A mute puppeteer uses a deceased scientist's invention to control dead bodies like puppets.A mute puppeteer uses a deceased scientist's invention to control dead bodies like puppets.A mute puppeteer uses a deceased scientist's invention to control dead bodies like puppets.
- Nominated for 1 Oscar
- 1 nomination total
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Storyline
Did you know
- TriviaAlex North used parts of his rejected score for 2001: A Space Odyssey (1968) for this film. For example, the main title music was originally composed for the space station phone call sequence of 2001, but here rearranged with a female vocalist added.
- GoofsAfter Mrs. Barton moves Celia's placemat, Malcolm cocks her body to her left. In the following shot, she's cocked to her right.
- Crazy creditsRight before the closing credits roll, a quote from William Makepeace Thackeray is featured: "Let us shut up the box and the puppets, for our play is played out."
- ConnectionsFeatured in Spine Tingler! The William Castle Story (2007)
Featured review
Here is a film I had wanted to see for some time and finally tracked down a low-quality bootleg video of. I am quite a fan of unusual films like this, although unlike the works of David Lynch or Alejandro Jodorowsky, the weirdness of this film comes naturally from the storyline and not from any intentional strangeness just for the sake of strangeness. William Castle has created a neat, compact, self-contained movie universe here, with the setting being an odd juxtaposition between a dark Gothic castle and sunny Northern California. I couldn't help but be reminded of Tim Burton's "Edward Scissorhands", another modern fairy tale about a mad but gentle genius and his near-mute misfit assistant in a dark old castle surrounded by a sunny '50s style suburbia. In fact, call me crazy, but I will bet that Burton has seen this film before and was possibly inspired by it while making his own film. There are other similarities to that film: the genius dies leaving the misfit to fend for himself in the outside world, the villains are in a motorcycle gang, the misfit falls for a local blond teenage girl, and he also performs his "magic" for children in a school classroom. Also like the films of Burton, there is a mixture of visual motifs from the past and present, including silent-movie style story-cards, Alex North's heady music score, and a motorcycle gang.
Sadly missing, though, is a highly compelling storyline, but in this case style over substance is not such a bad thing. This film is hard to classify, as it is not completely horror, modern fairy tale, or art film. I think it would be best to classify it as an experimental curio - one of those films like "Eraserhead", Jacques Tati's "Playtime", "Cabinet of Dr. Caligaryi", or "El Topo", which have no conventional film equivalent yet continue to garner a following from a small group of adventurous filmgoers. If you are attracted to films such as these, you will not be disappointed with "Shanks."
Sadly missing, though, is a highly compelling storyline, but in this case style over substance is not such a bad thing. This film is hard to classify, as it is not completely horror, modern fairy tale, or art film. I think it would be best to classify it as an experimental curio - one of those films like "Eraserhead", Jacques Tati's "Playtime", "Cabinet of Dr. Caligaryi", or "El Topo", which have no conventional film equivalent yet continue to garner a following from a small group of adventurous filmgoers. If you are attracted to films such as these, you will not be disappointed with "Shanks."
- Sturgeon54
- Jun 19, 2005
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