IMDb RATING
7.2/10
4.9K
YOUR RATING
A TV news reporter finds himself becoming personally involved in the violence that erupts around the 1968 Democratic National Convention.A TV news reporter finds himself becoming personally involved in the violence that erupts around the 1968 Democratic National Convention.A TV news reporter finds himself becoming personally involved in the violence that erupts around the 1968 Democratic National Convention.
- Awards
- 2 wins & 4 nominations
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe line "Look out, Haskell, it's real!" was actually dubbed in after the shooting. It was supposedly what Haskell Wexler was thinking to himself and he wanted to include it.
- GoofsWhen Eileen enters the L looks for Harold, she is wearing a white hair band, but when they show her sitting on the L, the hair band is missing.
- Quotes
John Cassellis: If I gotta be afraid in order for your argument to work, then you got no argument.
- Crazy creditsStuds Terkel is credited as "Our Man in Chicago".
- Alternate versionsDue to copyright disputes, all video releases feature some different songs on the soundtrack from the theatrical version.
- ConnectionsEdited into The Kid Stays in the Picture (2002)
- SoundtracksSweet Georgia Brown
by Ben Bernie, Kenneth Casey and Maceo Pinkard
Performed by Brother Bones
Courtesy of Tempo Records
Played during roller derby scene
Featured review
Interesting approach to revealing the world of photo-journalism, news journalism, and political activism, conceived and directed by awardwinning cinematographer Haskell Wexler. Fictional narrative features a Chicago TV news crew intertwined with actual news footage in and around the Democratic Convention of 1968.
There is a good balance between the fiction and non-fiction elements in as much as Wexler attempts to make his point. The fictional story line (a love story) is real enough to keep us watching and deflective enough to make the harsh realities of the non-fiction elements palatable.
Attention to detail defines Medium Cool as a very personal film for Wexler. There definitely is a political perspective. Second and third viewings will call attention to painstaking perfectionism in construction of shots, timing, and pace--the subject matter and cinematic approach (low budget, hand-held, docu-style) may suggest a `student film' so don't be confused. This is an extremely well-crafted highly professional product. Nice interjects of great era-defining music compliment the visuals.
Inventive, some say ground-breaking, certainly well worth watching.
There is a good balance between the fiction and non-fiction elements in as much as Wexler attempts to make his point. The fictional story line (a love story) is real enough to keep us watching and deflective enough to make the harsh realities of the non-fiction elements palatable.
Attention to detail defines Medium Cool as a very personal film for Wexler. There definitely is a political perspective. Second and third viewings will call attention to painstaking perfectionism in construction of shots, timing, and pace--the subject matter and cinematic approach (low budget, hand-held, docu-style) may suggest a `student film' so don't be confused. This is an extremely well-crafted highly professional product. Nice interjects of great era-defining music compliment the visuals.
Inventive, some say ground-breaking, certainly well worth watching.
- Doctor_Bombay
- Apr 14, 1999
- Permalink
- How long is Medium Cool?Powered by Alexa
Details
Box office
- Budget
- $800,000 (estimated)
- Runtime1 hour 51 minutes
- Sound mix
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content