An archeologist discovers his daughter is possessed by the spirit of an Egyptian queen. To save mankind he must destroy her.An archeologist discovers his daughter is possessed by the spirit of an Egyptian queen. To save mankind he must destroy her.An archeologist discovers his daughter is possessed by the spirit of an Egyptian queen. To save mankind he must destroy her.
- Awards
- 1 nomination
Christopher Fairbank
- Porter
- (as Chris Fairbanks)
Richard Atherton
- Vicar
- (uncredited)
Storyline
Did you know
- TriviaDuring filming in the Valley of the Kings, an unforecast sandstorm swept up on the location while the production was shooting a goodbye scene between Charlton Heston and Susannah York, where Heston rides off into the night in his Land Rover. Arab tents lost their footings and flew into the air while Susannah York was knocked over by the sudden and powerful gust of wind. Moreover, camera bulbs got smashed and the crew raced to cover the camera with a plastic sheet. The storm then subsided and disappeared. But director Mike Newell was advised that such storms can rise-up again for a repeat showering. As Heston calmed the set, and York was helped from the side-lines by Heston's wife Lydia, Newell prepared for another take. York and Heston then blocked their spots, and just as Newell yelled "Action!", the storm rose again. As such, the scene got shot with the real life special effects of a real life storm and without any movie manufactured special effects.
- GoofsWhen Jane and Matt discover the tomb entrance, Jane reads the hieroglyphic inscription from left to right, but the direction in which the inscription is written is right to left, as shown by the birds in it which face the start of the line by convention.
- Quotes
Margaret Corbeck: Hi.
Paul Whittier: You're American aren't you?
Margaret Corbeck: How did you know?
Paul Whittier: The one word, "hi".
- Alternate versionsThe Awakening (1980) has two endings: SPOILERS AHEAD! For the U.S. dvd, the film ends with Margaret- now possessed- staring with crazed eyes and Egyptian makeup. For the U.K. dvd, the film ends with Margaret stepping outside the museum at night, and her shadow is superimposed over the skyline of London to suggest her evil or plans.
Featured review
It's sad to find a legendary actor like Charlton Heston working on a tenth rate horror film like this. The story takes its inspiration from a largely forgotten Bram Stoker novel and casts Heston as an obsessive archaeologist searching for the tomb of an evil Egyptian queen. He finds it, but at the very same moment his wife is busy giving birth to a baby daughter. You don't have to be a detective to figure out that the spirit of the long-dead evil queen possesses his daughter. Nor do you have to be particularly bright to guess that as she grows into a teenager, she begins to demonstrate worryingly dangerous behaviour. By the end, daddy Heston (just like Gregory Peck in The Omen) is convinced that his little girl is demonic and attempts to destroy her.
Jack Cardiff tremendous photography provides the film with its sole merit, bringing to life the glorious Egyptian vistas in all their sun drenched beauty. Heston and York act decently, but the material is hardly challenging. The main problem with the film is the dullness of the script and the absence of pace and urgency in the narrative. It's predictable too, which is a shame. Worst of all, it commits the sin that so many horror films commit: it completely fails to push the viewer out of their comfort zone. No questions are posed, no disturbing ideas are explored and no menacing message is used to underpin the film. It's just a bland, boring travelogue that dares to call itself a bloodcurdler.
Jack Cardiff tremendous photography provides the film with its sole merit, bringing to life the glorious Egyptian vistas in all their sun drenched beauty. Heston and York act decently, but the material is hardly challenging. The main problem with the film is the dullness of the script and the absence of pace and urgency in the narrative. It's predictable too, which is a shame. Worst of all, it commits the sin that so many horror films commit: it completely fails to push the viewer out of their comfort zone. No questions are posed, no disturbing ideas are explored and no menacing message is used to underpin the film. It's just a bland, boring travelogue that dares to call itself a bloodcurdler.
- barnabyrudge
- Dec 24, 2002
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Details
Box office
- Gross US & Canada
- $8,415,112
- Opening weekend US & Canada
- $2,728,520
- Nov 2, 1980
- Gross worldwide
- $8,415,112
- Runtime1 hour 41 minutes
- Sound mix
- Aspect ratio
- 1.85 : 1
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