IMDb RATING
5.9/10
2.8K
YOUR RATING
Billy Jack battles a motorcycle gang in a small California beach town.Billy Jack battles a motorcycle gang in a small California beach town.Billy Jack battles a motorcycle gang in a small California beach town.
Robert Tessier
- Cueball
- (as Robert W. Tessier)
Stuart Lancaster
- Sheriff Harvey
- (as Stewart Lancaster)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaBased on a real incident in 1964 when members of the Hell's Angels motorcycle gang were arrested for raping five girls in Monterey, California.
- GoofsAt the beginning of the scene at the Shorns' house, the LP record Jodell is looking at while talking to her mother changes from David Rose's 'The Stripper' into 'Music to Strip By' and then back again. These were both actual stripper-themed LPs released in the 1960s (perhaps suggesting Mrs. Shorn's previous occupation?)
- Quotes
Child: Hey. You don't have a watch on. How you gonna know when fifteen minutes are up?
Billy Jack: Well you better hope that I'm a good guesser, huh?
- ConnectionsFeatured in Dusk to Dawn Drive-in Trash-o-Rama Show Vol. 2 (1996)
- SoundtracksBilly Jack's Theme
Written and Produced by Mike Curb
Co-produced by Al Simms
Performed by Davie Allan with The Arrows (as The Sidewalk Sounds)
Featured review
Given its low budget, this is not a bad movie. A motorcycle gang, led by the scruffy Jeremy Slate, terrorizes a small California town, and in the process rapes several college girls. There's lots of tough talk, motorcycle noise, and violence, as you would expect for a biker film.
Of course, to balance out all the villainous mayhem, you gotta have a hero on the scene. And for the era in which the film was made, there was no better hero than the charismatic loner, half-breed Billy Jack, played with serene gusto by Tom Laughlin. He's a one-man show of moral and physical strength, as he outwits and outfights the biker roughnecks. The film makes the point that bad parenting and ineptness in traditional law enforcement foster an environment conducive to delinquency.
Interestingly, although this is the first Billy Jack film, Laughlin played a similar role ten years earlier, in a movie called "The Delinquents" (1957). His character was Scotty, a good guy teenager who gets mixed up with a bunch of high school hoodlums. Whereas in "The Delinquents" all the villains are kids who drive around in jalopies, in "The Born Losers", the kids have grown into adults who ride motorcycles.
In "The Born Losers" the characters tend to be stereotypes. In a time period that immediately preceded the women's lib movement, the film's female characters are very, very subservient. The film's plot does depend on contrivances to some extent. Dialogue lacks subtext. Production design is ... colorful. And the costumes reek of late 60's garish "hip" (love those pink walls and pink clothes), all perfectly in sync with the Age of Aquarius. Tom Laughlin's direction is excellent. Color cinematography is very good. The outdoor scenery is wonderful, as is the music in the opening title sequence.
I've seen a number of biker films. "The Born Losers" is one of the best. It was highly successful at the box office, and led to later Billy Jack films. It has a cinematic style that is almost iconoclastic; not insignificantly, it preceded "Easy Rider" by a couple of years. Such was the impact of "The Born Losers".
Of course, to balance out all the villainous mayhem, you gotta have a hero on the scene. And for the era in which the film was made, there was no better hero than the charismatic loner, half-breed Billy Jack, played with serene gusto by Tom Laughlin. He's a one-man show of moral and physical strength, as he outwits and outfights the biker roughnecks. The film makes the point that bad parenting and ineptness in traditional law enforcement foster an environment conducive to delinquency.
Interestingly, although this is the first Billy Jack film, Laughlin played a similar role ten years earlier, in a movie called "The Delinquents" (1957). His character was Scotty, a good guy teenager who gets mixed up with a bunch of high school hoodlums. Whereas in "The Delinquents" all the villains are kids who drive around in jalopies, in "The Born Losers", the kids have grown into adults who ride motorcycles.
In "The Born Losers" the characters tend to be stereotypes. In a time period that immediately preceded the women's lib movement, the film's female characters are very, very subservient. The film's plot does depend on contrivances to some extent. Dialogue lacks subtext. Production design is ... colorful. And the costumes reek of late 60's garish "hip" (love those pink walls and pink clothes), all perfectly in sync with the Age of Aquarius. Tom Laughlin's direction is excellent. Color cinematography is very good. The outdoor scenery is wonderful, as is the music in the opening title sequence.
I've seen a number of biker films. "The Born Losers" is one of the best. It was highly successful at the box office, and led to later Billy Jack films. It has a cinematic style that is almost iconoclastic; not insignificantly, it preceded "Easy Rider" by a couple of years. Such was the impact of "The Born Losers".
- Lechuguilla
- Sep 6, 2007
- Permalink
Details
- Release date
- Country of origin
- Language
- Also known as
- Der Regulator
- Filming locations
- Huntington Shores Motel - 21002 Pacific Coast Highway, Huntington Beach, California, USA(sheriff's car stolen, Vicky escapes gang abduction - since demolished)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $360,000 (estimated)
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