Tom Logan is a horse thief. Rancher David Braxton has horses, and a daughter, worth stealing. But Braxton has just hired Lee Clayton, an infamous "regulator", to hunt down the horse thieves;... Read allTom Logan is a horse thief. Rancher David Braxton has horses, and a daughter, worth stealing. But Braxton has just hired Lee Clayton, an infamous "regulator", to hunt down the horse thieves; one at a time.Tom Logan is a horse thief. Rancher David Braxton has horses, and a daughter, worth stealing. But Braxton has just hired Lee Clayton, an infamous "regulator", to hunt down the horse thieves; one at a time.
- Si
- (as John Ryan)
- Sandy
- (as Hunter Von Leer)
- John Quinn
- (as Dan Ades)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaJack Nicholson did not like the fact that Marlon Brando used cue cards while filming. In their scenes together, Nicholson broke his concentration every time Brando shifted his gaze to the cue card behind the cameraman.
- GoofsIn quite a few (European) countries, the local title of this film translates to "Duel in Missouri". However, the film takes place in Montana, in the Missouri River Breaks area.
- Quotes
Hellsgate rancher: They call this country Hell's Gate. When my dad came in here, it was nothing but a bunch of savage Indians. And Jesuits. Old Thomas Jefferson said that he was a warrior so his son could be a farmer, so *his* son could be a poet. And I raise cattle so my son can be a merchant, so his son can move to Newport, Rhode Island and buy a sailboat and never see one of these bastard-ass sons of bitching mountains again.
Si: Who was Thomas Jefferson?
Hellsgate rancher: A guy back east.
- Alternate versionsThe original UK cinema version was cut for a 'AA' (15) certificate by the BBFC to edit a sex scene, a shooting, a shot of a spike hitting a man's forehead, and blood dripping from a man's mouth. The cuts were fully restored in the 1987 video release, though the later 2004 DVD version was slightly re-edited owing to print damage.
- ConnectionsFeatured in Marlon Brando: Wild One (1994)
The story is a sort of working of the Johnson County War that surfaced in the early 1890s in Wyoming, where newer ranchers tried to settle but were set upon by the more established cattle barons of the land. One of the tactics by the wealthier ranch owners was to hire gunmen to terrorise anyone they saw as a threat. Here in Penn's movie we see David Braxton (McLiam) ruthlessly deal with anyone who he sees as a threat to his property. However, when someone enacts revenge on him by hanging his foreman, Braxton hires himself a "Regulator" named Robert E. Lee Clayton (Brando) to seek and destroy as it were. This spells bad news for the rustling gang led by Tom Logan (Nicholson), especially since Logan has started to form a relationship with Braxton's daughter, Jane (Lloyd). Somethings gotta give and blood is sure to be spilt.
The most popular word used in reviews for the film is eccentric, mostly in reference to Brando's performance. The big man was growing ever more erratic off the screen and sure enough he changed the make up of his character and improvised at his leisure. Yet it does work in the context of the movie. With his dandy nastiness playing off of an excellent Nicholson turn, McGuane's richly detailed screenplay gets added bite, particularly during the more solemn parts of the story; where patience would be tried were it not for the brogue Irish Clayton. With Penn at the helm it's no surprise to find the piece is an amalgamation of moods. Poignancy hangs heavy for the most part as we deal in the ending of an era and the need to move on. But Penn also delivers much frontier action and snatches of cheery comedy. Then there is the violence, which doubles in shock value on account of the leisurely pace that Penn has favoured. It's sad to think that one of the best splicers of moods was so upset at the reaction to his film he quit cinema for the next five years.
The film, well more realistically the reaction to it, possibly sounded the death knell for the Western genre until Eastwood & Costner refused to let it die. The 70s was an intriguing decade for the Oater, with many of them veering between traditional and revisionist. But of the many that were produced, the ones that dealt with the passing of the era, where the protagonists are soon to be relics of a tamed wilderness, have an elegiac quality about them. Penn's movie is fit to sit alongside the likes of Monte Walsh, The Shootist and The Outlaw Josey Wales. Yes it's quirky and is slowly driven forward, but it has many qualities for the genre fan to gorge on. 7.5/10
- hitchcockthelegend
- May 25, 2010
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Details
Box office
- Budget
- $10,000,000 (estimated)
- Gross worldwide
- $18,523