IMDb RATING
7.2/10
4.9K
YOUR RATING
A TV news reporter finds himself becoming personally involved in the violence that erupts around the 1968 Democratic National Convention.A TV news reporter finds himself becoming personally involved in the violence that erupts around the 1968 Democratic National Convention.A TV news reporter finds himself becoming personally involved in the violence that erupts around the 1968 Democratic National Convention.
- Awards
- 2 wins & 4 nominations
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe line "Look out, Haskell, it's real!" was actually dubbed in after the shooting. It was supposedly what Haskell Wexler was thinking to himself and he wanted to include it.
- GoofsWhen Eileen enters the L looks for Harold, she is wearing a white hair band, but when they show her sitting on the L, the hair band is missing.
- Quotes
John Cassellis: If I gotta be afraid in order for your argument to work, then you got no argument.
- Crazy creditsStuds Terkel is credited as "Our Man in Chicago".
- Alternate versionsDue to copyright disputes, all video releases feature some different songs on the soundtrack from the theatrical version.
- ConnectionsEdited into The Kid Stays in the Picture (2002)
- SoundtracksSweet Georgia Brown
by Ben Bernie, Kenneth Casey and Maceo Pinkard
Performed by Brother Bones
Courtesy of Tempo Records
Played during roller derby scene
Featured review
This is one of the great American movies. The reasons for its obscurity have everything to do with mass consumerism in the late 20th century and nothing to do with its quality. In my opinion this film captures the essence of the late 1960s better than Easy Rider, The Graduate, or any of the other popular films that have come to be associated with that era.
Wexler combines a very European (Italian Neorealist/French New Wave) style with a very American subject matter in a way that comes across as completely natural. It is an art film that plays like watching the evening news.
It is exciting both formally, and culturally: not only does it provide a lasting document of the late 1960s counter-culture in conflict with the aging, square America of the Eisenhower era, it more specifically does a fine job of representing the more general cultural conflict of rural people (here white Appalachians) thrust into the Yankee city environment.
All this, and the movie is fun to watch, not some intellectualized snorefest. It a great movie.
Wexler combines a very European (Italian Neorealist/French New Wave) style with a very American subject matter in a way that comes across as completely natural. It is an art film that plays like watching the evening news.
It is exciting both formally, and culturally: not only does it provide a lasting document of the late 1960s counter-culture in conflict with the aging, square America of the Eisenhower era, it more specifically does a fine job of representing the more general cultural conflict of rural people (here white Appalachians) thrust into the Yankee city environment.
All this, and the movie is fun to watch, not some intellectualized snorefest. It a great movie.
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Details
Box office
- Budget
- $800,000 (estimated)
- Runtime1 hour 51 minutes
- Sound mix
- Aspect ratio
- 1.85 : 1
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