IMDb RATING
6.4/10
1.6K
YOUR RATING
A disturbed, institutionalized 16-year-old girl struggles between fantasy and reality.A disturbed, institutionalized 16-year-old girl struggles between fantasy and reality.A disturbed, institutionalized 16-year-old girl struggles between fantasy and reality.
- Nominated for 1 Oscar
- 4 nominations total
Karin Collison
- Nurse
- (as Elizabeth Dartmoor)
Barbara Steele
- Idat
- (scenes deleted)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe lead female role of of Deborah Blake in this picture was previously intended for Natalie Wood who had unrealized plans to both produce and star in the movie. Wood once had planned to produce the picture as well as star in it in the role of Deborah Blake but those plans never materialized. The part in the end was played in the film by Kathleen Quinlan.
- GoofsIn the New Year's Eve party scene, Deborah is seen with loose hair talking to Dr. Fried and then there is a close-up of Deborah with her hair pulled back from her forehead.
- Quotes
Deborah Blake: You can turn me off, you know. You can go off with your friends and write another paper on schizophrenia and get an award for it. But I can't turn me off. So I'm calling off the fight.
Dr. Fried: So you quit. Stay in the nuthouse for the rest of your life.
Featured review
Deborah Blake (Kathleen Quinlan) is admitted to a country institution by her high street parents, unable to cope with the ignominy brought upon them, by her erratic, anti-social behaviour.
Taunted by her inner-demons (to which we're treated inventively from the mind's eye perspective), she's gradually cajoled from her psychosis by the unassuming, yet fiercely determined treating doctor - Bibi Andersson delivering a warm, sympathetic performance and headlining an impressive female cast that includes Signe Hasso, Susan Tyrrell, Diane Varsi, Silvia Sidney, screenwriter /actress Darlene Craviotto and taking a short break from her maternal duties on Martha's Vineyard, Lorraine Gary.
Along the journey, there's a couple of plot diversions, some poignant, others hackneyed and exploitative, but then would New World Pictures ever have distributed this movie without a stereotypical bully nurse scenario? Unlikely.
The Roger Corman production combines cinematic liberties with an at-times reverent translation of the Hannah Green novel, creating a compelling B-movie possessing an unusual dramatic-fantasy film tone. A cynical viewer might postulate that Corman saw a payday following the success of "One Flew Over the Cukoo's Nest", and to a large extent, this remains exploitative cinema. That said, Quinlan's performance clearly defies that brand, her characterisation personifies trauma and whilst often intense, isn't overcooked.
You have to commend New World Pictures for taking the plunge with this release against type, especially when you consider the other titles in their production line and catalogue at the time; 'Rose Garden' is a very different breed to your typical locally made New World Picture. Not perfect by any means and does have a tendency to stigmatise the subject matter, nevertheless an enjoyable film in spite of its flaws.
Taunted by her inner-demons (to which we're treated inventively from the mind's eye perspective), she's gradually cajoled from her psychosis by the unassuming, yet fiercely determined treating doctor - Bibi Andersson delivering a warm, sympathetic performance and headlining an impressive female cast that includes Signe Hasso, Susan Tyrrell, Diane Varsi, Silvia Sidney, screenwriter /actress Darlene Craviotto and taking a short break from her maternal duties on Martha's Vineyard, Lorraine Gary.
Along the journey, there's a couple of plot diversions, some poignant, others hackneyed and exploitative, but then would New World Pictures ever have distributed this movie without a stereotypical bully nurse scenario? Unlikely.
The Roger Corman production combines cinematic liberties with an at-times reverent translation of the Hannah Green novel, creating a compelling B-movie possessing an unusual dramatic-fantasy film tone. A cynical viewer might postulate that Corman saw a payday following the success of "One Flew Over the Cukoo's Nest", and to a large extent, this remains exploitative cinema. That said, Quinlan's performance clearly defies that brand, her characterisation personifies trauma and whilst often intense, isn't overcooked.
You have to commend New World Pictures for taking the plunge with this release against type, especially when you consider the other titles in their production line and catalogue at the time; 'Rose Garden' is a very different breed to your typical locally made New World Picture. Not perfect by any means and does have a tendency to stigmatise the subject matter, nevertheless an enjoyable film in spite of its flaws.
- Chase_Witherspoon
- Jan 6, 2010
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By what name was I Never Promised You a Rose Garden (1977) officially released in India in English?
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