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Whenever I remember Arthur, a movie released over 40 years ago, Christopher Cross's theme comes to mind. Anyway, Dudley Moore quite hilarious in Arthur and Liza Minelli gave the soft edge needed to round out the movie.

The sequel was so and so.

This 1981 comedy still sparkles thanks to the combined efforts of writer/director Steve Gordon and stars Dudley Moore and John Gielgud. Sadly, Gordon, only in his early forties, died soon after completing this, his only feature film. It's an especially unfortunate loss since he shows a truly deft hand at character-driven farce that makes the whole film irresistible. It plays almost like a 1930's-style screwball comedy revamped for contemporary tastes. The plot centers on Arthur Bach, a drunken, diminutive millionaire playboy who is at risk of losing his $750 million inheritance if he doesn't marry the dowdy and boring Susan Johnson, an heiress handpicked by his old-money father and dotty grandmother. Of course, he doesn't love her and by chance, runs into Linda Marolla, a working-class waitress (and of course, aspiring actress) after she pilfers a Bergdorf Goodman tie for her father.

The standard complications ensue but in a most endearing way with loads of alcohol-fueled slapstick executed with classic élan by Moore. That he makes such a spoiled character likable is a credit not only to his comic talents but to Gielgud's feisty, acidic turn as Hobson, Arthur's devoted but reality-grounded valet. It's the type of role he could play in his sleep, but Gielgud makes Hobson such a truly memorable character that his fate in the film brings a welcome injection of poignancy in the proceedings. In probably her most likable film role, Liza Minnelli hands the picture to her male co-stars by toning down her usual razzle-dazzle personality and making Linda quite genuine in motivation.

A pre-"LA Law" Jill Eikenberry plays Susan just at the right passive-aggressive note, while Barney Martin (Jerry's dad on "Seinfeld") steals all his scenes as Linda's slovenly father Ralph. The one fly in the ointment is veteran actress Geraldine Fitzgerald, who overdoes the eccentricities of the grandmother. And I have to admit that I still can't stand the very dated, overplayed Christopher Cross song that inevitably won the Oscar for that year's best song. Unfortunately, the 1997 DVD, certainly in need of remastering, has no extras worth noting except some photos and production notes.

The late Dudley Moore had the most famous role of his too-short career in 1981's ARTHUR, a raucously funny and alternately touching tale that generates warm smiles, big belly-laughs, and an occasional tear if you're in the right mood. Moore received a Best Actor Oscar nomination for his performance as Arthur Bach, a drunken playboy who "races cars, plays tennis, fondles women, but he has weekends off and he's his own boss." Arthur is destined to inherit 750 million dollars when he marries a snooty society girl named Susan Johnston (Jill Eikenberry)who is the spoiled daughter of an undercover gangster. Things get sticky when Arthur meets Linda Morolla (Liza Minnelli) a waitress/struggling actress from Queens who steals neckties for her father's birthday. Moore lights up the screen in one of the single funniest performances of the last 50 years. The late Sir John Gielgud won a Best Supporting Actor Oscar for his flawless turn as Arthur's acid-tongued butler and best friend, Hobson, whose outward disdain for Arthur's behavior covers more paternal feelings. There are other funny contributions by Barney Martin as Linda's father. Stephen Elliott as Susan's father, and Geraldine Fitzgerald as Arthur's demented grandmother. The film was directed with a keen eye for comedy by a first time director named Steve Gordon, who, sadly, died the following the year. There was also a forgettable sequel several years later, but this instant classic is not to be missed.

Delightful movie. Side splitting laughs at times, heart warming at others. Sir John Gielgud is wonderfully funny and poignant as Hobson, Arthur's butler. My favorite scene is where he goes to Liza Minnelli's house to talk to her, you really sympathize for him and her. Memorable song "The best that you can do", and unforgettable characters make this a feel-good memorable movie. Definitely on my Top 30 of all time. 10/10

If you look back on the romantic comedy genre you can see that it's really gone downhill these days. Rom-coms of the 21st century have no heart, no soul, and certainly no brain. Arthur is a film that represents a more illustrious and heartfelt age of romantic comedies. Dudley Moore plays Arthur, a charming, funny, and lovable millionaire who also happens to be a compulsive drunk. He spends his days taking hot baths in a bathtub big enough for an elephant as well as driving around town living an exciting and carefree life. But his drunken antics are pulled to a halt when his father tells him that unless he marries the girl his family has arranged for him to wed his unlimited funds will be cut off. But that very same day Arthur meets the girl of his dreams and must make a life changing choice.

