A vengeful James Bond goes rogue to infiltrate and take down the organization of a drug lord who has murdered his friend's new wife and left him near death.A vengeful James Bond goes rogue to infiltrate and take down the organization of a drug lord who has murdered his friend's new wife and left him near death.A vengeful James Bond goes rogue to infiltrate and take down the organization of a drug lord who has murdered his friend's new wife and left him near death.
- Awards
- 1 nomination
Pedro Armendáriz Jr.
- President Hector Lopez
- (as Pedro Armendariz)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaTimothy Dalton stated in an interview about why his Bond was a much darker, grittier incarnation. It was because he wanted to go back to the Ian Fleming novels, and capture the essence and the spirit of the character Ian Fleming created.
- GoofsWhen the air hose on a truck's braking system is severed, the brakes lock on, they do not release as shown.
- Quotes
[Sanchez is about to kill James]
Franz Sanchez: You could have had everything.
James Bond: Don't you want to know why?
[Shows Sanchez Felix's lighter, then sets Sanchez on fire]
- Crazy creditsThe Surgeon General's warning appears at the end credits, due to the characters' use of tobacco products.
- Alternate versionsOn pan and scan VHS prints issued since 1990, the opening title credits have been slightly altered to fit the screen. Some credits that took one line in the widescreen version were altered to fit two lines in the pan and scan version.
- ConnectionsEdited into Folgers Coffee 'Licence to Kill' Television Commercial (1989)
Featured review
The Bond film series has been with us since the early sixties and for a character to stand the test of time, there requires a certain reinvention and reinvigoration for it to maintain longevity. Opinions are subjective as we all know, so make of this what you will.
'Licence to Kill' is one of the top five best Bond movies of all time along with it's powerhouse theme song. Up until this particular picture, we were introduced to Sean Connery's unique suave, set against an array of exotic backdrops and a strong supporting cast. George Lazenby, although criticised for being boring, offered us some great action sequences in his short time as the British spy. A sophisticated edge that was overpowered by it's comical tone throughout his run, Roger Moore took the reins during the 70's and early 80's. Then in 1987, Welsh actor Timothy Dalton donned the role of 007.
With 'The Living Daylights' establishing Dalton as James Bond, we were given fair warning on the tonal shift. Given this was the 80's, where a number of films were heavily inclusive of hard 'R' violence - 'Licence to Kill' adapted and not only brought us a visceral Bond film, but as many film historians have cited, one of the, if not the closest portrayals of Ian's Flemming's character.
For those giving current Bond actor, Daniel Craig the credit (or hate in some cases) for a cold and stoic interpretation of the character, I suggest you watch the Timothy Dalton Bond films, because this is where it started.
In 'Licence to Kill', Bond is essentially a one many army taking on a South American cocaine czar. This is a James Bond that up until this point was never seen like this on screen before. His best friends are maimed, he's stripped of his rank, his government and as it relates to the title - his licence to kill is revoked. He is left with almost nothing aside from his skills and weapons expert, Q.
Dalton plays Bond as a wounded wolf with a sensitivity and vulnerability visible in his eyes and the way he emotes. As opposed to his predecessors, Dalton plays the character with an introspective approach, where you can feel the torment and tension bubbling inside. Even when he smiles, there is pain, reminding us of what he has endured as a human being.
Bond's antagonist is played by Robert Davi - another underrated performer known mostly for his roles as a villain. He plays a drug king with a code, where loyalty seems to matter more than the money. We are immediately set with these two huge characters on a road to collision; the dark angel's raid on the reaper that claimed the lives and elements that held Bond together.
The whole film is non-stop and that also reflects the carnage and violence. The climactic chase is one of the best with the inclusion of trucks, jeeps and a plane against a beautiful Mexican mountain view.
As a huge proponent for Timothy Dalton's Bond, I advise any fans of the series to watch or re- watch his incarnations. Hopefully an appreciation will come about for how truly great and underrated he was.
'Licence to Kill' is one of the top five best Bond movies of all time along with it's powerhouse theme song. Up until this particular picture, we were introduced to Sean Connery's unique suave, set against an array of exotic backdrops and a strong supporting cast. George Lazenby, although criticised for being boring, offered us some great action sequences in his short time as the British spy. A sophisticated edge that was overpowered by it's comical tone throughout his run, Roger Moore took the reins during the 70's and early 80's. Then in 1987, Welsh actor Timothy Dalton donned the role of 007.
With 'The Living Daylights' establishing Dalton as James Bond, we were given fair warning on the tonal shift. Given this was the 80's, where a number of films were heavily inclusive of hard 'R' violence - 'Licence to Kill' adapted and not only brought us a visceral Bond film, but as many film historians have cited, one of the, if not the closest portrayals of Ian's Flemming's character.
For those giving current Bond actor, Daniel Craig the credit (or hate in some cases) for a cold and stoic interpretation of the character, I suggest you watch the Timothy Dalton Bond films, because this is where it started.
In 'Licence to Kill', Bond is essentially a one many army taking on a South American cocaine czar. This is a James Bond that up until this point was never seen like this on screen before. His best friends are maimed, he's stripped of his rank, his government and as it relates to the title - his licence to kill is revoked. He is left with almost nothing aside from his skills and weapons expert, Q.
Dalton plays Bond as a wounded wolf with a sensitivity and vulnerability visible in his eyes and the way he emotes. As opposed to his predecessors, Dalton plays the character with an introspective approach, where you can feel the torment and tension bubbling inside. Even when he smiles, there is pain, reminding us of what he has endured as a human being.
Bond's antagonist is played by Robert Davi - another underrated performer known mostly for his roles as a villain. He plays a drug king with a code, where loyalty seems to matter more than the money. We are immediately set with these two huge characters on a road to collision; the dark angel's raid on the reaper that claimed the lives and elements that held Bond together.
The whole film is non-stop and that also reflects the carnage and violence. The climactic chase is one of the best with the inclusion of trucks, jeeps and a plane against a beautiful Mexican mountain view.
As a huge proponent for Timothy Dalton's Bond, I advise any fans of the series to watch or re- watch his incarnations. Hopefully an appreciation will come about for how truly great and underrated he was.
- gregoridanu
- Nov 15, 2015
- Permalink
Details
- Release date
- Countries of origin
- Languages
- Also known as
- James Bond 007 - Lizenz zum Töten
- Filming locations
- Ernest Hemingway Museum - 907 Whitehead Street, Key West, Florida Keys, Florida, USA(M revokes Bond's licence to kill)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $32,000,000 (estimated)
- Gross US & Canada
- $34,667,015
- Opening weekend US & Canada
- $8,774,776
- Jul 16, 1989
- Gross worldwide
- $156,167,015
- Runtime2 hours 13 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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