5 reviews
This film seems well intentioned, but just doesn't give you anything but standard. The characters could've been more fleshed out. The script seems to only scratch the surface of these characters, there seems to be so much more to tell. Maybe that is because it was a novel first.
Michael Bacall's character has the best scenes, strangely Faye Dunaway and Joe Mantegna don't get given much to work with. The director Dominique Deruddere made an excellent film after this one called Suite 16 starring Pete Postlethwaite, but this one is just a bit bland.
Overall, this film has some good moments. I didn't mind watching it, but it won't stick in my mind.
6/10
Michael Bacall's character has the best scenes, strangely Faye Dunaway and Joe Mantegna don't get given much to work with. The director Dominique Deruddere made an excellent film after this one called Suite 16 starring Pete Postlethwaite, but this one is just a bit bland.
Overall, this film has some good moments. I didn't mind watching it, but it won't stick in my mind.
6/10
This movie is one you have to see. It's not the movie stars who make the movie, but it's the way it's told. Maybe a bit slow, but with much passion and know-how.
Francis Ford Coppola's name is on the screen (I think in the beginning of the movie). I have read that if Mr Coppola connects his name to a movie, it means he really likes it.
Francis Ford Coppola's name is on the screen (I think in the beginning of the movie). I have read that if Mr Coppola connects his name to a movie, it means he really likes it.
- mark.waltz
- May 9, 2022
- Permalink
Svevo Bandini is married with Maria and father of three sons. He's also an unemployed bricklayer who spends all his money at the pool hall, so that wife and kids won't have any presents for Christmas.
With the help of fellow Italian immigrant Rocco, Svevo gets work at the house of rich widow Hildegarde and sort of moves there, so as to avoid the mother-in-law he cannot stand.
The point is, mother-in-law is actually right, Svevo is a disrespectful cheater, good for not much and her daughter Maria could have done better, but the plot still adheres to the male point of view, so that women are either hags or desperate for male attention.
After having decamped with the widow, Svevo tries to go back home but Maria is upset and kicks him out, therefore son Arturo concocts some lies to convince his mother to take back Svevo. All of this in slow motion and mixed with Arturo's growing pain.
With the help of fellow Italian immigrant Rocco, Svevo gets work at the house of rich widow Hildegarde and sort of moves there, so as to avoid the mother-in-law he cannot stand.
The point is, mother-in-law is actually right, Svevo is a disrespectful cheater, good for not much and her daughter Maria could have done better, but the plot still adheres to the male point of view, so that women are either hags or desperate for male attention.
After having decamped with the widow, Svevo tries to go back home but Maria is upset and kicks him out, therefore son Arturo concocts some lies to convince his mother to take back Svevo. All of this in slow motion and mixed with Arturo's growing pain.
The way in which the film was made,between hope and despair, with a black and heavy atmosphere, telling a woman which accepts all from her husband by love for his children, convinced me. Ornella Mutti, which is one of the most known Italian actress, is beautiful as always in her role of wife, Faye Dunaway, older than usual, is the perfect image of the black widow and Joe Montagna gives all of himself as leading actor. In spite of the time spent between my first and only vision and my vote (more than 10 years) I always have in memory the course of the action, and that is the proof of the quality of film made by a Belgian director, and for Belgium is yet a success.
- dovindo-sibau
- Mar 16, 2005
- Permalink