Arthur is a film with a lot of heart. Its storyline is sincere and its characters are believable. You'll instantly fall in love with the wild and exuberant Arthur, but more so his sarcastic and witty servant Hobson, played by John Gielgud in a magnificent Oscar winning performance. Liza Minnelli plays Linda, Arthur's love interest and she does just as excellent job and delivers a heartwarmingly funny performance with the rest of the cast.

Arthur also reminds us of a time when comedies didn't have to be so crude to be funny. Laughs are always about shock value these days, but Arthur manages to be clever and it's comedy comes from an intelligent script and great actors. Arthur isn't hilarious but it's sufficiently entertaining and is good for plenty of sincere laughs. Obviously the film as a whole is no masterpiece, but as far as romantic comedies go it's better than anything we might see today. It's a little sappy, very predictable, and it's characters are pretty easy to dissect on the base level. But Arthur isn't striving to be much. It's aim is to make us laugh and give us a heartwarming story. It does both of these things, so I would say it is a very successful film.

Arthur is a very good made romantic comedy that has a nice and sweet story and happy ending,moore is a very charming guy in this film and cause of that this film was a fun watch,liza was also very nice to listen and watch and she also give some nice laughs in it,but as much two leads were funny and enjoyable i didnt felt the same thing from rest of cast expecely guy who played his batler,he was to cliched made and sometimes annoying with his attitude,the same goes for bride and her father and story about him killing people didnt felt like it belongs in films like this,arthur is a nice comedy that will probably found its fans and give them some nice moments and some nice laughs

Quite simply the funniest and shiniest film-comedy of all time... it's certainly on my personal top-ten list. This one also gets a solid ten on the voting scale. Millionaire heir, Arthur Bach (Moore), is a middle-aged 'child' who refuses to take the mature path in life and avoids all requisite responsibilities. He also refuses to leave the bottle. One day he and his personal butler, Hobson (Gielgud), go shopping at Bergdorf Goodman's and run into petty larcenist, Linda (Minnelli). Arthur and Linda's chemistry adds electricity to the rest of the film. There are hilarious set pieces aplenty. In one such scene, Arthur (drunk throughout most of the story) knocks on the wrong apartment door and receives ear shattering threats from a human 'siren' ("My husband has a gun!!!!). Performances by everyone involved should be duly noted: Geraldine Fitzgerald plays Arthur's loving-yet-ruthless grandmother, Sir John Gielgud almost steals the entire show with his acidic droll-isms (He took home the Oscar for this one), and Christopher Cross provides the Main Theme song (Oscar winner "Best That You Can Do"). It's a shame the late Dudley Moore passed away last month (March 2002).

Directed by the Late Steve Gordon, 'Arthur' is a Funny and Charming Romantic-Comedy, that turns out to be a memorable watch. Even the performances here are super!

Dudley Moore stars as 'Arthur', A drunken millionaire playboy from New York City who is on the brink of an arranged marriage to a wealthy heiress, but ends up falling for a common working-class girl from Queens, played by Liza Minnelli.

Steve Gordon's Writing is solid, at most places and offers some really entertaining & interesting moments. But, the pacing is a bit slow. Especially, in the first hour. Gordon's direction is as good as his writing. Cinematography & Editing are fine. Music by Burt Bacharach, is lovely.

Performance-Wise: Late Dudley Moore has a blast playing 'Arthur'. Liza Minnell is convincing. The Late Great, John Gielgud, is amazing, in an Oscar-Winning performance. He is the real scene stealer here! Jill Eikenberry is efficient. Others lend good support.

On the whole, If your looking for some Neat and Clean Humor, pinched with some Romance, then 'Arthur' is meant for you.

From the beginning of this movie it seems apparent that the role of Arthur was meant to be played by a much younger actor. By the end, it's clear that nobody other than Dudley Moore could have done it so well. Looking back, one remembers the sappy Christopher Cross theme song (does anyone remember Christopher Cross?) and oh-so-80's clothing and sets with an unavoidable nostalgia. But the triumvirate of Moore as Arthur, Liza Minnelli as Linda, and Sir Johnny G as the butler Hobson, dripping with sarcasm and at the pinnacle of his considerable talent, make this more than a throw-away farce.

All the best lines belong to Gielgud, and the Academy Award was hardly adequate for such a legendary performance. Moore's lovable drunk would wear thin in later years, but here it is a fresh and delightful tour de force in the most politically incorrect way. Liza is flawless, but one hates to see her in a non-musical role, for fear of squandering such an immense talent. But the chemistry, the synergy between these legends is palpable.

