Hans a young German journalist arrives in London to write an article about au-pair girls, but is requested by friends to investigate the whereabouts of their teenage daughter Greta.Hans a young German journalist arrives in London to write an article about au-pair girls, but is requested by friends to investigate the whereabouts of their teenage daughter Greta.Hans a young German journalist arrives in London to write an article about au-pair girls, but is requested by friends to investigate the whereabouts of their teenage daughter Greta.
Nik Zaran
- Johnny Maltese
- (as Nick Zaran)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaBritain's very first 3D feature film.
- GoofsIn the opening flashback scene the monocle worn by Hans' boss disappears and reappears between shots.
- Crazy credits[Before closing credits] a good cast is worth repeating
- Alternate versionsThree Dimensions of Greta is a version of Four Dimensions of Greta with most of the nudity removed.
- ConnectionsFeatured in Dusk to Dawn Drive-in Trash-o-Rama Show Vol. 1 (1996)
Featured review
I decided to check out this British sexploitationer due to its director, who would soon forego this type of film entirely for a series of equally commercial horror efforts (which effectively broadened his range and, clearly, served his particular talents a good deal better!).
This one adds the gimmick of 3-D to the erotic formula: since I rented this, the 3-D glasses which were supplied with the DVD weren't made available to me however, I did own a pair of such glasses (which came with New Line's HAROLD LLOYD COLLECTION of all things!) but, still, the 3-D effect wasn't especially effective. Worse, even when watched without glasses, these sequences were given an unpleasant green/red hue which, coupled with the impossibly fuzzy images, would completely negate the intended effect!
Anyway, the plot is nothing to write home about a young German journalist searches for a missing female compatriot amid Swinging London settings, willing au pair girls and a gang of would-be tough guys. The fact that the 'puzzle' is pieced together via four flashback sequences told by a variety of people (and which comprise the 3-D footage) doesn't make it any more engaging though some of the girls do look good in and out of clothes, while the soundtrack features a Huckleberry Fynn(!!) singing the title tune.
If one wasn't aware that Walker had made this thing, he'd be hard-pressed to see any connection between it and his work in the horror genre; even the director's least such efforts that I've watched (DIE SCREAMING MARIANNE [1971] and THE COMEBACK [1978]) are far better. Besides, for all their low-brow nature, the contemporaneous Italian films made in this vein (which I remember were constant TV fodder during my childhood and which are still regularly revived late at night) display a lot more vitality than this static, quasi-amateurish and extremely boring outing.
This one adds the gimmick of 3-D to the erotic formula: since I rented this, the 3-D glasses which were supplied with the DVD weren't made available to me however, I did own a pair of such glasses (which came with New Line's HAROLD LLOYD COLLECTION of all things!) but, still, the 3-D effect wasn't especially effective. Worse, even when watched without glasses, these sequences were given an unpleasant green/red hue which, coupled with the impossibly fuzzy images, would completely negate the intended effect!
Anyway, the plot is nothing to write home about a young German journalist searches for a missing female compatriot amid Swinging London settings, willing au pair girls and a gang of would-be tough guys. The fact that the 'puzzle' is pieced together via four flashback sequences told by a variety of people (and which comprise the 3-D footage) doesn't make it any more engaging though some of the girls do look good in and out of clothes, while the soundtrack features a Huckleberry Fynn(!!) singing the title tune.
If one wasn't aware that Walker had made this thing, he'd be hard-pressed to see any connection between it and his work in the horror genre; even the director's least such efforts that I've watched (DIE SCREAMING MARIANNE [1971] and THE COMEBACK [1978]) are far better. Besides, for all their low-brow nature, the contemporaneous Italian films made in this vein (which I remember were constant TV fodder during my childhood and which are still regularly revived late at night) display a lot more vitality than this static, quasi-amateurish and extremely boring outing.
- Bunuel1976
- Aug 11, 2007
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Details
- Release date
- Country of origin
- Language
- Also known as
- Die vier Dimensionen der Lust
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 25 minutes
- Sound mix
- Aspect ratio
- 1.75 : 1
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Top Gap
By what name was Four Dimensions of Greta (1972) officially released in Canada in English?
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