IMDb RATING
6.5/10
2.6K
YOUR RATING
A swindler's activity indirectly caused a political crisis in France in the last years before World War II.A swindler's activity indirectly caused a political crisis in France in the last years before World War II.A swindler's activity indirectly caused a political crisis in France in the last years before World War II.
- Awards
- 3 wins & 1 nomination
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaOn February 7, 1934, the French Ministry of the Interior and the Paris Police Prefecture banned the showing of newsreel footage of the previous day's mêlée by right-wing royalists, war veterans and members of the anti-semitic, nationalist, anti-republican Action Francaise movement, who rioted to bring down the Daladier government over the Stavisky affair. The riots left 17 dead and 116 wounded. One Parisian cinema, Reginald Ford's Cineac Theatre, defied the censorship to show footage of the riots by the reactionary forces, which had been caught on-camera by French and foreign newsreel photographers.
- Quotes
Serge Alexandre Stavisky: Tomorrow morning, I'll hold a press conference. I'm going to blow the whole mess wide open!
- ConnectionsFeatured in Vivement dimanche: Jean-Paul Belmondo 2 (2013)
Featured review
Irresistible charm and talent helps Serge Alexandre alias Stavisky, small-time swindler, to make friends with even most influential members of French industrial and political elite during the early 30s.
The film began as a commission by Jean-Paul Belmondo to the screenwriter Jorge Semprún to develop a scenario about Stavisky. Resnais, who had previously worked with Semprún on "La Guerre est finie", expressed his interest in the project (after a gap of six years since his previous film); he recalled seeing as a child the waxwork figure of Stavisky in the Musée Grevin, and immediately saw the potential of Belmondo to portray him as a mysterious, charming and elegant fraudster.
It seems like most historical French films either take place during World War II (focusing on the occupation) or are in some way related to Algeria. This one really has neither, because it is set between the two world wars, with some interesting supporting characters (Leon Trotsky!). I had never heard of Stavisky, but now I'd be curious to know more (despite having no real passion for French history).
The film began as a commission by Jean-Paul Belmondo to the screenwriter Jorge Semprún to develop a scenario about Stavisky. Resnais, who had previously worked with Semprún on "La Guerre est finie", expressed his interest in the project (after a gap of six years since his previous film); he recalled seeing as a child the waxwork figure of Stavisky in the Musée Grevin, and immediately saw the potential of Belmondo to portray him as a mysterious, charming and elegant fraudster.
It seems like most historical French films either take place during World War II (focusing on the occupation) or are in some way related to Algeria. This one really has neither, because it is set between the two world wars, with some interesting supporting characters (Leon Trotsky!). I had never heard of Stavisky, but now I'd be curious to know more (despite having no real passion for French history).
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Details
Box office
- Gross US & Canada
- $13,793
- Opening weekend US & Canada
- $4,734
- Oct 7, 2018
- Gross worldwide
- $13,793
- Runtime2 hours
- Sound mix
- Aspect ratio
- 1.66 : 1
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