The laughs never get old. It is, however, a tragedy that the DVD is not available in cinematic aspect.

"Do you have any objection to naming our child Vladimir? Even a girl?" This movie is one "one-liner" after another adeptly delivered by the late Dudley Moore as the millionaire playboy trying to find love and happiness amidst a serious drinking problem and boredom. Dudley Moore is at his best an is the quintessential drunk in this one. Sir John Gielgud was phenomenal as the sarcastic Hobbes, the only person who truly understands Arthur and loves him deeply. Liza Minelli is likable as the love interest. This movie was hysterical and funny and unique. The strength was Moore's vulnerability and charm, even as a basically unlivable character. The music is classically 80's. The movie has held up and don't see the sequels or remakes. This one is the one to see.

One thing that struck me though while watching... Arthur has a Keith Moon vibe so was Moore channeling Moon? Must be that hair. I think they look similar,and act similar. Anyways they won't make a movie like this today with the main character drunk driving. It's crazy how he's able to drive safely to his destinations without crashing. That wasn't the only unrealistic thing about this... Liza Minelli going shoplifting in an ugly bright yellow coat and red hat? Who the hell does that lol. I read somewhere Gilda Radner was asked to play the role of Linda. Imo she would've been better than Liza. Hobson is such an epic butler. A tale about love versus money. I didn't find it that funny,but I do like the moral of the story. Sometimes love is stronger than any money in the world. I can picture Al Pacino nailing this role too,but seems like he took that and made Scarface instead. Love the soundtrack alot too,Christopher Cross rocks lol.

A film about a merry rich drunkard living a consequence-free lifestyle in the Big City may not seem promising entertainment, yet after 20 minutes "Arthur" makes you wish they just left it at that.

Instead, you get a long, dreary tale in two parts, one a tragedy of a friendship cut short by death, the other a rom-com between the title character and a perky shoplifter who doesn't mind Arthur's alcoholic foibles given the nine-figure nest egg involved.

It all boils down to money. "I wish I had a dime for every dime I have" is how Arthur puts it.

As played by Dudley Moore, Arthur alternates between an annoyingly sad drunk and an annoying happy one. Supposedly Moore based his performance on his former comedy partner Peter Cook, a comedy genius who wound up a drunken sot and his own best audience. The first thing we hear in the movie is that braying laugh, which sounds like something which must have drove Moore crazy in a prior life. Now his pain becomes ours.

Why was "Arthur" such a big hit? The theme song topped the Billboard pop chart, it took home two Oscars, and there was even a sequel and a remake. God may not love a drunk, but someone apparently did.

One Oscar went to John Gielgud as Arthur's butler, Hobson, a font of bitter witticisms. "Usually one must go to a bowling alley to meet a woman of your stature," he tells the new woman in Arthur's life, Linda, played by Liza Minnelli. Yet we are asked to accept Hobson as the voice of human warmth otherwise missing in Arthur's life, mainly by virtue of his getting the big lines.

We are supposed to believe Arthur will give up anything and everything to be with Linda. You would think she might be someone who might have something real to pull Arthur from his chemically-induced fog. Instead, Minnelli plays her character way too much like a celebrity cameo, all exaggerated eyeblinks and cutesy asides.

Writer-director Steve Gordon seems to have had some darker subtexts he wanted to work in. For example, Arthur expresses a fondness for Soviet communism, and there's a strong sense of evil from the capitalist plutocrats who run Arthur's world. But the most Gordon gins up this way is a contrived situation where Arthur is being pressured to marry a woman whose father is set up as some kind of homicidal tycoon with a criminal reputation. Why would Arthur's ultra-wealthy, hyper-snooty family promote such a union for their fragile son?

I guess it's for the same reason Hobson has that chronic cough. We need a story to go with the punchlines. I just wish the punchlines had been better. I enjoy Moore in other roles, and he's a solid-enough improvisational actor that he makes some of Arthur's lighter scenes work here, when he doesn't overplay the tipsiness as he too often does. The main takeaway I got was of him punching well below his weight, and somehow coming up short anyway.

People defending "Arthur" say you had to be there. Take it from me, I was there. It wasn't any funnier then than it is today.

Arthur (1981)

I'm no Dudley Moore fan, but this grew on me and I found him not only hilarious but, as intended, touching. He is supported by two very different kinds of actors—John Gielgud and Liza Minnelli—but they form a wonderful trio.

