A beautiful and willful prostitute puts her appearance and body to use to become the toast of the town.A beautiful and willful prostitute puts her appearance and body to use to become the toast of the town.A beautiful and willful prostitute puts her appearance and body to use to become the toast of the town.
Jean-Pierre Aumont
- Muffat
- (as Jean Pierre Aumont)
Bruno Alias
- Erotic Club Client
- (uncredited)
Luciano Foti
- Erotic Club Client
- (uncredited)
Alba Maiolini
- Erotic Club Client
- (uncredited)
Vittorio Ripamonti
- Erotic Club Client
- (uncredited)
Bruno Romagnoli
- Erotic Club Client
- (uncredited)
Marcella Theodoli
- Erotic Club Client
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaKatya Berger was 16 or 17 when she filmed this, including her full nude scenes. She previously appeared fully nude in the 1978 film Little Lips when she was only 11 or 12.
- GoofsThe composer's name Ennio Morricone is misspelled as Enio Morricone on the credits.
- Alternate versionsThe 1980's American MGM/UA release on tape and disc was R rated and had some of the more explicit sex scenes trimmed.
- ConnectionsFeatured in Visions: Makers of Dreams/Snow Business (1983)
Featured review
Miscast lead and other problems
Usually I don't review anything I haven't watched in its entirety, but it was 2 at night, half an hour still to go, and I was certain that I would not miss anything of value by going to sleep. (Was anything produced by Golan and Globus ever of value?) There are two major problems in this film. First is the plot: too many scenes are individual sketches that don't connect to anything. Not that this is a surprise in softcore porn... The second, and worse, problem is Katya Berger. She is supposed to bewitch every man in the film but I totally fail to see how. All I saw was a little girl with zero acting abilities, not even that pretty. OK, the green eyes are cute in close-up, but several other women in the film are far better-looking.
Nothing else is too convincing either. What seemed interesting at first was the presence of the legendary Georges Méliès as a character. There, too, is a dual problem: the two examples of his films do not look like genuine films of the era, and they have none of the inventiveness that was his trademark.
Nothing else is too convincing either. What seemed interesting at first was the presence of the legendary Georges Méliès as a character. There, too, is a dual problem: the two examples of his films do not look like genuine films of the era, and they have none of the inventiveness that was his trademark.
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Details
- Release date
- Countries of origin
- Language
- Also known as
- Nana, the True Key of Pleasure
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 32 minutes
- Color
- Sound mix
- Aspect ratio
- 1.66 : 1
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