Directed by
Ed Bianchi | ... | (as Edward Bianchi) |
Writing Credits
Bob Randall | ... | (novel) |
Priscilla Chapman | ||
John Hartwell |
Cast (in credits order) verified as complete
Produced by
Kevin McCormick | ... | executive producer |
John Nicolella | ... | associate producer |
Bill Oakes | ... | associate producer |
Robert Stigwood | ... | producer |
Music by
Pino Donaggio |
Cinematography by
Dick Bush |
Editing by
Alan Heim |
Casting By
Alixe Gordin |
Production Design by
Santo Loquasto |
Art Direction by
Paul Eads |
Set Decoration by
Leslie Bloom |
Costume Design by
Jeffrey Kurland |
Makeup Department
Joe Cuervo | ... | makeup artist (as Joseph Cuervo) |
Werner Sherer | ... | additional hair stylist |
Dick Smith | ... | special makeup effects |
Margaret Sunshine | ... | makeup artist |
Production Management
Joan Bradshaw | ... | production manager |
Marc G. Greenberg | ... | unit manager |
Second Unit Director or Assistant Director
William Eustace | ... | second assistant director |
Herbert W. Gains | ... | assistant director (as Herb Gains) |
Lewis Gould | ... | second second assistant director |
Mark McGann | ... | dga trainee |
Duncan Scott | ... | second assistant director |
Art Department
Gerard J. Furey | ... | carpenter |
Carl Landi | ... | stand-by carpenter |
Philip Saccio | ... | assistant property master |
Thomas Saccio | ... | property master |
Cosmo Sorice | ... | scenic artist |
James Sorice | ... | master scenic artist |
Edward Swanson | ... | head carpenter |
Jeffrey Townsend | ... | production design assistant |
Sound Department
Arthur Bloom | ... | sound recordist |
Dennis Maitland II | ... | boom operator |
Christopher Newman | ... | production sound mixer |
Sanford Rackow | ... | supervising sound editor |
Dick Vorisek | ... | sound re-recording supervisor |
David Ward | ... | commentary recordist |
Stunts
Jim Lovelett | ... | stunt coordinator |
Camera and Electrical Department
Maurice Brown | ... | assistant camera |
Robert Connors | ... | best boy (as Bobby Conners) |
Adger W. Cowans | ... | still photographer |
Craig DiBona | ... | steadicam operator |
James Finnerty | ... | key grip |
Maureen Lambray | ... | special still photographer |
Bruce MacCallum | ... | second assistant camera |
George Patsos | ... | best boy grip |
Leon Perera | ... | collaborating director of photography |
Richard Quinlan | ... | gaffer |
Herb Wagreich | ... | camera operator |
Dick Williams | ... | camera trainee |
Casting Department
Sylvia Fay | ... | extras casting |
Costume and Wardrobe Department
Lee Austin | ... | wardrobe supervisor |
Jeffrey Kurland | ... | associate costume designer |
Rose Trimarco | ... | wardrobe supervisor |
Editorial Department
Trudy Ship | ... | first assistant editor |
Location Management
Mark Indig | ... | location manager |
Libby Moyer | ... | location scout non credited (as Elizabeth Moyer) |
Ron Stigwood | ... | location coordinator |
Music Department
Natale Massara | ... | conductor |
Dan Pinsky | ... | music editor |
Louis St. Louis | ... | composer: additional show songs |
Pam Wise | ... | music coordinator |
John Moses | ... | musician: clarinetist (uncredited) |
Script and Continuity Department
B.J. Bjorkman | ... | script supervisor |
Transportation Department
Michael Hourihan | ... | transportation captain |
Bobby Marsh | ... | driver |
Additional Crew
Tommy Burns | ... | production assistant |
Dan Perri | ... | titles: designer/director |
Arlene Phillips | ... | choreographer |
Alice Spivak | ... | creative consultant |
Jeanne Theis | ... | production executive |
Anne Thompson | ... | unit publicist |