The story is a timeless one—the rich man who is out of touch with what really matters in life. This isn't pushed very far, and the end is pretty inevitable, but the journey is great fun mostly because Moore is relentlessly funny. Minnelli plays a great strong woman foil to him, and is obviously what he needs in life. The "romance" between them is never very convincing because it remains a bit practical—they don't have that great scene where we expect them to truly "fall in love," and that's just fine. (The closest is the scene in the horse barn, which has one of the funnies lines in the movie, which almost feels like a Moore ad lib, you'll see.)

The aging butler played by Gielgud is more nuanced and funny than the cliché of the English butler in so many movies. It's weird to see him play this kind of role when his repertoire ranges more to Shakespeare (he's one of England's great 20th Century stage actors).

So love this not for the story, which is lovable but plain, but for the three actors and their ongoing wit and verve. A fun fun movie.

Arthur Bach is decidedly unhappy in his life as a multi-millionaire and is attracted to people 'below him' in social standing - he pays for a hooker in the opening scenes and then is enormously attracted to a shoplifter.

He drinks quite a lot too, and sometimes he is driving while drinking, too, which of course is not funny, ever.

The movie is great but behind the comedy is some reality, too. John Gielgud wipes the floor with everyone else on screen and created a character for the ages. Talk about deserving an Oscar. Moore and Minnelli have their moments, but its Gielgud as "Hobson" you'll remember the most.

I've always appraised Dudley'Moore's works mainly the most awaited "Holly Moses!" which I've never saw twice, He often plays not so funny characters, although has smart lines, plenty of corrosive irony, like on Arthur a millionaire's son, who spend his useless life with prostitutes and getting drunk all the time, he didn't got faces his father sober, wiich make an arranged marriage with a shallow Mobster's daughter whose he doesn't love, otherwise he will lose a fabulous inheritance nothing despicable 750 million dollars, to make matters more complicated he ends up falling in love for an odd and unusual poor girl (Liza Minelli).

Apart THE main characters who shineS is undoubtedly Sir John Gielgud as the high class Butler with British sharp humor, having the mostly clever lines, even slapping Arthur when he needs, like a father, the Arthur's drunkard's behavior weren't funny at all, it scratch deeply the current view of Arthur as sympathetic character!!

Resume:

First watch: 1989 / How many: 2 / Source: TV-DVD / Rating: 7.25.

Let's begin with that theme song sung by Christopher Cross. The song is "If you get caught between the moon and New York City." It's a great theme and song even after all these years, it never gets tiring. It really is a great song about New York City as well. Anyway, the great Dudley Moore CBE stars as a spoiled drunken millionaire who is engaged to Jill Eikenberry's character in the film. Jill would later star on LA Law. Anyway, he is served by his wonderful British butler, Sir John Gielgud OM who won an Academy Award for his performance in the film as Best Supporting Actor. Arthur falls in love with Liza Minnelli's character who is perfect in this film besides her performance in her Oscar winning role in Cabaret. No, Liza doesn't get to sing. She plays a diner waitress. Anyway I love Geraldine Fitzgerald as the Bach matriarch of the family who decides the family's fortune. Anyway, she is fabulous and should have gotten an academy award nomination herself for Best Supporting Actress. Barney Martin best known as Jerry's dad on Seinfeld plays Liza's dad. He's great too. The movie was well-written, acted, and delivered to the audience who wanted more of it.

The tag line is "The World's Richest Playboy", Arthur Bach (Moore), is a dipsomaniacal millionaire in NYC, who squanders money on drinks and female companions at the drop of a hat, only his dissolute bachelor days are numbered because he is arranged to walk down the isle with Susan Johnson (Eikenberry), a girl from a well-minted family but he doesn't love, otherwise he will be cut off from his gazillion inheritance, and just at that crunch, he meets the girl of his dream, Linda Marolla (Minnelli), a waitress from Queens, and the rest of the story is not difficult to conjecture, it is a choice between love and money, if Arthur has to relinquish one, what will he choose?

ARTHUR is director/writer Steve Gordon's only feature film, who prematurely died of a heart attack in 1982, it is a box office sensation and also incredibly, a victorious Oscar contender, broad comedies embraced by the academy has become more and more like gold dust as time goes by, Sir John Gielgud, won an Oscar for his prudent, sophisticated impersonation of Hobson, Arthur's devout butler and indeed, a father figure to him, whose mordant elocution and snobbish/avuncular poise is the perfect antidote of Arthur's excessive jests when he is plastered, also his bowing out denouement tactfully renders the film its well-earned moment of poignancy. Another Oscar is awarded to its theme song, BEST THAT YOU CAN DO, a timeless ear-worm penned by Burt Bacharach and co. and performed by a clear-voiced belter Christopher Cross.

