A hapless talent agent attempts to reconcile a lounge singer with his mistress.A hapless talent agent attempts to reconcile a lounge singer with his mistress.A hapless talent agent attempts to reconcile a lounge singer with his mistress.
- Nominated for 2 Oscars
- 3 wins & 5 nominations total
- Johnny's Mother
- (as Gina DeAngelis)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe reason Mia Farrow wears sunglasses most of the film is that Woody Allen did not feel she could pass herself as a tough Italian "broad", so he had her wear the sunglasses most of the film to hide her eyes, making her seem more sultry and mysterious.
- GoofsIn one scene, Danny can be seen walking past a movie theater, that advertises Q: The Winged Serpent (1982) and Halloween III: Season of the Witch (1982) on the marquee. However, the film is supposed to take place in the late 1960s.
- Quotes
Danny Rose: You know what my philosophy of life is? That it's important to have some laughs, no question about it, but you gotta suffer a little too' because, otherwise you miss the whole point to life. And that's how I feel
Tina Vitale: Know what my philosophy of life is?
Danny Rose: I can imagine.
Tina Vitale: It's over quick, so have a good time. You see want you want, you go for it. Don't pay any attention to anyone else. And do it to the other guy first, because, if you don't, he'll do it to you.
Danny Rose: This is a philosophy of life? This is - it sounds like the screenplay to "Murder Incorporated".
- Crazy creditsThe guys in the Carnegie Deli continue to banter over part of the end credits.
This is accomplished, initially, by the extremely naturalistic dialogue between the comics whose reminiscences form the bulk of the film. Notice how they all talk at once, they cut each other off, and they trample all over each other's lines. We really feel like we're listening in on a diner conversation, rather than watching a theatrical performance of a diner conversation. This gives the film an initial boost of accessibility.
This "charm factor" is cemented once we meet Danny Rose. Now, many people criticize Allen as an actor, claiming that he only ever plays one character... himself. This is absolute rubbish, and "Broadway Danny Rose" proves it. I have never seen Allen play a character so kind, warm, and accepting as Danny Rose. It was quite a pleasant surprise. Danny has to be that good, though, in order for us to accept that Tina is haunted by her betrayal of him.
That denouement, by the way, was really touching. The Thanksgiving scene took a good, funny, enjoyable movie and made it something a little more special. Compare this to the gross-out comedies of today... how many modern comedies can be as funny as "Broadway Danny Rose," and yet still create characters so real and so sympathetic that moments like the Thanksgiving scene can work?
I try not to harp on about how funny Allen's comedies are, because you either like his humor or you don't. If you like it, you don't need me to tell you it's funny, and if you don't, you won't believe me anyway. So why bother? I don't know, but I will say that this film had a good six or eight laugh out loud moments, at least, and it kept me smiling throughout.
Also, after a good debut in "A Midsummer Night's Sex Comedy" and a reduced, subdued role in "Zelig", this is the film where Mia Farrow really comes into her own as Allen's leading lady. For the first time, I don't miss Diana Keaton.
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Details
- Release date
- Country of origin
- Languages
- Also known as
- Brodvejski Danny Rose
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $8,000,000 (estimated)
- Gross US & Canada
- $10,600,497
- Opening weekend US & Canada
- $953,794
- Jan 29, 1984
- Gross worldwide
- $10,600,497
- Runtime1 hour 24 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1