
| Thomas Stanford | ||
Art Direction by
| Hal Pereira | ||
| Jack Poplin | ||
Set Decoration by
| Robert R. Benton | ... | (as Robert Benton) |
| Joseph Kish | ||
Costume Design by
| Edith Head | ||
Makeup Department
| Nellie Manley | ... | hair style supervisor |
| Wally Westmore | ... | makeup supervisor |
Production Management
| William Davidson | ... | unit production manager (as William C. Davidson) |
Second Unit Director or Assistant Director
| Donald Roberts | ... | assistant director (as Don Roberts) |
| William R. Poole | ... | assistant director (uncredited) |
Sound Department
| John R. Carter | ... | sound recordist (as John Carter) |
| James A. Corbett | ... | second boom operator |
| Charles Grenzbach | ... | sound recordist |
Visual Effects by
| Farciot Edouart | ... | process photography |
Camera and Electrical Department
| Nelson Tyler | ... | aerial photographer |
Costume and Wardrobe Department
| Joan Joseff | ... | costume jeweller (uncredited) |
Music Department
| Jack Hayes | ... | orchestrator (uncredited) |
| Quincy Jones | ... | conductor (uncredited) |
| Carol Kaye | ... | musician: bass (uncredited) |
| Leo Shuken | ... | orchestrator (uncredited) |
Script and Continuity Department
| David Rayfiel | ... | script revisions (uncredited) |
Additional Crew
| Frank London | ... | dialogue coach |
| Eliot Tiegel | ... | liner notes |