Dudley Moore, reaps his sole Oscar nomination with this unrivalled comedy tour-de-force (graced with his accomplished piano bravura), it is really at a premium that a comedian can tips the emotional scale of his viewers apropos of a character that initially smacks of crudeness, intemperance and gaucheness. A pint-size dynamo, Mr. Moore injects an honest-t0-goodness likability once we knows Arthur better, he is a none-too-objectionable man-child and devoid of any wiles awash in the adult society, cocooned in his money-gilded bubble since his birth, but eventually he braves himself to face an impending sea change when he falls in love for the very first time, and Arthur's transmogrification doesn't, as one might habitually dread, comes off as overly mawkish or unduly therapeutic, there is a bracing message in this tall-tale: Arthur doesn't have to better himself to get the girl, instead, he is still the old self when the film reaches its coda, his drinking problem is hard to peter away, so is his compulsive joke-cracking under the influence one might surmise, the only thing has changed is that he experiences love and loss, and is not afraid of getting out of his comfort zone (although the ending lets rip a knowing whiff of jubilation, actually you can have your cake and eat it too!), and lucky enough to find someone who can reciprocate his feelings because who he is, not what he is bestowed (here I mean Linda, not Hobson).

On the petticoat front, Ms. Minnelli's puckish moxie is a good match of Arthur's benign wackiness, and Irish veteran Geraldine Fitzgerald evidently have a field day as Arthur's savvy grandmother Martha, everyone must behave on her say-so. By and large, it is a nicely surprising finding that this ostensibly crass comedy actually has wits in the hearts of its hackneyed story and perkily runs rings around most of its contemporaneous light entertainment from an infertile industry.

I watched this movie because it was recommended to me by a very old friend.

And it shocks me that it got even a few laughs back in the day.

I'm guessing that people found that kind of alcoholism funny but watching in 2021 it just seems...sad.

If you liked it back then, great! But seeing a drunk systematically ruin his life, telling awful bad jokes along the way is not precisely humor.

And no, I'm not an easily offended millennial, I was born two years after this movie.

I'll admit it has its moments, but not many. It was a struggle to even finish the movie.

The only good thing is the song.

Ok, even if you can't stand Liza- this movie is truly hilarious! The scenes with John Gielgud make up for Liza. One of the true romantic comedy classics from the 20th century. Dudley Moore makes being drunk and irresponsible look cute and amusing and it is damn fun to watch! The one-liners are the best.

I really wanted to like this movie, and it was OK, but it was not as good as O remember.

Plot in A Paragraph: Arthur (Dudley Moore) is a happy drunk with no ambition in life. He is also the heir to a vast fortune which he is told will only be his, if he marries Susan. He does not love Susan, but his family expects she will make something of him. Arthur does as he's told and proposes, but then meets a girl (Liza Minelli) with no money who he could easily fall in love with.

Dudley Moore's drunk act had me cringing, and found it annoying, yet his sober Arthur was more watchable. Liza Minelli is a joy (as always) as Linda Marolla, as is Geraldine Fitzgerald as Martha (Arthur's Grandmother) but it is John Geilgud as Hobson that steals the show (and rightfully took home the Oscar) that steals the show. He is brilliant.

This movie also features one of my favourite songs of all time 'Arthur's theme' by Christian Cross

It's not annoying just because of Dudley Moore's incessant drunken laughter, which wears thin only a few moments into the film. It's annoying because people are just selfish, rude and thoughtless throughout. Drinking and driving is simply not funny either, and Arthur is trashed driving around the city numerous times. Ha ha driving over curbs while swilling out of a bottle is tremendous entertainment. Agreeing to marry someone just to keep your inheritance with no regard for anybody's feelings is really funny stuff. Liza M. As a leading lady is a laugher. There's nothig appealing about her character at all. She's an obnoxious thief. Gee no wonder Arthur finds her irresistable. Her father is even worse. All he needs to know is the size of a guy's bank account before giving his approval for marriage. Shallowness everywhere you look. The acting is okay it's just the plot that's so ridiculous and mundane. Sir John G. Is even kind of a jerk in this, playing a pompous judgemental butler or servant or whatever he is. No, this thing just wasn't very enjoyable at all. The chauffeur is the only likable character and his role is minimal. How it's rated so high is thoroughly baffling. There's a few good songs and some beautiful classic luxury automobiles, and they are the only thing of any interest or real beauty in the movie. Oh, there's also a horse who's looks and personality far outshine Liza M. 's. I always thought it was an all right film with a few laughs, but this last time through made me wonder why. I honestly never even grinned or chuckled once. Pure stinkola......